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400 Kilometres
400 Kilometres
400 Kilometres
Ebook137 pages58 minutes

400 Kilometres

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400 Kilometres is the third play in Drew Hayden Taylor’s hilarious and heart-wrenching identity-politics trilogy. Janice Wirth, a thirty-something urban professional, having discovered her roots as the Ojibway orphan Grace Wabung in Someday, and having visited her birth family on the Otter Lake Reserve in Only Drunks and Children Tell the Truth, is pregnant, and must now come to grips with the question of her “true identity.” Her adoptive parents have just retired, and are about to sell their house to embark on a quest for their own identity by “returning” to England. Meanwhile, the Native father of her child-to-be is attempting to convince Janice/Grace that their new generation’s future lies with their “own people” at Otter Lake.

Which path for the future is Janice/Grace to choose, for herself, her families and her child, having spent a lifetime caught between the questions of “what I am” and “who I am”?

Cast of 3 women and 2 men.

LanguageEnglish
PublisherTalonbooks
Release dateDec 2, 2022
ISBN9781772015294
400 Kilometres
Author

Drew Hayden Taylor

Ojibway writer Drew Hayden Taylor is from the Curve Lake Reserve in Ontario. Hailed by the Montreal Gazette as one of Canada’s leading Native dramatists, he writes for the screen as well as the stage and contributes regularly to North American Native periodicals and national newspapers. His plays have garnered many prestigious awards, and his beguiling and perceptive storytelling style has enthralled audiences in Canada, the United States and Germany. His 1998 play Only Drunks and Children Tell the Truth has been anthologized in Seventh Generation: An Anthology of Native American Plays, published by the Theatre Communications Group. Although based in Toronto, Taylor has travelled extensively throughout North America, honouring requests to read from his work and to attend arts festivals, workshops and productions of his plays. He was also invited to Robert Redford’s Sundance Institute in California, where he taught a series of seminars on the depiction of Native characters in fiction, drama and film. One of his most established bodies of work includes what he calls the Blues Quartet, an ongoing, outrageous and often farcical examination of Native and non-Native stereotypes.

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    Book preview

    400 Kilometres - Drew Hayden Taylor

    ACT ONE

    Scene One

    Lights up on ANNE WABUNG, an elderly Native

    woman sitting somewhere in the theatre, a fair

    distance from much younger JANICE

    WIRTH/GRACE WABUNG who is sitting on the

    dark stage. ANNE is talking while sewing white

    baby clothes, her voice searching out and finding

    JANICE/GRACE. She exudes a warm, motherly

    personality which JANICE is drawn to. JANICE does

    not move, nor speak but ANNE has her full

    attention.

    ANNE

    Did I ever tell you where the name Otter Lake

    came from? No? Well, then I should tell you. It’s

    important that you know about the place you

    come from. Now, as my grandfather tells it, and

    keep in mind this isn’t necessarily gospel. If the

    story wasn’t interesting enough, my grandfather

    was known to add a few details here and there to

    make it really interesting. It seems that a long

    time ago, the Chuganosh … that’s what we called

    white people, were still trying to figure this land

    out. These fur traders came paddling their way

    up Otter Lake one day. In this one particular

    canoe were a bunch of scruffy Frenchmen and a

    Jesuit. They were looking to build a settlement of

    some kind to trade for furs with the

    Annishnawbe. That’s us. And much like

    Columbus, the Chuganosh were lost. Somewhere

    along the way, they took the wrong river or lake,

    the one they were looking for was a couple miles

    up stream. But the Jesuit was sure they were in

    the right lake and started to give orders about

    setting up camp, but the French guide started

    arguing with him. He knew they were in the

    wrong place. They were supposed to be in the

    other lake. He kept trying to tell that to the

    Jesuit who refused to listen. No, no, the guide

    kept saying in his thick French accent, "that is de

    ot’er lake. De ot’er lake." That is why we are

    known as the Otter Lake Band of the Great

    Ojibway Nation. It only goes to show, Grace, that

    regardless of where the name comes from, it can

    still be a place to be proud of.

    Scene Two

    Lights up on the home of LLOYD and THERESA

    WIRTH, a well-to-do older non-Native couple

    enjoying their retirement. The house, in particular

    the living room, is tastefully and expensively

    decorated with knick-knacks from around the

    world. THERESA enters the room and checks

    herself in the mirror. She is dressed for an evening

    out.

    THERESA

    Darling, did I leave my earrings on the dresser?

    There is silence.

    Darling?

    Annoyed, she opens a small drawer, rustles

    around and pulls out a small device.

    I swear, that man …

    She exits, still muttering. There is a pause, then

    she enters again, putting her earrings in.

    Keep your hearing aid in. I hate talking to

    myself.

    She is followed by LLOYD WIRTH, a mature man

    also set for an evening out.

    LLOYD

    Why? Keeps the plants healthy.

    THERESA

    I’m serious Lloyd, you’ve already lost three of

    those since you got them.

    LLOYD

    Yes dear. You look splendid.

    THERESA

    I look fat.

    LLOYD

    I like women with a little meat on them.

    THERESA gives him a stern look.

    Then again, maybe I don’t.

    THERESA

    At my age, maybe I should stop wearing dresses

    that are so tight. What do you think?

    LLOYD

    It’s questions like this that make me lose my

    hearing aids. Wear whatever you want. Are you

    ready yet?

    THERESA

    Almost.

    LLOYD

    Translation: at least another 20

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