Aperture

Orlando Spirit of the Age

Jacques Derrida’s l’avenir: the unforeseeable that will appear, although we cannot control our expectation of what it will be.

It’s 2019, the wheel has turned, and here I am again, marveling at Orlando and its impact—not only on my own life, but also on the lives of a host of my colleague-artists.

When I sent out my calling cards to the extraordinary collection of individuals whose work you open here and now, between these covers, it was with an invitation to share the inspiration of a book, a novel: Virginia Woolf’s 1928 “writer’s holiday,” her wild-goose chase of a fantasy.

The response was universally overwhelming. And overwhelmingly personal.

Woolf calls the book a biography and refers constantly to its diligent biographer’s task and the specific challenges therein, recording the life, with deadpan sincerity, of a young nobleman whom we meet under an oak tree, in an ancestral park,

You’re reading a preview, subscribe to read more.

More from Aperture

Aperture4 min read
Illuminations
My first paid job in the cultural sector, in the mid-2010s, was in London at a national museum with an extensive collection of photography, along with printed ephemera, pamphlets, zines, and photobooks, made by British and international artists. I on
Aperture4 min read
Viewfinder
Thirty-three years ago, a man in Los Angeles named George Holliday used his new camcorder to film what would come to be known as the Rodney King tape. In 1993, the Whitney Biennial looped the entire ten-minute clip at the entrance to the exhibition,
Aperture5 min read
Daniel Shea Empire Plaza
Of all the epithets coined by New York governor Nelson Rockefeller’s opponents to describe his monumental redevelopment plan for the seat of state government in Albany—and there were many, ranging from “Nelson’s Pyramid” to “Rocky’s Edifice Complex”

Related