David Martin’s Post

UK music industry leaders are urging the government to address post-Brexit touring barriers, as EU officials have indicated they are not open to changing regulations. Current restrictions, including limits on working days and complex visa requirements, are making EU tours more challenging and costly for UK musicians. A 2023 survey found nearly half of UK musicians have seen a reduction in EU work. Despite Labour's pledge to improve trade relations, industry experts stress that immediate action is needed to mitigate these obstacles and support the £6.7 billion music sector. https://lnkd.in/gKGESxhS #UKmusic #UKmusicindustry

Brexit has a significant impact on the UK music industry. The proportion of artists reporting income loss due to Brexit has risen due to rising logistical costs, which add pressure on musicians. Touring in the EU has become more challenging, with increased costs and red tape deterring many musicians. While superstar artists have the resources to overcome these obstacles, lesser-known musicians and supporting staff face significant barriers, including the 90-day visa limit. UK Music's report warns that, without a more ambitious post-Brexit strategy, the UK risks falling behind in the global music industry.

There’s been a worryingly growing trend over the last few years of big name artists skipping New Zealand on their global tours, from Olivia Rodrigo to Taylor Swift, but even when they do visit the country, local musicians don’t always experience the benefits. Thom Yorke, Coldplay, Travis Scott, Metallica, and Hozier are just a handful of recent touring artists who haven’t had a local support act. This trend seems set to continue into 2025, with Canadian crooner Bryan Adams recently confirming former 'X Factor' winner James Arthur as his support for his February New Zealand shows. In a bid to change things for the better, the Music Managers Forum (MMF) Aotearoa has today called for greater inclusion of New Zealand artists in international shows and tours across the country. The initiative, titled Spotlight Aotearoa, is largely inspired by the similar Michael’s Rule in Australia, a major booster program for the Australian music community that was met with “virtually unprecedented” approval from across the industry earlier this year. “Spotlight Aotearoa aims to ensure that local talent shares the stage with global acts, fostering growth, preserving Aotearoa’s unique musical identity, and keeping the economic benefits of live performances within our shores,” a press statement reads. Find out more about Spotlight Aotearoa, and how you can back the important proposal, at the link below. https://lnkd.in/g6R64DxD

UK Music Chief Executive Tom Kiehl has been talking about the huge challenges facing UK musicians and crew touring the EU. He spoke following after it emerged that EU documents suggested Brussels was not prepared to change the rules to tackle the issue - despite the efforts of the UK government to find a way through the post-Brexit restrictions on live music. Before the General Election, Labour pledged to help touring artists and crew who have faced extra costs and red tape since Brexit. The need for customs paperwork for instruments, issues with transport and limits on merchandise sales, along with a host of other regulations have made it harder, more time consuming and less viable for UK performers to tour in Europe. Tom told the Observer: “The UK’s exit from the EU has created significant barriers that have made live music touring more expensive, bureaucratic and confusing for musicians, artists and crew. This is hampering our £6.7bn music industry’s ability to grow." Tom also spoke to the i paper's Adam Sherwin about the issue, saying: “Labour made a pre-election commitment to deal with a problem that is threatening the talent pipeline on which the music industry relies. “We need the Government to continue to work with our EU neighbours to try to find a swift solution. “We want to see great British bands like Oasis to be able to tour right across Europe and grow our £4bn UK export market and allow overseas fans to enjoy the best live music in the world.” Read more in the i paper article below: https://lnkd.in/eia7gDGT #music #EU #LetTheMusicMove #Oasis

🎵 The Power of UK Music 🎶 Music plays a pivotal role in the UK’s thriving creative economy. As Shadow Culture Secretary Stuart Andrew MP highlights, the numbers speak for themselves: ✅ £7.6bn contribution to the UK economy ✅ 216,000+ jobs supported ✅ £4.6bn in exports ✅ A global cultural influence that resonates far beyond our borders The UK music industry is not just a source of inspiration—it’s a cornerstone of our creative sector and a key driver of economic growth. Let’s continue to support and celebrate this vital industry. https://lnkd.in/eS6V2bpr

UK Music has found that the country saw an all-time high in music in 2023. With a 20% increase, this growth has been attributed to iconic performances by Blur and Beyoncé. Not just this but their studies noted that - → There were 19.2M attendees which is a 33% spike from 14.4M in 2022. → Music tourism spending reached £8B, a 21% increase from £6.6B in 2022. This data shows the huge demand for the UK’s music scene and how both domestic and foreign tourists are making the most of this experience. With Taylor Swift's Eras Tour selling out 8 nights at London's Wembley Stadium, each with a 90,000 capacity, the music tourism industry shows no signs of slowing down. The 2024 figures are expected to reflect even more significant growth. This makes it even more important for the music ecosystem to be supported to ensure that everyone, no matter where they live can have access to music. It also makes it important for other countries to realise that the music industry is an important driver of economic growth that provides entertainment, employment and inspiration to millions. Are you working to ensure musicians receive the necessary backing to flourish? #musicindustry #musicecosystem

🎶 **Top 10 Richest Nigerian Musicians and Their Impact on the Music Industry** 🎶 Nigeria's music industry is booming, with many artists achieving incredible success both locally and internationally. Here’s a look at the top 10 richest Nigerian musicians and what sets them apart: 1. **Davido** - With multiple hit songs and international collaborations, Davido is not only known for his music but also for his business acumen. He has several endorsements and owns a record label, DMW. 2. **Wizkid** - Wizkid's influence extends beyond Nigeria. His collaborations with global stars like Drake and Beyoncé have solidified his place in the global music scene. He also has lucrative endorsement deals with major brands. 3. **Burna Boy** - The Grammy-winning artist has taken Afrobeat to new heights. Burna Boy's international tours and successful albums have significantly boosted his wealth. 4. **Don Jazzy** - As a producer and the founder of Mavin Records, Don Jazzy has nurtured many of Nigeria's biggest stars. His behind-the-scenes work has made him one of the wealthiest figures in the industry. 5. **2Baba (2Face Idibia)** - A veteran in the Nigerian music scene, 2Baba's timeless hits and multiple awards have earned him a spot among the richest. His investments in real estate and other businesses also contribute to his wealth. 6. **Olamide** - Known for his versatility, Olamide has a massive following and numerous hits. His record label, YBNL Nation, has produced several successful artists, further adding to his fortune. 7. **Phyno** - Phyno’s unique blend of Igbo rap and hip-hop has made him a household name. His music career, combined with endorsements and investments, has made him one of Nigeria's richest musicians. 8. **Timaya** - With his catchy dancehall tunes, Timaya has carved out a niche for himself. His consistent releases and strategic investments have significantly increased his net worth. 9. **P-Square** - The duo of Peter and Paul Okoye, known as P-Square, have been successful for over a decade. Despite their split, both continue to thrive in their solo careers and business ventures. 10. **Tiwa Savage** - As one of the leading female artists in Africa, Tiwa Savage has broken many barriers. Her music, endorsements, and acting roles have made her one of the wealthiest musicians in Nigeria. These artists have not only amassed wealth but have also played significant roles in putting Nigerian music on the global map. Their entrepreneurial spirit and dedication to their craft continue to inspire upcoming musicians. 🎤🌍

It is time to back British artists. At the risk of sounding like a broken record (pun intended), if we hope to fix and future proof the live music industry, we must recognise that activity i.e. performances are the means of doing that. Supporting infrastructure alone, will not build new audiences, develop the artists of tomorrow or pay the countless others that rely on artists for their income (managers, agents, crew, musicians etc). If we get this wrong, it will have the same effect as mothballing the music industry during the pandemic lockdowns. The people that make up the sector will be unable to survive, audiences will diminish and artists will not develop their craft. cc. Featured Artists Coalition (FAC), Andrew Trendell, NME, MMF (Music Managers Forum), Musicians' Union, LIVE (Live music Industry Venues and Entertainment) https://lnkd.in/eS66jZRZ

In today’s world, music has evolved from a mere source of entertainment into a well-established business. The modern music industry is shaped by labels, associations, royalties, and distribution, with people far more aware of these terms compared to earlier times. In a recent interview, the Board of Directors of ISAMRA (Indian Singers and Musicians Rights Association), including Chairman Anup Jalota, renowned ghazal maestro Talat Aziz, and singer-turned-CA Sanjay Tandon, shed light on the workings of their association and the significance of royalties. The journey of music royalties from the shadows of unfair practices to a more transparent and equitable system reflects the evolving nature of the music industry. Legal battles like those fought by Javed Akhtar, along with the advocacy efforts of organizations like ISAMRA and the influential roles of Anup Jalota, Talat Aziz, and Sanjay Tandon, have been pivotal in this transformation. Mid-Day Jai Hind Parth.

“How the music industry should operate is straightforward: it requires dedicated musicians”， writes ANBOUD's founder Kung Chan in an article published in CEOWORLD magazine, citing the internationally popular artist Taylor Swift as an example that musicians from China can learn from. #musicindustry #TaylorSwift #successstory #musiceconomy #ErasTour #Taylornomics #Swiftnomics #creativemusicians #economicimpact #localeconomies #culturalgrowth #musiclegacy #Chinesemusicians https://lnkd.in/gXQbCc4c