TOMORROW :)
In Berlin this week for #CiclopeFestival? Be sure to catch Sonic Union's Workshop "Musical Bias and the Brief" presented by our ECD Halle Petro and CD/Composer Zac Colwell tomorrow!
About us
Great stories are being told in commercials and videos with a wider potential audience than ever before. Sonic Union efficiently crafts the sound in those messages as a partner with ad agencies, production companies, brands, directors, editors and copywriters. We are deeply experienced in audio and love every minute of it. RECORD • MIX • SOUND DESIGN • ORIGINAL MUSIC COMPOSITION • CAST • MUSIC SEARCH & SYNC • IMMERSIVE SOUND
- Website
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http://www.sonicunion.com
External link for Sonic Union
- Industry
- Media Production
- Company size
- 11-50 employees
- Headquarters
- New York, New York
- Type
- Privately Held
- Founded
- 2008
- Specialties
- Audio Post Production, Sound Design, Casting, Original Music, Music Licensing, Podcast Creation and Production, and Dolby Atmos
Locations
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Primary
Get directions
19 Union Square West
New York, New York 10003, US
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Get directions
24 W 40th St
New York, New York 10018, US
Employees at Sonic Union
Updates
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Thrilled to announce that our composition for Amazon Ads has been nominated in this year’s Music+Sound Awards! Congratulations to all the nominees and thank you to Anomaly for the inspiring brief on this campaign! Executive Creative Director: Halle Petro Creative Director: Zac Colwell Music Producer: Justin Morris Music Supervisor: Julian Fader Head of Production: Patrick Sullivan Executive Producer: Mary Kate Valentino Mix Engineer: Rob DiFondi Anomaly | Dan Shapiro, Giles Clayton, Diego Fonseca, Ryder Stevens, Robert Gooden, Mateus DeFaria Blacksmith VFX Work Editorial Sam Pilling Daniel Voldheim
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Mary Kate Valentino! What does her role as the EP entail? Favorite part of the job? Least favorite part of the job? She tells it all with postPerspective.
Behind the Title: Sonic Union EP Mary Kate Valentino
https://postperspective.com
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New work for BMW ✨ Kelly Oostman and Steve Rosen paired up to create the ambient, ethereal soundscape to match such a beautiful visual world. Thank you to all the collaborators who made this happen! Goodby Silverstein & Partners Serial Pictures Abandon Editorial The Mill
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Doja Cat and demonic animals in a claymation world created by Hornet for Brisk! Sound Design + Mix: Michael Marinelli Producer: Gina Petrarca Head of Production: Patrick Sullivan
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Thrilled to help bring Bob back again to the land of the living as an influencer 🧟♂️🤳 sound design + mix: Kelly Oostman ___ 72andSunny World War Seven Arcade Edit preymaker
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Music Creative Director + Composer Zac Colwell spoke with LBBonline - Little Black Book about our recent work for Amazon Ads and how we crafted a music track for them that feels timeless, vintage, and alive.
What It Takes to Bring Ambitious Musical Projects to Life | LBBOnline
lbbonline.com
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1000 mile road trip through Baja Desert with the NorCal Raptor Runs on Ford Motor Company's newest film 🐜 Sound Design/Mix: Rob Ballingall Head of Production: Patrick Sullivan Executive Creative Director: Halle Petro EP: Mary Kate Valentino VO Casting: Sonic Union Wieden + Kennedy Farm League Film Company JOINT Rare Medium TV
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You probably can’t become an NFL player but you CAN smell like one. Hellmann’s presents: Will Levis No. 8, Perfume de Mayonnaise! This fragrance mixes scents like sweet lemon, eggy mayo and creamy vanilla, and we loved mixing this spot thanks to the eggcellent folks at Edelman! Mix: David Papa Panavision Sequitur Cinema BANDIT EDIT Alicia Cabral Patrick Sullivan
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"With Ironic being such an unbelievably recognizable song, the agency tasked me with ensuring that the spot's dialogue didn't detract from the music's creative value and strength. I worked closely with the The Martin Agency team to decipher which parts of Ironic were the most iconic and how and where to implement them without the lead vocal. The result is that true, die-hard Alanis fans will notice the song immediately, but most will only feel that pay-off when the chorus hits after the call to action...perfectly scoring the elevation and energy of the spot and carving plenty of space in the mix for the messaging.” Rob Ballingall UScellular Hungry Man Arcade Edit Royal Muster