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Here are the most asked questions to how we are effectively going to use the funds. To how we plan on having a successful film. click the link at the bottom to help fund Scorned. To effectively distribute my film, I plan to leverage streaming services and film festivals. By tapping into popular streaming platforms such as Netflix, Hulu, and Amazon Prime, I aim to reach a wide audience and capitalize on the convenience and accessibility these platforms offer. Additionally, participating in prestigious film festivals like Sundance, Cannes, and TIFF can help generate buzz, attract attention from industry professionals, and potentially secure distribution deals. This dual approach allows for both broad exposure and targeted marketing, maximizing the film's visibility and impact. By strategically utilizing streaming services and film festivals, I hope to successfully launch and promote my film to a diverse and engaged audience. https://gofund.me/3a0bafd7

In the realm of independent cinema, there's often a choice between traditional theatrical releases and the modern streaming wave. 🎬 Some enthusiasts lean towards the big screen experience, enjoying the collective emotion of watching a film in a packed theater. It's a celebration, an event! Yet, this option can feel limited—many amazing films never get that stage they deserve and might vanish into obscurity. On the flip side, streaming platforms are democratizing access to indie films, giving every corner of the globe a chance to showcase their storytelling. 🌍 People love the convenience of pressing play from home, but that ease can sometimes drown out small gems in a sea of content, making them harder to discover. So, what can we do? Why not embrace both worlds? Imagine attending a local indie film festival and then discovering a treasure trove of those same filmmakers' works on your favorite streaming service. 🎥✨ To create this balanced approach: keep your eyes peeled for upcoming local film screenings and support them, while sharing your finds on streaming to spread the word. Let’s start those conversations! Talk to your friends about what you find, and engage with indie filmmakers on social media. Together, we can make both viewing experiences enriching. #IndependentFilm #StreamingCinema #SupportIndie #FilmCommunity #CINDIE

Broadcasters' contribution to European public film funding via some form of levy was still double that of #streamers in 2022, the most recent year of figures collated by the European Audiovisual Observatory | Observatoire européen de l'audiovisuel. The majority (63%) of the funds invested by a sample of 29 national film funds came from public sources, almost double that from levies (32%) - down from 40% in 2018. Levies on streamers & Internet Service Providers (#ISPs) combined generated the same contribution as #broadcasters in 2022. How did the funds spend the €1.6bn deployed 2018-22? Mostly (58%) on film production, with just 4% on development (script writing, etc) & 17% on distribution & cinema exhibition. Some have been advocating for #streamer levies to be introduced in the UK.

As streaming reshapes the industry, Mexican filmmakers are balancing digital demand with the unique value of theater experiences. Filmoteca UNAM’s latest article reveals how public policy, independent film support, and evolving audience habits are shaping a new chapter for Mexican cinema. Catch the full insights on the resilience and reform driving Mexico’s cinematic comeback.

The European Audiovisual Observatory | Observatoire européen de l'audiovisuel has just published the latest edition of "Key Trends", the essential guide on television, cinema, video and on-demand services. This year's edition includes data and insights on creation, production, exploitation, audiovisual services, markets, and players. Key insights include: 🔸 The average share of female directors per film in Europe is increasing, but still considerably low: 23% (2018-2022). 🔸 Italy is the top European country for number of fiction films produced, followed by Türkiye and France (2022). 🔸 The UK and Spain count on the highest number of fiction film productions commissioned by global streamers. 🔸 European low-grossing films dominate film offering, US blockbusters stand out in terms of admissions share. 🔸 48% of children’s TV channels in Europe belong to US companies. You can read the full report here: https://lnkd.in/eF8mu5m7

#TIFF24 🎬 - Running the Numbers  By using Cinelytic during this year's Toronto International Film Festival, you can assess the future earnings potential of films on offer in real-time. What price to sell or buy? Theatrical or straight to streaming? These are key questions that Cinelytic can help answer in seconds. Use the link below to check out our TIFF Insights Special - we take a deep dive into this year's titles, which includes our new per-territory sales value forecasts! LINK: https://lnkd.in/gEn6NbMm

🌍✨ Excited to share this insightful article on how the internet is revolutionizing African cinema! From crowdfunding to global streaming platforms, African filmmakers are leveraging digital tools to tell their stories to the world. This piece highlights the transformative impact of online access on the industry. Dive into the future of African storytelling! 📽️🎬 Naishe Nyamubaya

Post-pandemic challenges and opportunities are reshaping cinema in Mexico. With streaming on the rise, can Mexican cinema recapture audiences? Filmoteca UNAM’s latest article dives into the shifting landscape of Mexican cinema, balancing streaming’s rise with a renewed call to theaters. It highlights challenges like declining attendance and piracy, but also opportunities—such as public policy’s role in supporting independent films and building local audiences. The future of Mexican film demands resilience, reform, and a strong cultural impact.

🎬 IMDb’s Top Movies Explained! 🎥 The Shawshank Redemption (1994), based on Stephen King’s novella, tops IMDb’s all-time list with a score of 9.2/10. But mob movies dominate the rankings too, with The Godfather (1972) and The Godfather: Part II (1974) holding second and third places. Director Christopher Nolan also shines with 4 films in the top 50, including The Dark Knight (2008) and Inception (2010).✨ What's your favorite film?  #TopMovies #ShawshankRedemption #TheGodfather #MovieBuffs #IMDb #Streaming #MustWatch  #WorldVisualized #DataVisualization  Source: IMDb

If you want to understand how 'cultural appropriation' causes real harm, check out this new documentary, streaming on Amazon Prime snd Apple TV. https://lnkd.in/d5QEug3R #culturalawareness #truthandreconciliation