National Trust of Australia (NSW)’s Post

AN AMAZING VIDEO ABOUT ART CONSERVATION, the career that I chose in the 1980s for the reasons shown and explained in the video (never have I regretted that choice). It illustrates why conservators can be valuable resources in studies of age, attribution, and authenticity, because they spend years studying the chemistry, degradation, and preservation of cultural property - and - years looking very closely at objects. But - and this is important - do not expect most conservators to say whether an object is authentic or inauthentic, misattributed or correctly attributed, old or period, because codes of ethics and guidelines for practice for conservators require a sound basis for such opinions (not mere speculation), and offering such opinions can open them to liability. Rather, listen closely for what conservators say or don’t say about authenticity, attribution, and age; for example, “wouldn’t it be interesting to have this object examined in a laboratory” or “You might ask [so and so] to look at this.” That might be what they are able to say, that you should hear. Hope this helps.

"All the Beauty in the World" by Patrick Bringley is a true darling at S&S. Everyone in its orbit has been charmed by Patrick's personal and profound story of joining the security ranks at the The Metropolitan Museum of Art 🏛️ where he immersed himself in art as a means to cope and heal with his brother's death. It's both an insider account of one of the world's great cultural institutions and a resonant meditation on life, death, family, art, creativity, friendship, and healing 🖼️ And readers agree! Now five weeks (and counting) on the 'New York Times' bestseller list and a Barnes & Noble, Inc. pick for the holidays, "All the Beauty in the World" is deservedly finding its readership and will be a story that connects with people for years to come 🫶 It's also finding its audience on the socials 📲 with one of our clips compiling 600,000+ views, 15,000 shares, 9,000 saves, and 600+ comments 🤩 A classic case of complementary book publishing with so many departments sharing in the success: sales, production, editorial, publicity, marketing, video. Thanks to Ingrid Carabulea for leading the video approach (and patiently enduring my Temple of Dendur jokes) with guidance of Sara Waber, Justin Cook and Sharon Van Meter 📹 Psst 🤫 it's a GREAT gift idea for just about anyone on your list 🎁 #books #bookpublishing #videomarketing #marketing

Appraisers often rely on private sales data from dealers, highlighting the crucial role art dealers play in the art market. 🎨🌍 Dive into the pivotal role of art dealers in shaping the transatlantic art market from the late 19th to early 20th centuries! In an often overlooked perspective of the art market's history this new publication, "Money in the Air: Art Dealers and the Making of a Transatlantic Market, 1880–1930," shows how these figures not only influenced art collections but also significantly impacted the foundations of major American art museums. #ArtHistory #ArtMarket #ArtDealers 

#Legacy150: 'The Museum will not be Decolonised' conference schedule is now live https://lnkd.in/gyTEreAh Sumaya Kassim writes that “Museums are not neutral in their preservation of history. In fact, arguably, they are sites of forgetfulness and fantasy”. Her discussion was based on work she and colleagues did with Birmingham Museum and Art Gallery, and it holds true of many museums throughout the UK. It is the “forgetfulness” of the objects’ lived history and the “fantasy” of these objects being out of time that is endemic in museum spaces. In this conference we discuss objects held in non-ethnographic museums and explore what they mean as representations of human experience, how we can accurately represent their lived experience using digital technologies and their weight as political and social signifiers in the contemporary world. The conference provides a space for interested parties to discuss the ways objects are presented and their histories represented.

This case study examines our recent project involving the Pickering Museum Village, focusing on the use of wood cladding to protect and celebrate the historical significance of the building. https://lnkd.in/gishwxGG

The Spring 2024 issue of Exhibition journal is now out. “Alternative Realities” surveys many ways exhibitions can question existing systems and open pathways to new and more equitable futures. At a time when what divides us can feel almost insurmountable, authors share how they are harnessing hope, challenging prevailing narratives, and upending established museum practices as they seek to reshape our vision of what is possible—within and beyond the museum. Exhibition is a journal of exhibition theory and practice for museum professionals published by the American Alliance of Museums. To learn more about the journal, this issue, past issues, and how to subscribe, check out: https://lnkd.in/eE5Vm9hR #museums #exhibitions #exhibitiondesign

MAATurities is a programme designed for adult and senior audiences, where contemporary themes are explored through artistic discourses featured in the museum's exhibition programme. By fostering open dialogue between different generations and life experiences, the theoretical (online) and theoretical-practical (in-person at the museum) sessions serve as forums for debating and questioning the world around us. We recognise that the languages of contemporary art can sometimes create barriers for the public, yet we also acknowledge that no other period in art history has required such active spectator participation. These encounters have evolved into more than just enriching teatime moments to discuss art; they have become opportunities for human connection, friendship, and a means to escape the challenges of ageing. https://lnkd.in/d-CPnZyF Programme and photo by Fabricia Valente.

My NY1 interview discusses the Metropolitan Museum of Art and how transformative art resources can be for youth.

🏛️ Contrary to what many might believe, the new generation of art collectors aren’t spending all their time on social media. They care deeply about traditional art spaces and seeing art in person: - 2 in 3 go to a museum or gallery at least once a month - 74% see museums as their primary source of inspiration for art Read more in our report: https://lnkd.in/e2ZFpYnB

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