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Jerusalaam

by Muslimgauze

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 16-bit/44.1kHz.

      €7.70 EUR  or more

     

  • Compact Disc (CD) + Digital Album

    Includes unlimited streaming of Jerusalaam via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ships out within 3 days
    edition of 100  19 remaining
    Purchasable with gift card

      €7 EUR or more 

     

  • Full Digital Discography

    Get all 103 Muslimgauze releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Muslimgauze Memorial Mix Part 5, Hammer & Sickle, No Human Rights For Arabs In Israel (The Remix), Muslimgauze Memorial Mix Part 4, Port Said audio NL, The Remix, Home demo tracks, eye for an eye, and 95 more. , and , .

    Purchasable with gift card

      €517.27 EUR or more (35% OFF)

     

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about

Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions.

The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much more cleanly digital feel, with many of the elements Jones usually uses present but in more stripped down or even mechanized forms. The relatively clean pulse of these two longer compositions serve as a refreshing contrast next to the hand- and tape-made feel of tracks like “All the Stolen Land of Palestine” and “Hessian Bag of Camel Parts”, an invigorating reminder of the breadth and vitality of Jones’ work even now

credits

released May 26, 2020

"Dedicated to all Palestinian freedom fighters, victims of zionist terrorism. The patience in the face of Israeli violence towards them is a great quality they possess, to retaliate is justified."

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about

Muslimgauze Berlin, Germany

Muslimgauze occupied a strange place in the musical world. He was a powerful, prolific innovator, releasing albums that were alternately beautiful and visceral, full of ambient electronics, polyrhythmic drumming and all kinds of voices and sound effects. The recordings earned him a devoted following in underground, experimental and industrial music circles worldwide.

The New York Times 1999
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