New music supervision work for Brunello Cucinelli's 'The Holiday Ball' Director: Nina Holmgren Production Company: SMUGGLER Music Supervision: Jay James & Colin McIlhagga Soundtree EP: Colin Hickson
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These are 9 simple steps to succeed as an independent music artist #RichieMensahLifeCoaching #MusicBusiness
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Leadership and investment is right! 👋
Chase Koch Co-Founder Elsewhere Music Festival and Midtopia is on the ictpodcast.com This music festival is putting "artists and music workers first-- challenging the norms of the industry." The line-up is insane! #getyourticketsnow #takeaction
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In music theory, the correct use of sharps (#) and flats (b) is essential for accurate musical notation and understanding. While it might seem arbitrary at first, specific rules guide when to use each. Let’s explore these rules with examples to clarify this fundamental aspect of music theory. https://lnkd.in/ey96T5Ek
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My book review of Intertextuality in Music (Violetta Kostka, Paulo F. de Castro, and William A. Everett, eds.) is now on Music Theory Online!
Review of Violetta Kostka, Paulo F. de Castro, and William A. Everett, eds., Intertextuality in Music: Dialogic Composition (Routledge, 2021)
mtosmt.org
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𝐓𝐡𝐞 𝐏𝐫𝐢𝐦𝐞 𝐋𝐞𝐠𝐚𝐜𝐲 𝐨𝐟 𝐆𝐥𝐨𝐛𝐚𝐥 𝐏𝐨𝐰𝐞𝐫𝐡𝐨𝐮𝐬𝐞 | 𝐓𝐡𝐞 𝐅𝐀𝐂𝐄 • Associate Professor John Fitzgerald—The Global Powerhouse University of Melbourne is facing a critical decision regarding an upcoming electronic dance music festival that has sold out and is expected to draw 12,000 attendees at Melbourne's Flemington racecourse. With a conservative estimate suggesting that approximately 30% of the festival-goers may opt to consume pills or powders of unknown composition, the university must determine the most effective approach for ensuring the safety and well-being of the attendees. Conducting testing before individuals use the substances presents several advantages. Pre-event testing allows for the identification of potentially harmful substances before they are ingested, enabling organizers to provide crucial information to attendees about the risks associated with the drugs in circulation. This proactive approach empowers individuals to make informed decisions regarding their substance use and may deter some from consuming hazardous substances altogether. Furthermore, pre-event testing can help identify trends in drug composition and circulation, informing future harm reduction strategies and enhancing overall safety at the festival. On the other hand, conducting testing after individuals have already used the substances poses significant challenges and limitations. Post-event testing may provide insights into the composition of drugs consumed at the festival, but it comes too late to prevent immediate harm or adverse reactions among attendees. Moreover, post-event testing may miss individuals who have experienced negative effects or medical emergencies due to substance use, limiting the effectiveness of intervention and harm reduction efforts. Drug testing is widely used across social gatherings, parties, events, and in private and public sectors globally to enhance safety, security, and accountability. It helps identify harmful substances, educate about drug risks, and prevent incidents. In employment screenings, drug testing is common to ensure workplace safety and support individuals with substance abuse challenges. In a similar vein, drug testing is vital in the public sector to uphold safety standards and comply with regulations in various fields like law enforcement, transportation, and government organizations. Overall, the widespread use of drug testing helps create safer environments, promote accountability, and mitigate risks associated with substance abuse globally. The Global Powerhouse University of Melbourne should conduct testing before the electronic dance music festival to proactively manage risks, empower attendees, and enhance overall safety. Drug testing at social gatherings transcends individual contexts, resonating globally in private and public sectors as a vital means to ensure safety, security, and accountability in society. #Australia #Drug #DrugTest #Party #Public #Private
An electronic dance music festival for 12,000 people, scheduled for later in the year at Melbourne's Flemington racecourse, has already sold out. A conservative estimate is that around 30% of the people attending the event will choose to take a pill or powder of unknown composition. Would you: (a) conduct testing before they use the substance or; (b) conduct testing after they use the substance? Read more from Associate Professor John Fitzgerald → unimelb.me/45Omp9U
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In music theory, the correct use of sharps (#) and flats (b) is essential for accurate musical notation and understanding. While it might seem arbitrary at first, specific rules guide when to use each. Let’s explore these rules with examples to clarify this fundamental aspect of music theory. https://lnkd.in/ey96T5Ek
Understanding When to Use Sharps (#) and Flats (b) in Music Theory – Piano Lesson With Warren
https://pianolessonwithwarren.com
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Why should you support Music Patron? Hear it from our founding patrons in the video below, or head to our website to learn more about our mission to secure the future of music https://lnkd.in/eJY3VXJt 🔗 #NewMusic #Music #Patronage #MusicPatron #Composer #Composition
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how do music executives & music artists compliment each other?
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Embodied approaches to music education (moving to the music) provoke flexible/creative navigation of the musical affordance landscape by eliciting meaningful engagement with music, that leads to novel insights & experiences. https://lnkd.in/gBgfsjpm “Science” “Art” “RelationalSpace” “Movement”
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[The Crossroads of Nigerian Cinema and Music] Let's explore the crossroads of Nigerian cinema and music. Nigerian cinema and music have gained significant popularity and . . . https://lnkd.in/d-9psCp8
The Crossroads of Nigerian Cinema and Music
https://professions.ng
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