Two shifts in the global landscape of film tax incentives already this month: 1. AUSTRALIA Australia is nearly doubling their offering from 16.5% to 30% for productions with budgets of at least AUS$20 million (US$13.3 million) for production, or AUS$1.5 million (US$1 million) per hour for a TV series. ”With the offset, the country is looking to keep pace with the U.S., U.K., Canada and other top international production hubs in drawing Hollywood movies and TV series for local shoots” says the Hollywood Reporter. This can be combined with up to 15% from state and territory incentives. Details on Australian VFX credits here: https://lnkd.in/gp7zKQ-F 2. GERMANY Germany has a 30% rebate lined up for its 2025 budget too, pending approval by their Cabinet. “Industry groups have been lobbying Berlin for months to improve the country’s incentive system, complaining that Germany is no longer competitive with neighboring European countries with more generous programs.“ They're not wrong. On top of their 30% rebate, France already applies a 10% bonus for VFX-intensive projects with more than €2M of VFX-related eligible French expenditure. Once the €2M threshold is passed, the 40% tax rebate applies on all of a project's eligible spends, including live action spends which are not VFX-related. Which France needs to do to keep pace with generous incentives in the UK. Local industries rightly celebrate the positive impact these changes are going to have for them. At the same time, keep in mind that tax incentives create artificial economic conditions which last only as long as the incentives are in place. Sébastien Moreau of Rodeo FX put it succinctly: "Unfortunately, despite the immense talent in Quebec, a region's competitiveness is determined by tax incentives." That’s true of any region today when it comes to the big budget Hollywood productions that drive the global VFX industry, including Hollywood's local industry in California. #vfx #vfxjobs #taxincentives https://lnkd.in/gUe49afk https://lnkd.in/gDjVxxJw
I see a lot of numbers thrown around, but what are the values for CA and MTL (pre and post reduction)?
Thanks for pointing out those updates! While this sounds promising, it does come with challenges. One issue, which you already mentioned, is that VFX businesses rely heavily on these incentives and struggle to operate profitably without them. The proposed extreme increases are unsustainable, although the German rebate system is overdue for an overhaul. The government must fund these, and some policymakers lack a thorough understanding of our industry, making short-sighted plans. This situation causes skepticism among studios for long-term planning and investment as incentives fluctuate, impacting all levels of talent. While I appreciate the role of incentives in bringing in work, they ultimately harm the industry by preventing sustainable growth.
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