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    The Tipping Point by Malcolm Gladwell - A Story Grid Masterwork Analysis Guide
    The Tipping Point by Malcolm Gladwell - A Story Grid Masterwork Analysis Guide
    The Tipping Point by Malcolm Gladwell - A Story Grid Masterwork Analysis Guide
    Ebook213 pages2 hours

    The Tipping Point by Malcolm Gladwell - A Story Grid Masterwork Analysis Guide

    By Leslie Watts and Shelley Sperry

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    About this ebook

    Is it possible to write a nonfiction book that changes minds or even changes the world?

    The Tipping Point by Malcolm Gladwell sold 1.7 million copies in its first year of release, and today remains a perennial bestseller.

    What made it go viral? 

    What made it stick? 

    On the 20th anniversary of Th

    LanguageEnglish
    PublisherStory Grid Publishing LLC
    Release dateMar 11, 2020
    ISBN9781645010463
    The Tipping Point by Malcolm Gladwell - A Story Grid Masterwork Analysis Guide
    Author

    Leslie Watts

    LESLIE WATTS is a Story Grid Certified Editor, writer, and podcaster based in Austin, Texas. She's been writing for as long as she can remember-from her sixth-grade magazine about cats to writing practice while drafting opinions for an appellate court judge. As an editor, Leslie helps fiction and nonfiction clients write epic stories that matter. She believes writers become better storytellers through study and practice and that editors owe a duty of care to help writers with specific and supportive guidance. You can find her online at Writership.com.

    Read more from Leslie Watts

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      Book preview

      The Tipping Point by Malcolm Gladwell - A Story Grid Masterwork Analysis Guide - Leslie Watts

      Introduction

      Thinking as Adventure

      Many Big Idea books originate with a writer’s sudden aha moment.

      You’re thinking about a particular phenomenon or problem you’re interested in, and you look at it from a new angle that leads to some insights you’ve never had before. You get excited and can’t stop thinking about it. It’s not a fully formed idea—not by a long shot; there are so many complications and questions to work out. But you’ve stepped over a threshold of sorts, and you’re on a new intellectual journey.

      This exploratory impulsive motion is why readers (and writers) love Big Idea books. They turn thinking into an adventure.

      The first steps on the Big Idea writer’s adventure look something like this. You notice the phenomenon or problem and decide to investigate. You ask friends and experts about it, consult research studies, and take note of compelling anecdotes about those experiences. At some point, you drag yourself away from the research and record the raw results of your investigation—3x5 cards, notebooks, scraps of paper, digital files—and you start to gather your thoughts. As you’re working to detect recurring patterns, you get frustrated. Frequently, the evidence and anecdotes lead you to detours that appear to be dead ends. After a while, you can’t remember why you said aha! in the first place.

      But then a piece of evidence falls into place and provides a nexus to a working hypothesis that explains the phenomenon or solves the problem. The seemingly unrelated data points coalesce. The aha turns into Eureka!

      You’re not done, not even close, but you find yourself invigorated. You get your second wind. You now test your hypothesis many times to see if it works in different circumstances. You tweak it a little as you bring in new evidence and case studies.

      Finally, after you’ve triumphed over a few more doubts and challenges, you think you’ve come to the end of the adventure, and you’ve got an idea that explains the phenomenon or solves the problem you’ve been battling.

      But now you have a whole new challenge. You need to bring your knowledge home and share it with other people. You must describe the process by which you came to your conclusion compellingly. Then you have to prescribe a means by which the reader can use this new insight as a powerful tool in their everyday life.

      How are you going to present all your work to those who can benefit from your intellectual dragon-slaying? You’re going to have to embark on one more adventure. You’re going to have to write a book.

      And you’re going to need the help of a good mentor—a model of excellence—on the next part of this journey.

      If you read a lot of Big Idea books, as we do, you know many brilliant mentors are writing today: Malcolm Gladwell, Brené Brown, Elizabeth Gilbert, and Michael Pollan, just to name a few. The way they become true mentors has nothing to do with trying to wrangle a coffee date with them or harassing them on Twitter. What’s remarkable about the Story Grid methodology is that you can apply it to these mentors’ works.

      The works themselves can serve as the models for you to emulate, not the quirky human beings who crafted them. Let’s leave these writers in peace to keep pursuing the adventures that fascinate them. Instead, we’ll study the products of those intellectual adventures.

       We won’t just read their books. We’ll put them under a microscope and observe them with a telescope. We’ll break them down into their constituent parts and build them back up again to their global gestalts. We’ll analyze them to see how they work.

       In other words, we’ll follow the same process you would use to explore and refine your own Big Idea. This step-by-step method is how The Story Grid Masterwork series approaches mentorship. We study the work and hold it up as our model, a map providing detailed topography and directions we can use to guide us when we set out on our own artist journeys.

      When contemplating our first Big Idea masterwork, we naturally zeroed in on Malcolm Gladwell’s seminal book, The Tipping Point. We believe Gladwell’s book epitomizes the best practices of the form. What are those?

      Using the Story Grid methodology developed by Shawn Coyne, and building on his blog post series at www.storygrid.com about The Tipping Point, we decided to plumb the depths of Gladwell’s masterwork from our unique points of view to find out.

      As Story Grid Certified Editors who love working with Big Idea book authors, we’re in the trenches day in and day out figuring out how best to help writers at an impasse. We’re applying the method practically, and we have a hands-on let’s get this thing to work approach to the analysis.

      So, we want to share with you some of what we’ve learned from Shawn Coyne, Malcolm Gladwell, and our favorite authors and clients, in the hope that you’ll be able to put it to use in bringing your own book into the world.

      The Power of Big Ideas

      When you read a book like The Tipping Point, the way you think about a problem or a phenomenon in the world changes, your mind expands a little, and sometimes the ground beneath your feet seems to shift. Big Idea books are fundamentally about exploration, revelation, and the creation of knowledge that didn’t exist before. So, naturally, this is why the life value at stake in any Big Idea book is all about the journey from ignorance to wisdom—or even self-deception to wisdom.

      Big idea books change us, and by extension, they change the world. In The Fire Next Time, James Baldwin started a new conversation about racism and relationships that continues more than half a century later. The same is true of Rachel Carson, who reframed our thinking about nature in Silent Spring and helped birth the modern environmental movement. And in Chaos, James Gleick introduced the world to a whole new science, explaining how minuscule changes produce massive transformations in complex systems. More recently, in Being Mortal, Atul Gawande revolutionized the way we think about and experience death and dying.

      The Tipping Point, one of the most read Big Idea books in recent years, explores how social epidemics spread, or tip, just like disease epidemics do. Author Malcolm Gladwell was fascinated by a particular phenomenon that all of us had accepted as just the way it is. He set himself a mission to explore what was beneath that phenomenon, and he decided to take us on that journey with him. He wanted to understand why ideas, products, messages, and behaviors suddenly seem ubiquitous, when only months, days, or even hours before, they were rare.

      Gladwell wanted to know what causal events preceded a thing tipping into the forefront of a culture’s collective awareness.

      A really cool exploratory mission to be sure, but how would he tell this complex story?

      The answers lie within the work itself.

      The Macro and Micro Structures of a Big Idea Nonfiction Book

      If you’re a writer who loves toying with ideas, gathering lots of research and anecdotes, and provoking readers to experience a revelation through story—while also teaching them how to make or do something along the way—studying The Tipping Point’s structure, both globally and scene by scene, is the masterclass you need.

      Let’s start with the telescopic point of view.

      If we look at Big Idea books in general terms, we can see three clear steps in the intellectual adventure stories they tell: analyzing, formalizing, and mechanizing.

      These parts correspond to the beginning, middle, and end of every compelling Big Idea story:

      Beginning Hook: This section is all about analyzing the phenomenon and finding intriguing patterns shared among its multiple iterations. In other words, you hook the reader by offering them a series of examples of a recurring event and asking, Do you ever wonder why this happens? The Beginning Hook culminates in a hypothesis. This happens because of X, Y, or Z. Imagine you see some intriguing new electric cars, which you’ve never noticed before, rolling down the street. You eventually figure out how they work and decide to present your findings to your friends. You entice your friends with a taste of what you’ve discovered. This analysis hook usually accounts for the first 10 percent or so of the book.

      Middle Build: Formalizing the analysis into a system that explains how the phenomenon or problem is structured, how it functions, and how it is organized happens in the Middle Build. Formalizing brings evidence and reason to bear to reveal a phenomenon’s structural and functional organization. The Middle Build is the longest part of any Big Idea book—as much as 80 percent. In this section you take the phenomenon or problem apart and lay all of its constitutive pieces out on your intellectual lawn like one of those cars. Then, as you consult with some experts and research, you slowly put the phenomenon back together to see if you can start it up again.

      Ending Payoff: Mechanizing the explanation so others can use it as a tool is how your work culminates in the Ending Payoff. You do this by generating the feature list of parts of the phenomenon and presenting strategies and tactics to jump-start its recurrence or build more just like it. Finally, in this last 10 percent of the book, you’re able to help readers see how they can understand the phenomenon or problem like you do and use that knowledge to their benefit.

      Armed with this understanding of the basic structure, let’s now study how Malcolm Gladwell’s The Tipping Point abides by these global macro concepts.

      Malcolm Gladwell’s Big Ideas

      The New Yorker journalist Malcolm Gladwell defined a particular kind of nonfiction book in the early twenty-first century when he came out with one bestselling sociological deep dive after another: The Tipping Point (2000), Blink (2005), and Outliers (2008).

      While some Big Idea authors write about social problems they want to solve, Gladwell writes about phenomena he wants to understand and explain. In an approach that’s now labeled Gladwellian, he sniffs out funny and heartbreaking anecdotes, synthesizes reams of academic research, identifies fascinating experts, and then builds an argument that explains the phenomenon that’s obsessed him while also

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