Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
Download available in 16-bit/44.1kHz.
€6EUR or more
Record/Vinyl + Digital Album
Shipping via courier with tracking number.
This edition is a strictly limited black vinyl release, restricted to just 199 copies, and it stands as a testament to Solmania's enduring legacy in the realm of guitar drone music. Inside, you’ll find a 12 inch insert, all housed in a protective Japanese Katta transparent sleeve that ensures the utmost preservation of both the cover and the record. The record itself is safeguarded by padded black inner sleeves with holes, further enhancing its quality. All of these thoughtful details are designed to guarantee the highest standard of the release, making this vinyl reissue a transformative and enlightening experience for both dedicated followers of Solmania and newcomers to the world of experimental noise music.
Includes unlimited streaming of Re-Rurr
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Solmania's limited edition vinyl reissue of the Re-Rurr LP is a monumental work of avant-garde noise music that immerses listeners in a sonic experience unlike any other. Led by the visionary Masahiko Ohno, who founded Solmania in 1984, this reissue serves as a testament to the boundless creativity and technical brilliance that have established Solmania as a trailblazer in the Japanese music landscape. Ohno's unconventional approach to crafting electric guitars from spare parts has not only yielded unique instruments but has also paved the way for a musical journey that is as innovative as it is captivating.
Originally released on cassette by Fatagaga Tapes in 1985, the two expansive tracks featured on this vinyl reissue invite listeners to embark on a transcendent voyage through experimental soundscapes and uncharted musical territories. Ohno's mastery of multi-neck guitars and harp guitars, with their unconventional body shapes and peculiar pickup placements, creates a sonic tapestry that is both haunting and sublime. Drawing inspiration from various musical genres such as progressive, punk, metal, noise, and drone music, Solmania's compositions not only defy conventional boundaries but also elevate the art of free improvisation to new and exhilarating heights.
On side A of the album, listeners are taken on a mesmerizing voyage through a mystical landscape of shimmering chords and intricate melodies, each note resonating with a sense of ethereal beauty and enigmatic allure. As the music unfolds, Ohno's exceptional technical prowess and profound musical sensitivity reveal themselves, guiding the audience through a sonic journey that is not only introspective but also truly awe-inspiring. The interplay of harmonies and textures creates a sonic tapestry that is both intricate and captivating, inviting listeners to lose themselves in the otherworldly soundscape that Ohno masterfully crafts. Each note feels like a brushstroke on a sonic canvas, painting a picture of ethereal beauty and emotional depth that transcends the boundaries of traditional music. As the album transitions to side B, the exploration of free noise sculpting reaches new heights, plunging the listener into a realm of raw, unfiltered sound that challenges perception and sparks a spirit of adventurous exploration and discovery. Ohno's command of improvisation and experimentation takes center stage, as intricate layers of sound intertwine and collide in a cacophony of sonic innovation. The boundaries between structured composition and abstract noise blur, creating a sense of unpredictability and excitement that propels the listener into uncharted sonic territory. With each passing moment, the music becomes a vehicle for self-discovery and sonic exploration, urging the listener to embrace the unknown and venture into the depths of creative expression.Through the progression from side A to side B, the Re-Rurr LP reissue becomes a transformative sonic odyssey that not only challenges traditional notions of music but also invites listeners to embark on a deep and introspective journey of self-discovery.
The multifaceted nature of Masahiko Ohno's musical prowess truly comes to the fore in this reissue, where his ability to seamlessly blend disparate elements like guitar, tape, radio, metal, turntable, and vocals creates a rich and dynamic sonic tapestry that captivates the listener's imagination. Ohno's innovative use of these diverse instruments and mediums not only showcases his technical skill but also underscores his artistic vision, pushing the boundaries of traditional music-making and challenging the listener to engage with sound in new and unexpected ways. With each track on the album, Ohno masterfully navigates a complex web of textures and atmospheres, weaving together intricate layers of sound that evoke a wide range of emotions and sensations. The result is a deeply immersive listening experience that transports the audience to a realm where music transcends its conventional constraints and becomes a medium for profound self-exploration and reflection. Ohno's bold experimentation and fearless creativity shine through in every note, inviting the listener to embark on a transformative sonic journey that is as enigmatic as it is enlightening.
The Re-Rurr LP reissue stands as a testament to Solmania's enduring legacy in the realm of guitar drone music. With its dense harmonics, hypnotic overtones, and immersive sonic textures, this release not only showcases Ohno's visionary creativity but also pushes the boundaries of musical expression to new and uncharted territories. Whether you are a dedicated follower of Solmania or a newcomer to the world of experimental noise music, this vinyl reissue promises a transformative and enlightening experience that will leave a lasting impression on all who dare to immerse themselves in its captivating soundscape.
credits
released September 20, 2024
Ohno Masahiko: guitar, tape, radio, metal, turntable and voice
Recorded and mixed at Fatagaga tapes, Kanan-cho Osaka Nov. 1985
Original released: Fatagaga tapes FTC-6 (Dec. 1985)
I cannot praise this album enough. This album is absolutely terrifying! The many starts and stops creates this very h settling tension. Each start expands on the stopper idea previously. It’s like the music equivalent of walking through thick fog while passing out multiple times throughout trying to find a place to orientate yourself. There may or may not be something sinister in that fog, but you don’t want to stick around to find out. Bought the vinyl so I summon the fog demons through spe shoehornwithteeth
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