Phillip Lomax

Today I talk with Maximillian Naza about building relationships, AI, Automation and more. Check out AGL 384: Maximillian Naza | A Geek Leader Podcast https://lnkd.in/e2f5uRBs

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Let's take a look at the three new webtoons that IZE Press announced for print just this past weekend at NYCC (my thanks to K-Comics Beat for a good write-up). First up, Lover Boy which is much older than it seems. It finished it's original English run about 5 years ago on Lezhin and is currently on Tapas with ~200,000 views (oof, that's low). During LezhinUS' early days, Lover Boy was one of the main titles which proved to the publishers there that BL titles had staying power in the US market. Even now, Zec's name holds a lot of respect. Lady Devil is a Tappytoon title that performed much better in Korea than it did in the US (or at least on Tappytoon). It is a Ridi title which won an award in 2020 (RIDI Webtoon Awards) and is currently a legacy title which they are probably going to hold on to for a long time. It might've been a bit early for its time, but it's certainly beautifully drawn. I'm a bit confused by it's selection, but I'm sure the folks at IZE have seen something that the digital audience hasn't. Murderous Lewellyn's Candlelit Dinner is a pretty great title that I requested the license for back when I did content at Lezhin and then never got around to reading. Judging by what everyone says on Reddit, it's a good title. But compared to some of the other major bangers on big red, it's second tier. I assume IZE is looking for all-ages BLs which are a short list lately. Finally, there's Radio Storm which... I'd never even heard of until today. It was published by DnC in Korea and it's currently available as a webtoon and in ebook in Korea which can only mean that it's print ready. If Lady Devil was an unexpected choice, Radio Storm is out of left-field as the title is a recent launch and a relative unknown. I can only assume that IZE is hoping the print will catch fire along with the digital release at some point.

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ARE YOU HIGH? Twelve key companies in the Media Universe, representing all the major Media sectors, are now at their all-time high valuations. This bankers’ dozen have a combined market cap of $9.2 TRILLION. Apple, Amazon, Meta, Walmart, Netflix, Apollo Global Management, Inc., Spotify, The Trade Desk, Electronic Arts (EA), Reddit, Inc., TKO, and The New York Times... To be blunt, I have my issues with a number of these companies - and with some of their current record-high valuations. However, all of them managed the hell out of 2024 to get to the pinnacle of cash on which they now stand. Smart companies invest when the times are good, rather than just getting fat by pocketing all the profits. My bet is that few (if any) of these twelve players will rest on their laurels or sit on their chips in 2025 - and that many (likely most) of these high-flyers will be big buyers in the Media market next year. How did these market cap kings get here? What'll they do next? Follow the money at the link... https://bit.ly/ESHAPHIGH

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Unlock New Revenue Streams with Premium 4K and 8K HDR Content Conversion Re-monetize Film and TV Series Libraries with AI-Enhanced Premium Formats to Boost Distribution Revenue by 50% In today’s competitive streaming landscape, AI Immersive Studios offers film studios, distributors, and TV channels an unprecedented opportunity to breathe new life into existing film and TV libraries by upgrading standard dynamic range (SDR) content into premium 4K and 8K HDR. This conversion not only elevates viewer experience but also significantly increases profitability by tapping into the growing demand for high-definition, immersive content. Profit Potential for Partners: By offering premium 4K HDR versions, our partners can expect up to a 50% increase in revenue from content distribution. With enhanced audience engagement and the ability to command higher subscription prices, premium content generates new income streams and attracts a broader, more engaged audience. Key Benefits for Film Companies and TV Channels Monetize Existing Content: Transform and re-market your current SDR library in premium 4K and 8K HDR, widening its appeal in online cinemas and 4K HDR TV channels. This unlocks the untapped revenue potential of previously distributed content without the cost of new production. Enhance Viewer Experience: Captivate audiences with superior visuals, vibrant colors, enhanced details, and dynamic contrast, positioning your content as a premium choice. Streamlined Workflow: Our AI technology integrates seamlessly into your existing workflows, reducing the time and labor costs traditionally associated with HDR conversion. Future-Proof Your Content: Prepare your content to meet the evolving standards of modern displays, ensuring it remains relevant, appealing, and profitable for years to come. Our mission at AI Immersive Studios is to help our partners tap into the lucrative premium content market, driving viewer engagement and ensuring that valuable content assets continue to generate returns in a fast-evolving digital landscape. For inquiries and partnership opportunities, please contact AI Immersive Studios today.

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What's your strategy for identifying and pursuing new business opportunities?

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What's your strategy for identifying and pursuing new business opportunities?

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Been thoroughly enjoying the insights and unique perspectives that are shared in this article from Lead Marvels. 5 experts reveal their association’s unique approach to sponsored content. This time around, it’s Mark David with IEEE. This article is a must read for association professionals who are looking for ideas on how to approach sponsored content - in ways that not only grow non-dues revenue, but also adds value to members and aligns with their organizational mission. (If your association approaches sponsored content in a unique way - different from those mentioned in the article - we would love to hear about it! Drop it in the comments, or reach out!) 👇👇👇 #memberengagement #associations #noneduesrevenue #sponsoredcontent #leadgeneration

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With over 10.5 million subscribers, The New York Times discovered a powerful relationship between their #products, like their ever-popular games and their #news #content. During WAN-IFRA, the World Association of News Publishers’s World News Media Congress in Copenhagen, Emily Withrow shared how these diverse offerings enhance each other, driving engagement and growth. Check out the full article to learn more about how this innovative approach is shaping the future of media! #ContentStrategy #DigitalMedia #MediaInnovation #SubscriberGrowth

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Twenty years ago, I was studying media production at Quinnipiac University, spending countless hours digitizing Mini DV tapes to edit videos with emerging software. At the time, this technological leap seemed magical. I no longer needed to shoot scenes perfectly and in chronological order, a necessity when making movies with our mom’s VHS camcorder alongside my brother and sister. We didn’t have access to film cameras or knowledge of manually splicing footage, so this was a revolutionary change. The future had arrived. Fast forward to 2024–see what I did there?— and we now have the ability to generate videos instantly without filming anything at all. Just as utilizing nonlinear editing software once felt magical, AI-generated video feels like a dream realized. That being said, I can’t help but feel uneasy about the impact on future generations who will (maybe not?) work in this field. Undoubtedly, we’ll see some of the most exceptional content ever produced, at virtually no monetary cost. But at what cost to creativity and human development? Trying and failing has always been a crucial part of pursuing success. What happens when success is guaranteed? Why try at all? Perhaps I’m being too philosophical, or even too shortsighted. What do you all think?

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Can AI match this level of creative chaos? 🤔 Just stumbled upon Little Caesars' "Burn the Burns" campaign, and it's got me thinking... Could AI ever come up with something this wildly unconventional? Baking your own product over firewood carved with haters words? It's pure, unadulterated, out-of-the-box thinking. Sure, AI can analyze data and optimize campaigns, but can it capture the raw, visceral appeal of setting haters' words ablaze, then cooking pizza over them and having them eat it? This is the kind of reality TV-meets-social media madness that makes me love marketing. If you havne't seen it, you're welcome: https://bit.ly/3XHXy5R Little Caesars, you've earned my attention (and maybe even a pizza craving). And that Webby award? Well-deserved! 🍕🔥 #marketing #creativity #AI #LittleCaesars #WebbyAwards

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Generative AI has been leveling up like crazy—just look at what DALL-E has pulled off in the last year! What used to be retro futuristic sci-fi tech is now the ultimate sidekick. Honestly, creating mind-blowing visuals from the keyboard is just that, mind blowing. It feels almost no longer novel. At Moonshine Post, we’re stoked about what’s coming next. We’re talking VFX, synthetic media, and creative pixel magic at scale— of course with a large grain of regulatory and legal precedence salt. This isn’t just about keeping up; it’s about redefining the game. Innovation waits for no human or industry. The future of post production creativity and filmmaking is looking pretty epic, and we’re all in. #moonshine #machine #postproduction #ai

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Pittsburgh is a world leader in AI, and NVIDIA has taken notice. They've announced that they are investing in Pittsburgh to establish their first-ever AI Tech Community, and Governor Josh Shapiro was on hand yesterday at AI Horizons Pittsburgh as they joined Carnegie Mellon University and the University of Pittsburgh to sign an MOU making it official. Here's a quick video I shot at the event. #Pittsburgh #AI #ArtificialIntelligence #Automation

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🎥 AI and Documentary Film: Navigating Authenticity in a Synthetic Age"  👉 The rise of AI-generated "synthetic" video is reshaping the landscape of documentary filmmaking. As platforms like Sora advance, the lines between real and manufactured content blur, challenging our trust in what we see on screen. This shift brings a crucial question to the forefront: how do we maintain authenticity, which is fundamental to documentaries? The Archival Producers Alliance (APA) is at the helm of addressing these ethical considerations. They insist on rigorous standards for consent, transparency, and the preservation of historical truth. Emphasizing that AI should complement, not replace, authentic sources, the APA is setting a course for responsible AI integration. High-profile cases, such as the use of AI to recreate Anthony Bourdain’s voice in "Roadrunner," serve as a reminder of the delicate balance between innovation and integrity. Therefore, the APA champions a transparent approach, ensuring that documentary viewers are fully aware of AI’s involvement in what they are watching. Amid financial pressures on news organizations and the commercialization of documentary films, it's crucial that doc filmmakers + distributors prioritize truth and authenticity of the craft. 📽️✨ #Documentary #Filmmaking #AI #DigitalEthics #ArchivalProducersAlliance #Entertainemnt #content #contentcreation Netflix The Walt Disney Company Prime Video & Amazon Studios HBO

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