Mobilitas’ Post

Visit the first online maritime museum: https://lnkd.in/dX5TzbQk The Greek Shipping Miracle, the first online maritime museum, was established in 2014 by author, maritime historian and former shipowner George M. Foustanos as an effort to raise awareness about the Greek shipping industry and its long-standing contribution to both the Greek and the global economy. This educational website enables visitors to explore the modern and contemporary history of the world’s leading merchant marine power in the familiar format of a museum layout.

🦐 Curious to see how we can harness the real power of the sea? Make your way to ARTIS | Natura Artis Magistra Groote Museum and explore ways that we can cultivate land, sea, and the lab to provide for our ever growing population. Here's a little snippet of the sea video, told by Reinier (R.W.) Nauta, produced by BIND and animated by me at YIPP!

Check out this conference on the Napoleonic Wars! If you're in Central Europe, please give it your attention 

I am thrilled to share that our latest article, co-authored by myself and@iamamodudavid, has been published in the esteemed journal, Museum Management and Curatorship our paper, “When Stories Are Not the Same: Power and Powerlessness in a Nigerian Museum,” examines the intricate dynamics of power, powerlessness, and the contextualisation of museum as boundary infrastructure. Enjoy! https://lnkd.in/e9JE5DVi

Researchers believe they have found the wreck of the HMS Stephen Furness, a ship that’s been lost to the bottom of the Irish sea along with over 100 crew for more than a century, after it was sunk in WWII. With AHRC funding, the Unpath’d Waters project was able to locate the shipwreck by combining resources and new data through a digital ‘hyper network’, uniting UK’s museums, galleries, libraries and archives. Professor Christopher Smith, Executive Chair for AHRC shares his thoughts: “This is a thrilling discovery and a testament to power AHRC aims to unleash by connecting the disparate collections of information and material held by the UK’s various heritage institutions through the Towards a National Collection project. The exemplary work of the Unpath’d Waters has revealed, at long last, the resting place of over a hundred men who died under tragic circumstances and gives us a tantalising hint at the historical riches concealed within the waters that surround our island. If the work of Towards a National Collection is already leading to finds this exciting, I cannot wait to see what else it might enable in the future.” Find out more on this incredible collaboration and what it means for maritime heritage:  https://lnkd.in/e8pZDpzM

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🤝👫 Bringing the Greek Cypriot and Turkish Cypriot communities in #Cyprus one step closer. Learn more about the CVAR Museum, supported by the #EEAGrants, in this edition of #OurStories:

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Download: Museums and intangible cultural heritage. Towards a third space in the heritage sector https://lnkd.in/d8ShJ7su This book is concentrated around the concept of intersection. The many activities conducted by museum professionals and communities, groups and individuals (CGIs) related to intangible cultural heritage, are seen as colourful strings that at some point intersect and form diverse patterns. These patterns represent spaces that offer new and enriched insights into heritage. Throughout the book, we look for ways in which the different ‘paradigms’ can strengthen each other and how their ‘encounter’ creates a ‘third space’. A range of heritage professionals and ICH practitioners took part in this quest. We believe that the diversity of theoretical approaches and contribution formats reflects the values behind the diverse, holistic and integrated approach to heritage which this book wishes to promote. https://lnkd.in/d645MWnb

Dear Siblings in The Struggle against The System, We now know that the next decade, 2025 to 2034, will be a decade of challenges—of a magnitude greater than any, perhaps, than the present generation has ever faced. Rising to these challenges will mean—at the very least—reimagining the stories our society has, up until this point, untruthfully told us about how we got free—if indeed we got free... This is why I have agreed to share conversation with the curator of the International Slavery Museum, about how museums, specifically, and in fact all members of our society, co-productively, might reimagine histories and reconstruct solidarities that, strategically, equip us for the challenges of the daunting decade ahead—a decade during which the very freedom our forebears fought for is very likely to be at stake. Please join us, therefore, as we ask “How can museums take an active role in preparing for the bicentenary of the Abolition of Slavery?” https://lnkd.in/dFKuKPMt