Sulaimaan Haq’s Post

Here is a project I have been working on. It is about exploring generating images based hundred (ok 99..) percent on my 3D sketch. For me it is crucial to explore the possibilities of comfyui and generative models working for my vision without compromises because I see no advantage in generating random images and videos online (and call it „the future of cinematography“ and hype… big NO!). I just like discovering new cool tools. You can see some working workflows in the video. 3D sketch on generated image generated image back to 3D to create textures through projection generating new depth from generated image and wrapping it to match your 3D sketch preview I tried a lot of different models and combinations to achieve this so I would like to select some models that enabled this workflow and they work just great. So even this is not a step by step tutorial either, you can benefit a bit. sdxl controlnet union model - Amazing ratio between image control and quality degradation. Compare to other solutions I tried. supir - Great upscaler, most probably the best I tested, although a bit more complicated to use depth pro - Imho the most accurate depther yet, very fast and able to provide high resolution. Much more accurate in terms of metric measurement than depth of anything V2 for example, but very choppy when you try to animate (for animations DepthGrafter is your king) live portrait - Well, image2video works fantastic, in my case video2video has a lot of room for future improvements, but it is definitely a great tool. By this way I want to thank all the developers of these models, they did an amazing job, so dev-dummies who would rather reinstall the whole pipeline than learn how to edit two f*** lines in python (like me) can do their artistic work. All workflows are built as offline and free (for non-commercial use) I hope there will be similar projects in the future!

At Monolith, we're more than just a #production team. We specialize in transforming creative visions into breathtaking realities through visual effects services designed for film and commercial projects.  From concept art to final composites, we're your premier partner in visual storytelling. Discover how our expertise in #CGI and high-end visual effects can bring your projects to life via our profile. Our #VFX services include: • #ConceptArt: Transforming initial ideas into visual blueprints. • #Storyboarding: Crafting detailed visual narratives for pre-production. • #Pre-Visualization: Offering a dynamic preview to guide your production. • #VisualEffects: Creating stunning and seamless cinematic visuals. • #Rotoscoping: Generating clean plates through precise wire and rig removal. • Beauty and De-Aging: Perfecting imagery with sophisticated techniques. • #Matchmoving: Ensuring realistic integration of CGI with live action. • #3D Effects and Animation: Bringing vibrant and dynamic elements to life. • #SetExtension: Expanding the visual environment beyond physical limitations. More via vfx.monolith.asia

I don't like 3D, but I use it extensively. Over everything, I prefer when it is invisible. Below 3 ways on how I ve implemented 3D in the production of De Imperio: (even if you won’t notice it) 01 • Layouts Like in the video below, sometime, we use extremely rough 3D for "blocking" or in order to create more accurate layouts and camera movements. Something that by hand would be more complex and time consuming. 02 • Speed up the pipeline The short has more or less 200 characters; One sequence has 20 looping characters over 1 minute time. Animating them by hand like the others would have been extremely time consuming, instead we made them in 3D and animated on top of few 2D hand animated reference we prepared. 03 • Simulations To keep certain moments more realistic or more "cinematographic" we used 3D simulations that would be too complex to animated by hand at least if you don t want to spend month working on it The most important thing? Stylistic consistency among softwares and teams. So 3D is still an important tool, but lives in the "backstage". - - - - - - Below a 2d layout made on Krita and later integrated with some basic rough 3D for a double camera movement. #artdirector #creativity #creativedirector #education #motiongraphics - - - - - - - If you found this post insightful, share it with your network!

What if we will tell you that we have special techniques to elevate your audience engagement to new heights? So let's talk about 3D videos☺️ 3D movies mesmerize viewers and make them want more. Here's how to use 3D videos effectively: 🌟Depth of Field Manipulation: Just like in photography and cinematography, controlling depth of field can draw your audience's focus to specific elements within your 3D scene. By selectively blurring background or foreground elements while keeping your main subject sharp, you can create a sense of depth and guide the viewer's attention to where you want it. 🌟Dynamic Camera Movements: Utilize dynamic camera movements to immerse your audience in the action. Whether it's smooth tracking shots, dramatic pans, or thrilling swoops, dynamic camera movements can make your 3D world feel alive and dynamic, enhancing the overall viewing experience. 🌟Parallax Effects: Leverage parallax effects to add depth and realism to your scenes. By moving different layers of your composition at varying speeds, you can create a sense of depth that mimics the way our eyes perceive the world, making your 3D environment feel more immersive and believable. 🌟Interactive Elements: Incorporating interactive elements into your 3D videos can provide a unique and engaging experience for your audience. Whether it's allowing viewers to manipulate objects within the scene, explore different perspectives, or make choices that affect the outcome, interactivity can turn passive viewers into active participants. 🌟Creative Use of Lighting: Lighting plays a crucial role in setting the mood and atmosphere of your 3D scenes. Experiment with different lighting techniques, such as volumetric lighting, rim lighting, or colored gels, to evoke emotion and enhance the visual impact of your videos. #videocreative #creativestudio #3dvideo #marketingvideo

🚀 𝐕𝐅𝐗 𝐋𝐢𝐠𝐡𝐭𝐢𝐧𝐠 𝐒𝐭𝐮𝐝𝐲 𝐁𝐫𝐞𝐚𝐤𝐝𝐨𝐰𝐧: 𝐈𝐧𝐭𝐞𝐫𝐬𝐭𝐞𝐥𝐥𝐚𝐫 🚀 Hey all! I recently shared a study I completed, inspired by one of my favorite films, Interstellar, however, I thought of creating a nice breakdown to demonstrate the thought process of it all. 🌌✨ In this project, I selected a few shots from the movie and replaced the characters with CGI models, meticulously matching the original lighting and mood. Here’s a breakdown of my process: 𝐋𝐢𝐠𝐡𝐭𝐢𝐧𝐠 𝐀𝐧𝐚𝐥𝐲𝐬𝐢𝐬: - I studied the original lighting setups, paying close attention to light sources, direction, color temperature, and intensity. - This involved deconstructing the key light, fill light, rim light, and ambient light to understand how they contribute to the overall mood. 𝐂𝐆𝐈 𝐈𝐧𝐭𝐞𝐠𝐫𝐚𝐭𝐢𝐨𝐧: - With a pre-made model (credited in the original post), I carefully positioned the camera with an approximate configuration as seen in the movie (roughly a 35mm or IMAX 75mm in some shots). - Using Maya as my DCC and Renderman, I recreated the lighting to match the original as closely as possible. - Nuke helped fine-tune the integration, adjusting for color grading. 𝐂𝐡𝐚𝐥𝐥𝐞𝐧𝐠𝐞𝐬: - One major challenge was replicating the subtle interplay of light and shadow, especially in the highly reflective surfaces of the chosen CG model. - Another was achieving the ambient lighting without the original set HDRI. This had to be done in a very unorthodox way. Utilizing AI, I removed the character from the original shot and used that as a makeshift ambient projected onto geometries around the CG model. Lighting is crucial in storytelling; even minor adjustments can significantly impact the feel of a scene. Attention to detail in matching the lighting and mood can make CGI characters blend seamlessly into live-action footage. I’m always eager to connect with fellow artists and enthusiasts. Currently, I am open to work and excited for my next opportunity in the VFX industry. Feel free to reach out for discussions, collaborations, or job opportunities! #VFX #Lighting #Compositing #CGI #Interstellar #FilmStudy #VisualEffects

You don’t need a massive agency to achieve blockbuster results. Godzilla Minus One proved that staying lean and mean can deliver epic, award-winning success. While Marvel films rely on thousands of VFX artists, Godzilla Minus One crushed it with just 35. That’s right—35 top-tier professionals pulled off 600 jaw-dropping VFX shots, led by a director with hands-on experience. This nimble crew didn’t just do more with less—they took home an Oscar for Best Visual Effects. Proof that you don’t need a huge team to achieve MONSTER impact. It’s not about size—it’s about having the right creative partners. That’s exactly what drives the 3D and CGI work at Weasel Creative. When you work with me, you’re not paying for a bloated team with inflated costs. You get over 20 years of expertise packed into one—art director, creative director, producer, and 3D artist. All supported by a powerful, compact render farm. If you’re looking for a lean, mean, 3D motion design powerhouse, slide into my DMs, and let’s create some Godzilla-sized CGI together!

🎥 All about Chroma 🎬 Chroma Screen Filming.; Chroma screen filming includes recording a subject in front of a solid-colored background, usually green or blue. During post-production, the background is eliminated and replaced with any image, video, or virtual environment. This method is known as chroma keying. 🎬 Only green and blue colors are utilized; Due to their greatest deviation from genuine human skin tones, green and blue are utilized. This facilitates the process of distinguishing the subject from the backdrop. Digital camera sensors are typically more sensitive to the green colour spectrum, which results in a crisper key. As a consequence, green has gained additional popularity in recent years. 🎬 Role of Tracking Markers; Tracking markers are shapes (x+) with high-contrast colour that are applied to a blue/green screen or scene during filming. In the course of post-production, these markers can be used as reference points for visual effects (VFX) software. In order to calculate precise 3D camera movement or object motion, tracking software examines the movement and position of the markers in each frame. Tracking markers allow VFX Matchmove artists to properly recreate camera movements from the original shots in 3D software. This enables the seamless integration of computer-generated elements into live-action scenes. Tarking markers assist the VFX team in replacing or augmenting an object in a scene by allowing software to track its movement and rotation, simplifying the process of matching the CGI replacement. Tracking markers can help repair shaky film and accurately remove shoot equipment, safety harnesses, and wires. #filmmaking #cinematography #filming #cinematics #moviemaking #cgi #vfx

VFX Pipeline Exploration: Day 17 - Navigating the Art of Color Grading! 🎨✨ Dive into the fascinating world of color grading, a crucial step in the VFX pipeline that adds depth, mood, and cohesion to visual elements: Importance of Color Grading: Enhancing Visual Appeal: Color grading goes beyond correcting colors; it elevates the overall visual appeal, creating a distinct and captivating atmosphere. Color Grading Tools: DaVinci Resolve: A powerhouse for color grading, offering a comprehensive set of tools for adjusting colors, contrasts, and creating stunning visual effects. Adobe Premiere Pro: Integrating seamlessly into the editing process, Premiere Pro provides robust color grading features for a cohesive cinematic look. Understanding Color Theory: Emotional Impact: Colors evoke emotions; understanding color theory helps in crafting scenes that resonate emotionally with the audience. Color Harmony: Achieving balance and harmony in color schemes enhances the visual storytelling experience. Role in Visual Narrative: Conveying Atmosphere: Color grading plays a pivotal role in conveying the atmosphere of a scene, whether it's a warm, inviting setting or a cold, suspenseful environment. Temporal Changes: Dynamic color grading can signify changes in time, mood, or narrative progression within a visual sequence. Collaboration with Directors and Cinematographers: Creative Collaboration: Working closely with directors and cinematographers ensures that the color grading aligns with the creative vision of the project. Consistency: Maintaining color consistency across scenes and sequences contributes to a cohesive visual narrative. Latest Trends in Color Grading: HDR Grading: With the rise of HDR technology, color grading adapts to deliver enhanced contrast, luminance, and a more immersive viewing experience. Vintage Looks: Incorporating vintage color grading styles adds a nostalgic touch, creating a unique aesthetic for certain projects. Challenges and Solutions: Color Matching: Ensuring consistency in color across different shots poses a challenge, but tools like color charts and reference frames help achieve uniformity. Client Feedback: Effectively interpreting and implementing client feedback is essential for meeting expectations and delivering the desired visual impact. Color grading is an art form that transforms raw footage into a visually captivating masterpiece. Understanding its nuances adds a vibrant layer to the VFX journey! 🌈🎬 #ColorGradingMagic #VFXColorPalette #VisualArtistry #CinematicMagic #LearningVFX #VFXJourney #DigitalColorCanvas #VFXCommunity #roto #paint #vfx #vfxstudio #3d #composting #comp #rotomation #matchmove

In the world of visual effects (VFX), lighting is a crucial part of making scenes look real and believable. Whether it’s blending CG elements into real footage or creating fully animated environments, the job of a VFX lighter is all about using light to tell a story and make everything look like it belongs. What Does VFX Lighting Aim to Do? 1. Make CGI Look Real: The first big challenge is to make sure that CGI objects, like a dragon or an ape, look like they were there when the live-action scene was shot. To do this, you have to copy the way light behaves on set — its direction, brightness, and even its color. 2. Set the Mood: Light changes how we feel about a scene. Soft, warm lighting might make you feel cozy or romantic, while harsh, blue lighting can make things feel cold or scary. By playing with light, VFX artists help guide your emotions and attention to what matters in the story. 3. Stay True to Physics: Light in real life doesn’t just hit an object and stop — it bounces, reflects, or sometimes goes through things. In VFX, we simulate this with techniques like: Global Illumination (GI): To show light bouncing off walls and surfaces. Filters: Fancy light patterns you see through water or glass. Subsurface Scattering: How light travels through materials like skin, giving it that soft, lifelike glow. VFX lighting is a mix of science and art. It’s about knowing how light works in the real world and using it to create visually stunning, emotionally engaging scenes. It’s technical, creative, and essential to bringing a story to life on screen. *The image is just for reference* #VFXLighting #CGLighting #VFX #LightingDesign #LightingInCG #VisualEffects #3DLighting #CGI #LightingTech #LookDev #LightingAndShading #Renderer #film #series

Chroma 0289 - In Which the Author Talks about a Weird Compositing Tip Weird Screen Burn-In compositing tip: treat your screen like it’s behind glass If you want to create flawless screen replacements in your composites: 1. Analyze the monitor’s distortion → Look for the curvature of the screen, subtle reflections, and imperfections that warp the footage. 2. Recreate environmental lighting → The screen must match the scene’s ambient light and shadows to feel like part of the real environment. 3. Blend reflections and glare → Integrate natural reflections from the surroundings and match the glass reflection intensity. 4. Perfect the match move → Ensure the screen replacement matches the angle and perspective perfectly, down to pixel-level adjustments. Any screen replacement should look like it’s part of the original shot, not just layered on top. And it should never break immersion by appearing artificial. This is why some screen replacements feel seamless, and others feel flat and fake. Because their attention to light, reflections, and perspective is either precise or off by miles. A poor screen burn-in shows mismatched lighting and perspective. A seamless burn-in looks like it was always part of the shot. Perfect your screen burn-in comp → and your shot will stand up to the closest scrutiny. --- Thanks for reading and if you enjoyed this: 1. Save it 2. Repost it to share with others 3. Comment with your favourite takeaway Then hit follow → Alpha Chromatica for more posts on advanced compositing techniques. Shot Credit - Iyas Hassine 💬#AlphaChromatica #Chroma #HeyGanz #ScreenBurnIn #IyasHassine