Final Cut

What Makes an Edit Great? LBB asks Matt Carter. “the process behind a ‘great’ edit is more like writing within the constraints of language – using a finite set of letters and words to unlock limitless possibilities and potential. It will transcend the sum of its parts." In the world of film and advertising, editing is an art form that often goes unnoticed—but its impact is undeniable. In a recent article for LBBonline - Little Black Book, “Secret of the Snip,” Final Cut's Matt Carter Carter, sheds light on the nuances that make a great edit stand out. Read more below:

Echoes of Ailey. Captured beautifully by Ezra Hurwitz and edited by Matt Carter, this short film for Nowness takes us inside the legacy of Alvin Ailey American Dance Theater, one of the most iconic forces in modern dance. Shot at the Whitney Museum of American Art, the film blends movement with space, immersing us in the visceral power of Ailey’s work. Through a rich, cinematic lens, Hurwitz honors Ailey's enduring influence, exploring themes of freedom, expression, and community. A stunning visual tribute to the art of dance and its impact on culture. Watch now for a glimpse into this powerful tribute through the link below. https://lnkd.in/gWPdrtz5 Credits _ Editor: Matt Carter Director: Ezra Hurwitz Production: m ss ng p eces Post Producer: Wade Weliever Music: Radiohead DP: Andy Catarisano Movement Director/Choreographer: Harper Francesca Producer: Francesco Raffo PD: Grace Beck Stylist: Paul Bui Color Company 3, Joseph Bicknell Title Design Elena Miska Sound Design Machine - Sound Design & Music, Michalis Anthis

Paddy Power has released its Christmas advert campaign for the festive season with the launch of ‘A Shirt’s Not Just For Christmas, It’s For Life’. Edited by Sam Bould Credits _ Edit: Sam Bould Director: Chris Balmond Agency: BBH London Production Co: Outsider

The stage is set. Matt Carter edits the Grand Slam Track promo for its inaugural season! The premier platform for global track and field has locked in some of the best athletes in the world for an epic showdown of speed, strength, and strategy. Directed by zackary canepari with Stadium for Doubleday & Cartwright. With Sound Design/Mix by Machine - Sound Design & Music and VFX/Finishing by Significant Others. Credits _ Editor: Matt Carter Assistant Editor: Kaylin Smida Director: zackary canepari Agency: Doubleday & Cartwright Producer: MICHAEL DART WADSWORTH Production Company: Stadium Creative Group DP: Joe Rivera Color Grade: Calvin Bellas  Motion GFX: Jason Wynkopp Sound Design/Mix: Machine - Sound Design & Music. Michalis Anthis Finishing: Significant Others

Christmas is the Super Bowl of UK ads. So, today, Amanda James, Rick Russell and James Rosen give LBBonline - Little Black Book’s Zoe Antonov a behind the scenes peek on their editing process when it comes to holiday specials, having worked on some of the most memorable Crimbo films from the past few years https://lnkd.in/dYycmNRQ

Matt Carter and Hidji reunite in “Walk em Down” for Metro Boomin ft. 21 Savage and Mustafa 🖤 Full MV through the link below. https://lnkd.in/gYzjxA2S Credits _ Editor: Matt Carter Director: Hidji   DP: Leroy Farrell  EP: Cezealeo DeJinero Producer: Ricky Zanders PM: Jeffery Jackson 1st AD: Ricky Dula Key Grip: Kai Hunte  Production Designer: Summer St. John Casting: Mill Ticket Entertainment Label: Republic Management: Xiarra-Diamond Nimrod

“She is a mentor to our next generation of talent and has her sights set on investing in our continued future of creative excellence.” - FCNY EP, Sarah Roebuck We’re beyond thrilled to share that editor Sophie Solomon has been promoted to Partner at Final Cut. With her impeccable skill and unwavering authenticity, Sophie has been a key player in delivering some of the most iconic and inspiring work in the industry. Take some time to learn more about this exciting next step for us through the shots link below. 🎉🎉🎉 https://shots.net/news/vi

"All My Love” by Coldplay out now starring the one and only, Dick Van Dyke. Directed by Spike Jonze & Mary Wigmore – Edited by Jeff Buchanan. 🎈 An Arts & Sciences/MJZ Production. Credits _ Editor/Executive Producer: Jeff Buchanan Assistant Editor: Julio Samaniego Jr. Assistant Editor: Zachary Stoner Post Producer: Kristina Thoegersen Production Company: Arts & Sciences / MJZ Director: Spike Jonze & Mary Wigmore DP: Shabier Kirchner Producers: Rob Hatch-Miller, Jorie Feldman Producers: Dick Van Dyke & Arlene Silver Managing Director for Arts & Sciences: Mal Ward Director of Production / EP Arts & Sciences: Christa M. Production Supervisor: Saeed Chabayta Production Coordinator: Puloma Basu Producer: Thomas Smith VFX: Significant Others Color: TRAFIK Colorist: Dimitri Zola Mix: Squeak E. Clean Studios Production Designer: Florencia Martin THE ED SULLIVAN SHOW © All Rights Reserved Courtesy of SOFA Entertainment CHITTY CHITTY BANG BANG © 1968 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. Courtesy of MGM Media Licensing THE DICK VAN DYKE SHOW © All Rights Reserved Courtesy of Calvada Productions MARY POPPINS © 1964 All Rights Reserved Courtesy of Disney Enterprises, Inc. Courtesy of CBS Photo Archive Hulton Archive via Getty Images Courtesy of Keystone Press / Alamy Stock Photo Emmy Statuette © ATAS/NATAS

Final Cut Editor Antonio Gómez-Pan is featured in the most recent SNAPSHOT Q&A for Promonews! Emphasizing the power of passion in creative work and reflecting on his experiences in commercials, music videos, and film, Antonio highlights the importance of collaboration, authenticity, and innovation in storytelling. Between the story behind his iconic Stars Wars tattoo, the most rewarding music video projects he worked on this year and more, Antonio says the heart of it all is the need to create stories that truly connect with audiences. Read the full interview through the link below: https://lnkd.in/gmUNbxnH

We’re thrilled to announce the addition of two extraordinary talents to our roster: Nick Gilberg and Marc Thomas. With a shared commitment to pushing boundaries and delivering breathtaking work, they bring a wealth of experience and vision to Final Cut’s New York office. Both Nick and Marc are known for their artistry and dedication, and we’re beyond excited to have them join the team! Welcome aboard, guys – the future is looking bright. 🌟 Visit the shots link below to learn more. https://lnkd.in/gZ5WtFUQ