Gary Kemp as Ronnie Kray and Martin Kemp as Reggie Kray with their gang The Firm in a scene from the film The Krays
Gary and Martin Kemp starred as Ronnie and Reggie Kray in 1990 film The Krays (Picture: Richard Blanshard/Fugitive Features/Kobal/Rex/Shutterstock)

The producer behind hit 1990 film The Krays has said he regrets ‘glamourising’ the East End gangsters in his film 34 years ago and is setting out to revisit the criminals in a new movie.

Ray Burdis has now vowed to show the London mobsters, Ronnie and Reggie Kray, as they really were.

The Krays – which starred real-life brothers and Spandau Ballet stars Gary and Martin Kemp as the notorious Kray twins – portrayed its titular subjects as ‘special boys’ who were close to their mother.

It also didn’t shy away from their fame and power as they committed horrific acts of violence.

But Burdis is now keen to dispel the ‘myth’ that he popularised last time that the Krays were ‘folk heroes’ of any kind, insisting: ‘They were just a pair of cowardly psychopathic bullies, who terrorised the East End of London in the 1960s.’

‘Because I’ve grown up with gangsters as a north London boy, I wasn’t intimidated at all by the Krays. I was intrigued. I wanted to make a film that glamourised them at the time because that’s what you did in those days,’ he said, as per The Observer.

Martin Kemp as Reggie Kray and Gary Kemp as Ronnie Kray holding guns u[ inside a wallpapered room in a scene from The Krays
The brothers were notoriously violent thugs, as portrayed in the movie, which was a success critically and financially (Picture: Miramax/Everett/Rex/Shutterstock)
London gangsters the Kray twins, Reggie (1933 - 2000, left) and Ronnie (1933 - 1995) after spending 36 hours helping the police with their inquiry into the murder of George Cornell, 6th August 1966
The real-life Reggie and Ronnie ruled London’s East End from the late 1950s until their arrest in 1968 (Picture: William Lovelace/Daily Express/Hulton Archive/Getty Images)

The actor and filmmaker also admitted that he was ‘happy’ when The Krays was first released as it was ‘a big film’ – it grossed approximately £7million at the box office, which was a more than solid showing.

It also boasts an 82% score on review aggregator site Rotten Tomatoes, with critics praising it for being ‘not simply a catalogue of stabbings, garrotings and bloodletting’.

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‘It goes deeper than into the twisted pathology of twins whose faces would light up with joy when their mum told them they looked just like proper gentlemen,’ Roger Ebert added in his 3.5/4 star review for the Chicago Sun-Times.

However, as Burdis got older he decided that the movie – written by Philip Ridey and directed by Peter Medak – was ‘wrong’ and that he ‘felt bad about certain aspects of the film’.

Filmmaker Ray Burdis points t o the camera as he attends the UK Premiere of A Gangster's Kiss
Mark Burdis is writing a new film about the Krays called Last Kings of London (Picture: Nicky J Sims/Getty Images)

‘Although there were violent scenes, we steered away from that. We went for the matriarchal side of it … mummy’s boys, good boys, lovely boys. They fought for their mother – that [was] the premise of the film. The film is about the myth of the Krays. It wasn’t about the reality,’ he added.

Burdis’s new film, which he is writing and attached to direct, is called Last Kings of London.

It is said to be much darker in tone and will also deal with corruption in the police force during the period.

Its tagline boasts: ‘The definitive story of how the police and a member of the general public managed to bring down the infamous 1960s London gangsters.’

Gary Kemp as Ronnie Kray and Martin Kemp as Reggie Kray standing dressed up smartly and arm in arm with Billie Whitelaw as their mother in a scene from the film The Krays
He intends to make the new film about the ‘reality’ of the Krays, rather than leaning into them as ‘mummy’s boys’ like last time (Picture: Moviestore/Rex/Shutterstock)

Last Kings of London is also sub-headed ‘the Nipper Read Story’, referencing the detective chief superintendent at the Metropolitan Police who finally brought the vicious brothers down.

He was portrayed by Christopher Eccleston in the 2015 movie Legend, in which Tom Hardy famously took on the roles of both Krays.

The new movie will also include the barmaid of The Blind Beggar pub, who witnessed the 1966 shooting of George Cornell and whose testimony was the final blow against the Krays’ court case.

Ronnie and Reggie were arrested in May 1968 and sentenced to life imprisonment the following year, with Ronnie dying in Broadmoor Hospital from a heart attack in 1995 and Reggie being granted compassionate release before his death from cancer five weeks later in 2000.

Reggie and Ronnie Kray, both portrayed by Tom Hardy, in the film Legend
Tom Hardy has famously since portrayed both Kray twins in 2015 film Legend (Picture: Studiocanal)
The Kray Twins, Ronald and Reginald, seen here at home in suits and holding cigarettes after helping police with their inquiries into a shooting at the Blind Beggar Pub, London, UK, Friday 5th August 1966
Ronnie and Reggie Kray were sentenced to life in prison in 1969 (Picture: Mirrorpix via Getty Images)

They gained a certain level of stardom during the course of their mobster reign over the East End from the late 1950s until their arrest by mixing with MPS, socialites and celebrities including Frank Sinatra, Peter Sellers, Dame Joan Collins, Richard Harris and Dame Barbara Windsor.

Burdis met the Krays several times during the making of the 1990 film, paying the twins £100,000 for their life rights.

He said he would make the new film, even if the brothers were still alive, but acknowledges it’s ‘easier now’.

‘A lot of people were terrified of them and even members of their gang, perhaps now, will own up to the fact that “this is how we behaved and it weren’t right”.’

He also shared that he doesn’t think Ronnie and Reggie would be ‘too happy’ about Last Kings of London as it ‘really does show what they were’, which was ‘very sadistic’ and ‘very dangerous’ psychopaths.

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