Zazz.io’s Post

As a sound engineer specializing in live events, achieving quality is at the core of what I do. Just like in any industry, meeting customer expectations is key. Imagine being judged by all your customers at once – there's only one chance to get it right! To ensure quality, I focus on tool selection, technical competency, and physical competency. From microphones to mixing consoles, each element plays a crucial role in delivering the perfect sound experience. It's about understanding, updating, and maintaining every component to create a seamless show. Balancing this role with my work as an HSEQ consultant might seem like a lot, but being a sound engineer fuels me. It's a source of energy, pride, and personal growth that I bring to every project. Everything I learn in the world of sound engineering supports my commitment to you. Shine on! #SoundEngineering #Quality #CustomerExperience #LiveEvents #HSEQConsultant

❗There's no way I could stress enough how important technician's work is during a conference!❗ Last week I worked at a conference where my colleague-technician was absent and it was a nightmare! Yes, I can fix things here and there when needed (and it was pretty much needed) but that's not the point! The point is that a technician is a professional who knows how to act preemptively and make things run smoothly! It's what they do million times better than me. Bottom line, knowing the ropes of the sound system is not my job! Technician is there for a reason! #interpretation #technician #conference #sound

Behind the Scenes: A Day in the Life of a System Engineer In every media production, there’s a world that exists behind the scenes—often unnoticed, yet absolutely crucial. As a Systems Engineer in the fast-paced world of media, my role begins long before the cameras start rolling. Preparation is key. It all starts with powering up the servers, making sure every piece of equipment is ready for action, and gathering all the technical materials necessary for a smooth production. On production day, particularly the first, it's all hands on deck. Cameras are deployed, tripods set up, cables run, and the stage is meticulously prepped. But it’s not just me—it’s a team effort. I work alongside talented professionals: cameramen, floor managers, sound engineers, vision mixers operator, CCU operators, teleprompter operators, EVS operators, and directors, just to name a few. My primary responsibility is ensuring that every piece of equipment is fully operational, so the team can perform at their best. With over 200 pieces of equipment in the chain, any breakdown must be addressed immediately. Downtime is never an option. From the studio floor where the action unfolds, to the central apparatus room on the ground floor, I’m constantly on the move, troubleshooting, fixing, and fine-tuning systems to keep everything running smoothly. As the cameras capture the magic, I’m working behind the scenes, ensuring every second is technically flawless. When the host and cast are ready, the sound engineer wires the mics, and the crew takes their positions, communication flows seamlessly between the Director and the team. Every detail matters—if one system fails, it impacts the entire production. Once the shoot wraps, my day isn’t over. I’m responsible for transferring all the recorded footage to drives, so the client can move forward with post-production. It’s a long, exhausting day, but I wouldn’t trade it for anything. What drives me? Passion. Passion for the craft, for the technology, and for the unseen effort that brings these productions to life. Even though my face is never on camera, when I watch the final product on TV, I see my hard work in every frame. Being behind the scenes doesn’t mean being in the shadows—it means being part of something bigger. Stay resilient, stay passionate, and your dedication will pay off. After all, the real magic often happens where no one’s looking.

Not to offend anyone. I really don't understand why Sound Engineers are paid so low!? A reputed audio post-production studio is hiring for two positions 1 Dubbing Director for 5 LPA 2 Recording Engineer for 4 LPA Comparing the two jobs Dubbing Direction is a job where the person suggests proper dialogue with emotions to the voice over artist sitting for recording . The person has no other task other than completing that in given time. Whereas, a Recording Engineer's job is not just recording. he/she has to see the length of the dialogue is coming in proper sync. if there's any issue the recordist also has to suggest something that fits with the sync and meaning. At the same time he also has to check whether the input recorded is proper for every single dialogue. The recording engineer will also have to look after the setup he's working if they're working properly and properly placed comfortable for the artists. the person has to run back and forth for every artist. And after all this hard work he is underpaid. This is not just about a recording engineer but every Sound engineer who's giving enough time to make something sound good but at the end of the day he's kept underpaid. What's the possible reason behind this unfair payment system? #soundengineer #recordingengineer

As a Technical Coordinator in the entertainment industry, some important points to consider include: 1. **Technical Expertise**: Being well-versed in the technical aspects of audio, lighting, video, and stage production is crucial. 2. **Communication Skills**: Clear communication with team members, artists, and production staff is essential to ensure everyone is on the same page. 3. **Problem-Solving Abilities**: Being able to troubleshoot technical issues quickly and effectively is vital to keep productions running smoothly. 4. **Organization**: Managing schedules, equipment, and personnel requires strong organizational skills to ensure everything is in place for rehearsals and performances. 5. **Team Leadership**: Leading and motivating technical teams to work efficiently and collaboratively towards a common goal. 6. **Attention to Detail**: Ensuring that all technical elements align with the artistic vision and meet quality standards. 7. **Safety Awareness**: Prioritizing the safety of performers, crew, and audience members by adhering to safety protocols and regulations. 8. **Flexibility**: Being able to adapt to last-minute changes or unexpected challenges that may arise during productions. 9. **Budget Management**: Responsible for managing the technical budget, including equipment rentals, maintenance, and crew expenses. 10. **Continuous Learning**: Staying updated on the latest technologies and trends in the entertainment industry to enhance productions and streamline workflows.

When planning an outdoor event, one production mistake that can significantly impact the experience is ignoring the acoustics of the venue. Unlike indoor venues, outdoor spaces can have unpredictable sound dynamics due to the open environment. Here’s how to avoid this: 1. Sound Mapping: Conduct a sound mapping exercise during the planning phase to understand how sound travels in the venue. This helps identify potential problem areas. 2. Quality Sound Equipment: Invest in high-quality sound equipment designed for outdoor use. This includes powerful speakers and microphones that can handle ambient noise. 3. Professional Sound Technician: Hire a professional sound technician who can adjust sound levels in real-time and ensure consistent audio quality throughout the event. Addressing the acoustics can ensure that your event’s sound quality is impeccable, enhancing the overall experience for your guests. At WML, we fine-tune every detail so your outdoor events really hit the mark. Want to ensure your next event sounds perfect? Get in touch with us at WML, and let’s hit all the right notes together. #EventManagement #eventmanager #eventmanagementcompany #eventmanagers #unforgettablemoments #eventvenue #eventlogistics #corporateevents #eventstyle #eventinspiration #eventindustry #experientialmarketing #brandpromotion #brandexperience #brandactivation #ukbusiness #ukbusinesses #eventdecor #eventprofsuk #glasgowbusiness #scottishbusiness

🎥 Mastering the Art of Visual Excellence: The Role of a Video Technician 🎥 In the realm of #events, the visual #experience is paramount. Behind every awe-inspiring display lies the #expertise of a #VideoTechnician, the unsung #hero ensuring that every moment shines bright. From #setting up intricate equipment to #troubleshooting technical glitches, Video Technicians are the backbone of seamless visual presentations. Their #mastery extends beyond cables and cameras; it encompasses a deep understanding of signal #flow, creative #collaboration, and on-the-fly #adaptability. At the heart of every #successful event is a Video Technician, weaving #together technical #precision and creative vision to craft unforgettable experiences. Embrace the power of visual #storytelling with a Video Technician at your side, and watch your events come to life in dazzling #brilliance. Find out more on our website: https://www.iiole.com/ #EventProduction #EventTech #AVTech #VisualEffects #EventProfs #EventIndustry #TechnicalSkills #EventManagement #EventPlanning #UKEvents #TechJobs #CareerOpportunity #VisualContent #Networking #VisualExcellence #TechnicalExpertise #CreativeCollaboration #LinkedIn #EventTech #VisualStorytelling #AudioVisual #EventPlanner #LiveEvents #AVTechnician

Video Industry Secrets they don’t want you to know… I’ll probably get in trouble for the last one. Here are some things to look out for on your next project: 1. Experience in the field will make or completely break a production. Anything could happen on set … from a cable ripping to a camera malfunctioning, an experienced production agency will have a backup for the backup. 2. If there’s not a streamlined onboarding process (quote, invoice, contract, and payment schedule), that’s usually a yellow flag. I’ve heard countless horror stories about not having a contract. Even if it’s an incredibly small project, contracts will set the expectations. 3. The cost breakdown of a video project varies tremendously between production companies. The three pricing structures you will see are hourly rates, day rates, and project rates. Project rates will give the most bang for your buck. Also, check to make sure you have detailed line items describing each service they are offering. 4. Most corporate productions (brand films, client testimonials, etc.) don’t require more than three people: Director/Camera Operator, 2nd Camera Operator / Assistant (sometimes called a grip), and Sound Engineer. The upsell in video world a lot of times are the crew. If there are line items for more than the 3 above, have your point of contact explain why you need the extra hands on deck. Sometimes it’s for good reason! Other times, they’re upselling. #videoproduction #corporatevideo

New Post: Camera Operators, Television, Video, and Film - https://lnkd.in/ePwQtTni operators in the fields of television, video, and film are the creative minds behind capturing captivating visuals that bring stories to life on screen. In this comprehensive guide, we will explore various aspects of the camera operator profession, including job titles, tasks, technology software, tools used, occupational requirements, work activities, work context, experience requirements,…

Great entry level opportunity here