Claire Danna

Do artists work in different fields? Many studies focus on artists who stay in creative jobs, but more research is needed on those in other professions. This study uses data from the U.S. Census Bureau to look at what jobs arts graduates in the U.S. and Illinois have. Our findings show that arts grads work in various fields, not just in arts and design. Understanding these trends will be pivotal for shaping the future of arts education and career preparation.      Click the link for the full issue brief and to learn more! 👉 https://lnkd.in/gBYEmK4Z #CareerDevelopment #Illinois #creativearts

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Do artists work in different fields? Many studies focus on artists who stay in creative jobs, but more research is needed on those in other professions. This study uses data from the U.S. Census Bureau to look at what jobs arts graduates in the U.S. and Illinois have. Our findings show that arts grads work in various fields, not just in arts and design. Understanding these trends will be pivotal for shaping the future of arts education and career preparation. Click the link to learn more! 👉 https://lnkd.in/gBYEmK4Z

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Thomas Fecarotta from Rheaply and I will be presenting 'Reap the Benefits of Ohio's Circular Economy: Ohio Materials Marketplace and Rheaply' on October 23. Join us to learn more about the Ohio Materials Marketplace platform, how it facilitates synergies for product reuse/recycling, and why organizations should consider adding the platform to their sustainability toolkit. Register for the webinar here: https://lnkd.in/g9PpckYW

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Last spring and summer, The Marshall Project-Cleveland published a series of stories about the relationship between Judge Leslie Ann Celebrezee and her longtime friend Mark Dottore. We reported that the judge steered cases to Dottore, who worked as a reciever in the Cuyahoga County Domestic Relations Court. We found that the Dottore and his firm earned more than $500,000 in fees. The judge never disclosed the relationship to the parties in court. We also obtained surveillance videos showing the judge leaving Dottore's home and office multiple times. One video showed them kissing after leaving a steakhouse. Celebrezze and Dottore denied a romantic relationship. “I’m Italian,” Celebrezze said in an emailed statement to The Marshall Project - Cleveland before the high court issued its order, “and I frequently kiss my family and friends on the lips when I greet them or say goodbye.” Now, the Ohio Supreme Court has filed misconduct allegations against the judge, saying she provided a "False Statement During the Disciplinary Process." "Months before submitting her response to relator, respondent had disclosed to at least two of her fellowjudges that she was in love with Dottore, and that she had consulted with attorneys about getting a divorce from her husband." The complaint, like our stories, also detailed how Celebrezze worked to get Dottore appointed to other high-end divorce cases. Read the complaint below in the comments section. These complex stories took months of sifting through thousands of pages of legal documents and countless hours at the courthouse and on the phone talking to sources. TMP-C is the only media outlet in Cleveland and Cuyahoga County that invested considerable reporting and journalism resources to bring sunlight to this important public matter. #investigativejournalism #accountabilitymatters #factsmatter #impact

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Check out my first article for Midstory on public history in the Great Lakes region!

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After six years of dogged persistence, I got the green light to start appraising and organizing the City of Flint's archival materials. After I weed the collection and identify what will be kept, BELFOR Property Restoration will come in, assess the needs of what we want to keep for mold remediation and start moving documents out to be stabilized for processing. Why would a university archive take on municipal materials? When you work in a place like Flint or any post-industrial Rust Belt town, you must do what you can to support one another. The City archives contain critical urban renewal planning documents, thousands of photographs, blueprints, planning documents, and much more. The problem is that the City does not have the resources to properly store and preserve these documents, let alone provide access. The key to so much of Flint's history is inaccessible and left to crumble. One of the main goals of the Inclusive History Project at the University of Michigan is reparative community action. The University benefited from Urban Renewal in Flint; now, we will provide access to the primary source documents outlining Flint's disastrous urban renewal plans for the first time. It has been a long road, and miles are left to go, but today was a good day. #Flintstrong #localhistory #saveourhistory Photo Description: The back of Flint City Hall near a domed amphitheater on a bright sunny day. There is a window cling on the building which says "Flint Strong."

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Latest #EMUTodayTV

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Important perspectives to keep in mind in the present climate!

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Join APA Ohio at one of our upcoming Advocacy Days to talk about how support for zoning reform can propel our state forward!

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So far this year, insured losses from severe convective storms have topped $60 billion. That includes damaging hail storms. Today, Victor Gensini and Walker Ashley at Northern Illinois University and others published a study that concludes hail size is going to get larger in the future, thanks to the warming temperatures that are feeding stronger updrafts in these destructive storms. Just like the tornado story a couple of weeks ago about the work of Victor and Stephen Strader, the big issue is that climate change is a threat multiplier, with greater risks posed by our expanding population. Twenty or 30 years ago large hail and tornadoes could occur in big empty fields and no one would be the wiser. Today, if there are houses and businesses sitting where those empty fields used to be, the risks and costs are greater. Read our story in USA TODAY Gannett | USA TODAY NETWORK here: While scientists haven't definitively concluded that hail is already getting larger, there have been numerous reports to the National Weather Service of grapefruit-sized hail in several states this year. I noticed something this morning about the weather service list of largest hailstones on record. Each record for a larger hailstone is more recent than the last. - Vivian, South Dakota, 2010: 31 ounces, 8 inches in diameter, 18.6 inches in circumference. - Aurora Nebraska, 2003: 7 inches in diameter and 18.75 inches in circumference. Weight not available. - Coffeyville, Kansas, 1970: 27 ounces, 5.7 inches in diameter and 17.5 inches in circumference. Potter, Nebraska,1928: 24 ounces, 5.4 inches in diameter. https://lnkd.in/dhpp_MdE

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I recently wrote a piece about medieval urban design for my program's biannual publication, Urban Review. I used my mom's hometown in Italy as an example of how small towns that developed before the car can be classified today under "utopic" or "dystopic" precedents, depending on various metrics that I explore in the piece. This issue was all about the concept of utopias and dystopias viewed through the lens of an urban planner and I recommend reading my other classmates' works! It was fun to write again for a magazine, since my undergrad degree was in journalism. https://lnkd.in/ebikfxej

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Phoebe Mills Farris, Ph.D. (Powhatan-Pamunkey) is a Purdue University Professor emerita, photographer, and freelance art critic. He wrote this piece for #CulturalSurvival about how Indigenous communities, projects, and defenders are creating solutions for Indigenizing STEM, acknowledging that science, technology, engineering, and math exist among all cultures, not just Western or Euro-American cultures, protecting Native human subjects in scientific research, and maintaining Tribal sovereignty and self-determination. #IndigenizingEmergingTechnologies #IndigenousLed https://lnkd.in/eSDK_Ewk

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Really chuffed to have received such a glowing review for the cartography in Can't Get There from Here! Nathan Kapoor, the reviewer from Illinois State, specifically notes that the maps "will challenge those who are familiar to reconsider what has been and what might be when it comes to public transportation questions." This is precisely what André and I wanted to achieve. The maps provide context to some complicated history (line X opened in so-and-so-date by the Public Works Dept, while a section was handed to NZR, but a portion was goods-only, and then a section closed but reopened later, all while the Ministry of Works was building a deviation nearby, etc etc). But primarily, we wanted the maps to provoke people to reimagine their assumptions of New Zealand's passenger rail network. Through the maps at the beginning of each chapter, we aimed to challenge the "old & outdated" thinking that sometimes surrounds passenger rail, by representing our historic, comprehensive networks in a modern style. Later, in the last chapter, we used similar maps to inspire new thinking about what's possible around the country. NZ's passenger rail network has been in a state of managed decline for decades (albeit with some change more recently). Our only impression of a passenger rail network that was truly thriving is through black and white photos and old, torn timetables and survey maps. My hunch is that this plays into our impression of passenger rail — something that's outdated and not fit-for-purpose for a modern New Zealand. Adopting a modern style to represent an old network reduces those biases and lets readers focus on the André's writing — and theses surrounding the real reasons we don't have many passenger trains any more (beyond "it's old tech").

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"Our content must be intersectional because we are intersectional" 🌎✨ The Principles of Inclusive Design for Social Media seminar presented by Del B. through SMPS West Michigan gave incredible insights about the importance of DEI in the realm of design and content creation. While I could say many glowing things about Del's presentation, here are my biggest key takeaways from his presentation! 👥 Intersectionality exists EVERYWHERE. We are constantly interacting with people different than ourselves; no two people are the same, meaning your content cannot only fit the idea of one person. Therefore, our content must consider the variety of people in the world because diversity is what our world is. 📱 Knowing your audience is a step towards creating properly inclusive content. Pay attention to the input you're receiving; don't take their perspective, listen to what they respond to and what they have to say. Co-creative design processes can help you create the right content. ✅ A simple checklist for inclusive design? Check for accessibility, equity, clarity, diversity, and predictability. What do we want this post to do? Is it easy to use? Is it formatted for the correct platform? Ask yourself questions surrounding inclusivity before posting content to ensure inclusivity is being achieved as intended. 🛠 Use your resources to check your accessibility level. Tools like Adobe, Canva, and Microsoft now include features to help assess accessibility. The AP Style Guide is a great tool to format text in an inclusive manner. Including things like closed captions on videos or ensuring contrast between text and background can help make for more accessible content. 📣 Ethical concerns should be held to a high regard, especially on social media. Be sensitive to cultural differences, authenticity, stereotypes, or power dynamics. Avoid pandering by learning through the experiences of others- show us what you're actually doing to support diversity. Educate yourself on subjects surrounding diversity. 💬 Be responsive. Take accountability. If you make a mistake or an error, acknowledge it and take responsibility for your actions. Everybody makes mistakes; it is the willingness to improve and right your wrongs that builds trust and authenticity between you and your audience. Working towards a more inclusive and equitable world includes how we design and share on social media. Educating ourselves is only the beginning! #InclusiveDesign #SMPS #SMPSWestMichigan #Design

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The struggle for young voters to understand what is on the ballot and how to vote has never been more apparent. As the 2024 presidential election approaches, this generation finds itself caught between immense political potential and a wave of disillusionment. The issues they care most about—economic inequality, climate change, and the future of democracy—remain at the forefront of political debates. Yet, new studies reveal a fatalistic attitude among young voters, particularly within the Black community, about their ability to influence change. But one woman, Detroit’s own Arabia Simeon, offers a solution to this growing issue, and her work is transforming the voting landscape, especially for the younger generation. The need for informed voters has never been more critical. According to research by the Berkeley Institute for Young Americans (BIFYA), young voters had a broad and decisive impact on the 2020 presidential election and the 2018 and 2022 congressional elections. But as we approach 2024, concerns over low voter turnout among young people loom large. The institute’s analysis shows that younger voters are often discouraged by the complexity of the voting process. Many lack the knowledge needed to fully understand who is on the ballot and what issues are at stake. This disconnect threatens to undermine their role as a rising force in American politics. Arabia Simeon, a young Black woman and founder of POGO (Politics on the Go), is directly addressing this problem. She has recognized the barriers that prevent young voters, particularly within the Black community, from feeling fully engaged in the political process. Her solution is simple but powerful: make voting easier and more accessible by providing clear, concise information directly to the voters. “We provide an all-in-one hub to store and track voting decisions for every election,” Simeon shared. “We’re working to make campaigns, messaging, polls, and strategies to reach young voters aligned and connected to the next generation of politics.” POGO, Simeon’s civic tech company, is a personalized mobile app designed to simplify civic engagement. Its mission is to empower young voters by giving them the tools they need to make informed decisions. The app functions like a personalized voter guide, allowing users to swipe right on candidates and build their own ballot directly within the app. But how do we ensure that young Black voters not only understand what’s on the ballot but also feel empowered to take part in the political process? While Arabia Simeon’s POGO app is a groundbreaking tool in bridging the gap, addressing the deeper issue requires more than just tech solutions. What about the need for robust, culturally relevant civic education in schools or accessible voter registration drives in communities that have been historically disenfranchised? https://lnkd.in/dJxEhbQQ

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I’m excited to share an update on a research project I've been working on with Jane Anderson, focused on the private collecting of Native American artifacts. This project explores the demographics, motivations, and ethical considerations behind collecting practices, while aiming to promote cultural sensitivity and social responsibility within the art world. Through insightful interviews with auction house specialists, museum leaders, and Native American historians, we've uncovered trends in the market for Native American art, the rising demand for both historic and contemporary pieces, and how collectors’ motivations vary from cultural appreciation to investment. Ethical considerations are paramount. Discussions have highlighted the importance of provenance, the impact of the Native American Graves Protection and Repatriation Act (NAGPRA), and the need for auction houses, collectors, and institutions to collaborate with Native American communities to ensure respectful treatment of culturally significant artifacts. We’ve also explored how private collectors can support Native American artists and communities, not just by acquiring art, but by actively promoting education, cultural preservation, and ethical collecting practices. 💡 Why This Matters: This research underscores the importance of social responsibility in the art world. As the market for Native American art continues to grow, there is a greater need for collectors, institutions, and auction houses to adopt ethical practices that prioritize cultural respect and community engagement. By ensuring that private collections and auctions reflect these values, we contribute to the preservation of Indigenous heritage while fostering meaningful, respectful relationships between collectors and Native communities. #NativeAmericanArt #CulturalSensitivity #EthicalCollecting #CSR #ArtWorld #CulturalHeritage #IndigenousArt #Sothebys #Christies #Freemanhindman

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🔍 Exciting insights from an eye tracking study at The Children's Museum of Indianapolis! We're thrilled to highlight the impact of biometric research conducted by the University of Southern Indiana at The Children's Museum of Indianapolis, powered by iMotions biometric platform. This collaboration has provided powerful insights into visitor behaviors, enhancing their experience without the need for drastic redesigns. As Chad Milewicz, Chair of the Economics and Marketing Department at USI and coordinator of the Biometrix Discovery Lab, aptly put it, "We don't know exactly what your mind thinks, but we know what information your mind was receiving as you were making decisions." This understanding is pivotal, as biometric tools capture critical data, revealing interactions and engagements that often go unnoticed. The study didn't just map where guests looked; it illuminated their journey, identifying signs that captured attention longer and spots that caused confusion. These insights allow for strategic, data-driven decisions on signage placement and design, optimizing visitor navigation and satisfaction. It's great to see our technology serve as a bridge between digital innovation and real-world application, ensuring every solution is grounded in actual user experience! https://lnkd.in/ezJJ_j84 #UX #museumdesign #USI #Indianapolis #Biometricresearch

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