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How Netflix Put the Hurt on The Rock and Amazon MGM's Red One

Tom Brueggemann

    Tom Brueggemann has been Box Office Editor at IndieWire since 2016, a position he previously held at Gold Derby and Thompson on Hollywood. Unusual among entertainment journalists, he came to this after a more than three-decade career as an exhibitor, working as a film buyer in Chicago, New York, and Los Angeles for companies including M&R Theaters, Loews Theaters, and Sundance Cinemas. His film programming career began at Northwestern University, where he majored in political science before studying film in graduate school. He has also worked with multiple film festivals, including Sundance, as well as served as a juror. He also oversaw acquisition, marketing, and distribution for M&R Films which partnered with Cinecom Pictures. He has been a regular attendee at the Cannes, Toronto, and Sundance Film Festivals among others. As a writer, Tom brings to IndieWire what Gene Siskel earlier said about his earlier career: "His power as a most creative member of the Chicago film community derives from a variety of sources, first and foremost his film knowledge, and also his professional and personal friendships."

    He’s written about more than box office at IndieWire as well, including an acclaimed piece about how Fox News had the most important election desk leading into the 2020 election, and how the release of “The Fabelmans” may change distribution as much as “Jaws” did nearly 50 years earlier. Tom now lives in Palm Springs, CA.

    Latest by Tom Brueggemann
    RED ONE, from left: Kristofer Hivju, Dwayne Johnson, 2024. ph: Frank Masi /© Amazon Studios / Courtesy Everett Collection
    Weekend box office
    In happier news: Filipino romance "Hello, Love, Again" scored a nearly $10,000 per-theater average in 248 theaters.
    THE WILD ROBOT, Roz (voice: Lupita Nyong'o), 2024. © DreamWorks Animation / © Universal Pictures / Courtesy Everett Collection
    VOD Report
    "The Substance" continues to show strength, while 1990s Black indie director Rusty Cundieff returns at Netflix.
    Hugh Grant in 'Heretic'
    Weekend Box Office
    Both "Heretic" and "The Best Christmas Pageant Ever" grossed $11 million, with "Venom: The Last Dance" #1 again.
    JUROR #2, (aka JUROR NUMBER 2), from left: Zoey Deutch, Nicholas Hoult, 2024. © Warner Bros. / courtesy Everett Collection
    "Juror #2" isn't an outlier: At this point, Warners has earned its reputation for deprecating filmmakers' concerns.
    'The Substance'
    VOD Report
    Led by "Time Cut," four Netflix originals rank in their top six movies.
    'A Real Pain'
    Weekend Box Office
    "A Real Pain" joins "Conclave" and "Anora" as a strong debut. We also have estimates for non-reporting "Juror #2," "Blitz," and "Emilia Pérez."
    WICKED, from left: Ariana Grande, Cynthia Erivo, 2024. © Universal Pictures /Courtesy Everett Collection
    Box Office Preview
    After a slow start, it looks like a rebound month after a lame October.
    Kelsey Asbille in Don't Move
    "The Wild Robot" is the #2 VOD title at both iTunes and Fandango.
    CONCLAVE, Ralph Fiennes, 2024. © Focus Features / courtesy Everett Collection
    Though not remotely "Joker"-bad, the third "Venom" adds to theaters' worries.
    AMERICAN PSYCHO, Christian Bale, 2000, (c) Lions Gate/courtesy Everett Collection
    Luca Guadagnino's plans to make a new version of Bret Easton Ellis' novel would come 25 years after the first. It faces some unique challenges.
    'ANORA,' from left: Mark Eidelshtein, Mikey Madison, 2024. © Neon /Courtesy Everett Collection
    Weekend Box Office
    Grins for "Smile 2," but "Joker: Folie à Deux" dropped to sixth place with less than $2.2 million in its third week.
    Top of The Line Weekly
    A weekly digest that captures the best of our Top of the Line coverage.

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