Walker Art Center

"It felt like for the first time I was seeing this Black queer intimacy that looked like something I was familiar with." —Darryl DeAngelo Terrell In a powerful conversation, artists D’Angelo Lovell Williams and Darryl DeAngelo Terrell explore how Black queer culture, HIV, and the artists who came before them have shaped their work and lives. Read the full conversation ➡️ https://wlkr.art/3VCaE2N Our ongoing series “Because AIDS Is Not Over” on Walker Reader is co-presented with Visual AIDS. Image: D'Angelo Lovell Williams, "The Lovers," 2017. Courtesy the Artist and Higher Pictures.

"I strive to push the boundaries of how we perceive and interact, highlighting also the central role of sound in both navigating and composing within these environments." —Victoria Keddie From records to gallery exhibitions and beyond, multidisciplinary artist Victoria Keddie investigates the relationship between sound and architecture. Learn more about her practice on the Walker Reader. Read the full article ➡️ https://wlkr.art/41b9jDn Photos courtesy of the artist.

In the run up to the premiere of the 2024 Choreographers' Evening, guest curator jess pretty reflects on their approach to this annual tradition of showcasing local dance. "the work of the evening is in the risk of being seen of vulnerability of choosing the encounter of facing truths of responding to the aliveness that only the present moment can create" Read on ➡️ https://lnkd.in/gjC-PAft

Today for Kara Walker's birthday, we're revisiting some early moments from the acclaimed artist's long history with us. Included here is a 1997 portrait of the artist with a monumental, 85-foot-long installation of cut-paper silhouettes commissioned by the Walker. In the same year, Walker became one of the youngest recipients of a MacArthur Fellowship. A decade later, Walker returned to Minneapolis to present her first full-scale American museum survey, "Kara Walker: My Complement, My Enemy, My Oppressor, My Love," organized by the Walker. Photos courtesy of the Walker Art Center Archive.

We’re hiring for a variety of opportunities! Full and part time roles are available in curatorial, development, events, retail, marketing, publishing, and more. Become a part of our team that’s dedicated to empowering people to experience the transformative possibilities of the art and ideas of our time. Explore current opportunities ➡️ https://wlkr.art/46WxYeP

Minnesota-based playwright Rachel Jendrzejewski's "TRACES (After Sophie Calle)" is a participatory, site-specific performance that unfolds in real time across downtown Minneapolis. A new article on the Walker Reader delves into the through lines of the performance and the work of Sophie Calle on which it is based. Read on ➡️ https://lnkd.in/gVTUtY2V You can now spy on "TRACES"—view fragmented surveillance footage from select performances online through November 14 ➡️ https://lnkd.in/gBTxfVn9 Image: WaxFactory, "TRACES (after Sophie Calle)." Photo by Maria Baranova. Courtesy of the artist.

What does the soundtrack of a broken concrete utopia sound like? Gordon Chapman-Fox discusses creating music inspired by the haunting architecture of U.K. New Towns with Mattie Colquhoun on the Walker Reader. "Growing up in the tail end of the 1970s and into the 1980s, a synthesizer still sounds like the future to me. This is similar to a lot of the architecture in these New Towns." Read on ➡️ https://wlkr.art/3NFVMfp "Your Community Hub" from Warrington-Runcorn New Town Development Plan is available in vinyl at Idea House 3. Images: (1) Warrington-Runcorn New Town Development Plan, "Your Community Hub" (2024). Courtesy the artist. (2) Southgate Estate, Runcorn New Town, 1977.

"The Crying Jordan meme is a sign of the times; it demonstrates the increased power of (anonymous, decentralized) fan culture and a gradual erosion of the jocks vs. nerds hierarchy. But to what end?" Guest curators Astria Suparak and Brett Kashmere discuss their fall cinema series at the Walker and the paradoxical nature of sports and fandom on the Walker Reader. Read on ➡️ https://wlkr.art/47TeadO Check out the series ➡️ https://wlkr.art/47SygVG

Premiering today, “Rant redux” is a rave-like performance set to a high-intensity sound score. Created by choreographer Ralph Lemon and multimedia artist Kevin Beasley, this moving image installation incorporates footage from a series of performances Lemon conducted called “Rant.” The footage is set to a sound score that features Lemon shouting texts by Fred Moten, Angela Davis, Kathy Acker, Saidiya Hartman, and himself. The exhibition runs in tandem with the premiere of “Tell it anyway, 2024” on October 4–5, and will be on display through October 13 in Perlman Gallery. Admission is free every Thursday, 5–9 pm.

That’s a wrap on Avant Garden 2024! We are grateful to all of the incredible partners and sponsors that made the event a success. Thank you to our lead sponsors: The William M. Lively Foundation and Pohlad Companies; Sotheby's, our auction partner; D'Amico Catering and Cardamom, our food partners; Dameun Strange, A-Trak, Kwey and DJ McShellen for keeping us dancing all night; Andrew Bogard, campaign designer; Ruby Stinson, event designer, and so many more! See photos: https://lnkd.in/gYTdH-g7