PopCultHQ’s Jason Bennett #comic book review of NVRLND #3 Rating: 5 out of 5 Stars

PopCultHQ’s Jason Bennett fantastic review for our latest issue of “NVRLND” #3. Rating: 5 out of 5 Stars

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NVRLND #3 on Comixology

NVRLND's creative team
Developed By Kinetic Underground
Published by 451 Media Group
Art Director / Editor –in– Chief David Forrest
Illustrated by Leila Leiz,
Written by Dylan Mulick and Stephanie Salyers
Colors by Tom Chu and Edgy Ziane
Lettered by Eugene Perez Jr

Synopsis for NVRLND #3:

Is this party over before it started? Never say never in NVRLND. With Wendy thrown off the roof, Peter unconscious on the back of Tink’s motorcycle, and a whole gang of blood-thirsty pirates barreling down Mulholland Drive, it’s hard to imagine this scene getting any worse. However, now that Hook has Peter’s shadow, all bets are off. Meanwhile, Wendy’s Police Chief father is hot on the trail of whoever has been producing the lethal batch of pixie dust. A meeting with The Savages will open a door to worlds unimagined, even by the likes of tinsel town!

Jason Bennett Comic Book Review of NVRLND #3

One of the difficulties faced by creators upon delivering a series, or title, which is well-received and have fans excited, is that they have now set a standard by which future issues will be gauged.

This isnʼt limited to just comic books either. When a movie plans a sequel, a television series has a shocking cliffhanger, a new artist in the music industry releases a smash hit album, or a popular book has future plans for the series, as great as the accolades

are, the pressure to maintain or surpass that level of excitement in the next offering is always a heavy weight placed on whatever comes next. Fans want to see that momentum continue (no pressure creators, no pressure). As I have reviewed both prior issues of NVRLND for PopCultHQ and enjoyed them both immensely (possibly an understatement), plus the fact that the title is scheduled to end after issue four, this penultimate issue would be held to greater scrutiny in my reading and assessment. Could the writers continue their success in a gripping tale which has captivated me since the first issue? Would the illustrations maintain the level of quality and overall feel of the story? And ultimately, will my excitement for this modern day reimagining continue to build with anticipation or has it peaked?

Forget turning the volume up to 11. ‘NVRLNDʼ #3 cranks it on blast and tears off the knob. On every level. This world created, this environment, just got immensely bigger and twice as real.

As always, I try to avoid spoilers outside of the given synopsis. So Iʼm going to do something a little different and just entice you with key words to give you a sense of what you can expect when you pick it up tomorrow (10/12) at your local comic shop…

Drugs, gangs, narcissism, corruption, aftermath of an orgy, tattoos, a power struggle, motorcycle chase, black magic, and did we just see Hookʼs ass?

Yep, itʼs that kinda party

But even moreso than that, we see a girlʼs desire to be loved, who fails to receive it from family and desperately seeks it in Peter, in which the loss of his shadow is aging and essentially killing him. Itʼs a crazy love story of inner city youth caught up in a wild lifestyle and itʼs told beautifully.

Writers Mulick and Salyers have magnificently delved deeper into each characterʼs development, further revealing their charactersʼ traits, which remarkably define each individual.

They explore how the loss of his shadow is affecting Peter, primarily the physical strain he suffers. The faithful commitment Tink has for him also rises to the surface; even without her speaking a word you can sense her love and loyalty to the rock star. Tiger Lilly gets more attention and is becoming a player to watch. We are also beginning to see what is transpiring away from the club scene with Wendy Darlingʼs father, the cityʼs DA, and his work alongside the mayor in their attempt to rid the streets of the drugs and gangs run rampant in southern California.

And Smee? Donʼt get me started on how hilarious Hookʼs crony is depicted (too much of a spoiler, you have to see for yourself).

What really stood out to me in this issue was James Hook. You already know heʼs the main antagonist in NVRLND, but here we see his power and control magnified through his narcissistic behavior and bravado, as well as the almost symbiotic relationship Peterʼs shadow creates with him. Hookʼs swagger seen in issue three makes him the “bad guy you love to hate.” Straight up pimpinʼ here, folks.

Artist Leila Leiz continues to build on her fabulous illustrations of la-la landʼs club scene and urban environment. What I always enjoy from Leilaʼs work is her attention to detail. Itʼs the images she creates in the foreground, the background, and the little intricacies which are often overlooked. And she does so in a way thatʼs not excessive; just the right amount to give the character life and make everything else feel quite real.

Where Mulick and Salyers have created the feel for the characters, Leiz has wonderfully developed the look. Together, this creative team has captured the very essence of not only storytelling but the L.A. nightlife, the dark and shady drug scene, and the corruption which occurs on a regular basis, whether we see it or not. Itʼs this sense of realism which helps give NVRLND credibility, plausibility, and makes for compelling and engaging reading material.

451 Media Group has strengthened its brand by bringing this unique story and incredibly talented team to their label. Does it fit their typical model for titles under their label? Perhaps not, but thatʼs what impresses me about 451: their willingness to not limit themselves to a certain model or genre just to establish the look and feel of their company. Itʼs about seeing an exciting story and finding true gems of talent associated with the project. In that regards, 451 has delivered and then some. Hereʼs to hoping this miniseries gets adapted into an ongoing series, as NVRLND screams with potential and possibilities to grow and expand in its storytelling.

NVRLND has cemented itself among great titles such as Zenescopeʼs Grimm Fairy Tales and Vertigoʼs Fables as quintessential adult-oriented fairy tales which rekindle a sense of youth in the reader from the characters, yet employ all the facets of current societal issues and real-world scenarios. With only one issue left, everything that has transpired will finally come to a head. From where this issue leaves us, next monthʼs series finale is primed for an explosive ending. The stage is set (literally and figuratively) for a showdown of the ages. Simply put, this series is a must for any collection! My issue number one is framed and mounted on my wall.