My Wedding Songs’ Post

#emenidesopera #vasilstole By GEORGE LEOTSAKOS THE ACTION OF THE OPERA Eumenides, begins in Apollo’s temple in Delphi. One of the priests finds Orestes before the altar pleading to be saved from the Erinnyes (Furies) who are now sleeping, exhausted from attempting to persecute him. At that moment, the ghost of Queen Clytaemnestra appears. She awakens the Erinnyes, reproaching them for failing to punish Orestes and criticizes Apollo for having offered shelter to this criminal. The action then moves to Athens, where according to Apollo’s decision, Orestes will appear before a court to be judged for his crimes. The young hero, following the advice of Apollo, arrives there and embraces the statue of the goddess Pallas Athena, begging her to protect him from the Erinnyes, who persecute him relentlessly. The opera itself is in three acts, including an overture, 17 separate numbers (scenes) and three orchestral interludes: Act One: overture, numbers 1-7, and two interludes: the first between nos 1 and 2, and the second (performed by folk instruments) after no. 7. Act Two: nos 8-16, with an interlude between nos 14 and 15. Act Three (Finale): no. 17. Considering Aeschylus text almost ready for his purposes, Tole has set it to music almost in its entirety, with the exception of some purely narrative parts, which delayed the action. Concluding this short introduction, we consider Vasil S. Tole’s Eumenides a score worthy of wide, international propagation, and above all, a fully staged performance. We wholeheartedly wish and hope that tonight’s world première, in concert form, will only be the beginning of a brilliant career for this work. https://lnkd.in/gxnTnSTu

Before you decide on your wedding ceremony songs, read this!! These top three tips are a total game changer 🎶 🎵 #BurghBrides https://lnkd.in/eHnsqgDU

What are the criteria for the proper use of singing and music in liturgical celebrations? Since song and music are closely connected with liturgical action they must respect the following criteria. They should conform to Catholic doctrine in their texts, drawn preferably from Sacred Scripture and liturgical sources. They should be a beautiful expression of prayer. The music should be of a high quality. Song and music should encourage the participation of the liturgical assembly. They should express the cultural richness of the People of God and the sacred and solemn character of the celebration. "He who sings, prays twice" (Saint Augustine). Further reading: CCC 1156-1158, 1191

Do Opera Singers need a Masters Degree? The industry makes it seem like it's a requirement. I know a lot of singers doing it with and without one. The more important question is why should I do a masters program and what am I looking to get from it? The worst thing we can do is go into a Masters Program because that's what we think we are supposed to do. I would rather you identify the holes in your education and find the program or supplementary education to fill those holes and get you to the next stage. If you decide the Masters Program is the right step for your Operatic journey, make sure you look at the teaching, performance opportunities and funding. If those three things are in alignment with your goals - go for it. What singing questions can I answer for you? #operasinger #tenor #gradschool

One of the toughest decisions to make when wedding planning comes when it comes time to choose the song for your first dance.  But don't worry, The Wedding Ring has you covered!  We've curated the Ultimate List of First Dance Songs for your consideration. There are seriously SO MANY!  Look through the full list to find your First Dance Song inspo at theweddingringca.  Did we miss a good one? Let us know in the comments below!   .  .  .  #firstdanceweddingsongs #weddinginspo #weddingplanning #firstdancesongs #weddingtipsandtricks #ontarioweddings #canadianweddings

If you missed the podcast interview, there is hope!! Click the link below and enjoy the insights behind “Cambio”🙏🏽🙏🏽

Honors and non-honors students, register today for HONR.3300 Opera and Society: A Guide to Portuguese (and European) Culture and Society through the Operatic Stage!The class meets Wednesdays, from 3:30-6:20 p.m., and is taught by Professor Inês Thomas Almeida. This course is open to all students and will satisfy an honors requirement, an Arts & Humanities requirement, a World Ready (Portuguese) requirement, and one of the four requirements needed to earn the RHED in Global Engagement. This course is a different kind of experience that will bring students closer not only to Portuguese culture but also to European opera and history in general. This course examines the intersection of gender, race, politics, culture, and technology in opera and society. Through historical inquiry and critical analysis, students will gain insight into the ways in which opera has both shaped and been shaped by society across different historical periods. #umasslowell #umlhonorscollege #opera #operaandsociety #portuguesestudies #flad #saabcenter #saabcenterforportuguesestudies

The new stadium can HOUSE more than 50 thousand people. 🏟️👥 To HOUSE – zapewniać dach nad głową, pomieścić, gromadzić, wliczyć 👉 Carnegie Hall will HOUSE the most famous opera singers. 🎶🎤 👉 Unfortunately, but our list doesn’t HOUSE you. 😕📋 👉 You can simply create a list which will HOUSE all your contacts. 📝📱 Have a good day! #EnglishTips #LearnEnglish #Idioms #EnglishForWork #ProfessionalEnglish #EnglishForBusiness

Unforgettable lessons after doing weddings for 15 years: 1. Personalize your music to reflect your love story 🎶 2. Balance traditional and contemporary tunes 🎻 3. Read the crowd to keep the energy flowing 💃 Learning these changed my life. Contact us at 443-502-6661 to make your wedding unforgettable! Share your thoughts or experiences in the comments below. #WeddingMusic #MemorableMoments