Marcel Krijgsman

“Depths of the Forest”, Acrylic & Mixed Media on Board, (multi-layered), detail, 30 X 21 cm

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Mixed media on canvas 131x31 cm

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'Admiring the view ', New miniature painting on wood. 9 x 10 x 2 cm. #miniatuurkunst #miniatuurschilderij #miniaturepaintings #miniature #minikunst #countryside #outdoorliving #natureart #walkinnature #walkinginthecountryside

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Pearl Energy Torus Mixed media on canvas 120 x 80 cm

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Willow, Woodcut on fine Japanese paper 30 x 45 cm

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Reconstructed Dutch Flowers Oil on Canvas 150cm x 120cm

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New Series Available Reconstructed Dutch Flowers Oil on Canvas 150 x 120 cm

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PP 235 08 The Extraterrestrial, 2002 Mixed media on paper 25 x 22 in (64 x 56 cm)

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Official One Eyeland Selection Model: Michiel Costume Design: Ward Warmoeskerken #design #prize #fineart #photography #queerart #art

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Something different … Mixed media on wooden panel (30 x 40 cm)

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"Let's Collaborate & Create Something Amazing!" Are you tired of working in silos and wanting to make a bigger impact? Let's join forces and create something truly remarkable! I'm on a mission to connect with like-minded individuals who share my passion for innovation and growth. Together, let's: Share knowledge and expertise Support each other's goals Create new opportunities Drive positive change Whether you're in tech, marketing, design, or any other field, your unique perspective is valuable. Let's combine our strengths and achieve something extraordinary! Who's ready to collaborate and make a difference? Let's connect and start something amazing! Thanks. Vineet Sonkar #Collaboration #Innovation #ProfessionalNetwork #GrowthMindset #MakeADifference #LinkedInCommunity #FreelanceTips #FreelanceTricks #FreelanceCareer #SuccessTips #FreelanceLife #Personalgrowth #Leadership #innovation #management #Humanresources #digitalmarketing #technology #creativity #Future #futurise #Entrepreneurship #Careers #Markets #Startups #Marketing #SocialMedia #Venturecapital #Socialnetworking #LeanStartups #Economy #motivation #sustainability #healthcare #education

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pen on paper 6” x 6” my artwork, no matter the medium, is ultimately an attempt to represent the pain of being good in a world that is not. #micronpen #blackandwhite #coverart #angel www.mynameisiden.com www.idenfilm.com

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THE JOURNEY. acryllic on wooden panel, 50 x 100 cm

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New Series Reconstructed Dutch Flowers Oil on Canvas 150 x 120 cm

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Archives and Tradition 1994 5 x Paper Rolls, 10 x ShOFaROT (ram's horn) cast in bronze Height 150 cm Collection, CODA museum, Apeldoorn, The Netherlands..; THIS IS THE ANSWER As long as the Western Project continues to insist on displaying a work of art as an object of reading, we must remain aware of and acquainted with the history of Christianity. In this case, whether or not we care to label the Western Project as an endless effort to convert the authentic movement of Christianity into a contemporary philosophy, the reading of artworks in the public space remains a dimming veil of distance culture. In any case, it is evident that for artists who take part in the Western Project, there is no such thing as a profane object. That is to say, all artworks on display in public spaces are always ritualistic and forever linked to a certain found sacred' text; an arbitrary and therefore a replaceable found text. At this point, it is also worth observing that each and every work of art on display in the public space is both a necessity and an impossibility, a simultaneous presence of the readable and of the veiled. There should be no doubt that it is the veil that produces that enchantment of distance, and it is clearly the Western Project's dependence on the perpetual production of art objects. Above all, it explains the artist's obsession with political issues. It has, therefore, become the artist's convention, to veil that which is already veiled. This must be kept in mind, for this has become our moral dilemma when we come to speak about reading in public spaces. After all, reading is a part of our fascination with the artist's promise to obscure the connecting structures between contemporary philosophy and Christian theology. Although it is the artist's promise that brings us Back to Back with the de-Christianizing of the Western Project, there is an endless resultant confusion as to how one should prioritize Christian theology and contemporary philosophy. And in the background, we can still see the Guest's insoluble dilemma. On one hand, he is forced to be silent on his idiosyncratic reading, while at the same time he makes use of Christian strategy in order to be seen without being revealed. THIS IS THE ANSWER The Guest within ourselves is first and foremost an artist in words because words are the means by which he has learned to veil his name, to hide his doubt, to approximate the value of his fear by criticizing in public his very desire to join the Western Project. To begin with, this nostalgia for a lost paradise haunts the Guest and continues to throughout his active, exilic life. Signed here JOSEPH SASSOON SEMAH

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Saterday last day of our exhibition  ‘Brutal Utilism’at Gallery Neck of the Woods in RotterdamFriday and Saturday  13:00 - 17:00artists:Susanne Albrecht (DU)Art van Triest (NL)Mirjam Berloth (NL)Lisbeth Parisius (DK/NL)Leen Van DierenDonck (NL)Lieven de Beek (BE)Paul Vinken (NL)Jeroen Arians (NL)Adress:Heer Bokelweg 1573032 AD Rotterdam  Brutal Utilism: Revealing the material and questioning the utilisation. What is the use? What is it made of?The undressing of the facade. Inside and out. How is it constructed and for whom is it made to inhabit? Art and architecture; A brutal and logical marriage.

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