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The Critic Magazine

Raw and immersive tale of the Civil War

LATE IN THE SUMMER OF 1641, with Charles I deep in dispute with his Parliament, alarming reports reached Westminster of Catholics amassing arms at Basing House in Hampshire. At this point in time, few expected civil war, but plenty feared an imminent Catholic plot. Recent reform to the Church had introduced lavish ceremonies which looked, to many eyes, like the trappings of Rome, and Charles himself was married to a Catholic.

More to the point, England’s Catholics had done it before. Every year, people marked the anniversary of the Gunpowder Treason, which was already stuck in the national consciousness as the quintessential Popish rebellion: an armed coup plotted by dissident aristocrats gathering weapons on their great rural estates and planning subterfuge at the highest levels.

Yet civil war came, and when

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