Nachthorn, by Maxime Denuc

Nachthorn

by Maxime Denuc

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gemini-x This song is a hypnotic exctasy, a milestone and perhaps an anthem. In any case, the surprise of the year for me... The fusion of classic and modern elements, the reverb, the wide stage. Maxime creates an enormous sound space. What a pity not to have been in Düsseldorf. Favorite track: Infinite end.

Paul Gem of a find! MIDI plays techno via giant organ? Who's not winning here!? Favorite track: Fat old sun.

astrapentaxialistens If there ever was a song to personify rapturous ecstacy, this is it. The repetition, the build up, the frenzy - it's beautiful and hypnotic. The whole album is lovely, but this track is like an unimaginably decadent cake icing Favorite track: Infinite end.

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12" Vinyl
Record/Vinyl + Digital Album
Includes unlimited streaming of Nachthorn via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/44.1kHz.

Sold Out
12" vinyl (2nd pressing)
Record/Vinyl + Digital Album
• 2nd pressing
• Black version
• Expected shipment date: May 2023

Includes unlimited streaming of Nachthorn via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/44.1kHz.

Sold Out

1.	Edo 04:52
2.	Infinite end 06:01	buy track
3.	Düsseldorf 04:38
4.	Agoraphobia 03:54
5.	Ouverture 05:22
6.	Function music 05:02	buy track
7.	Papillons 02:54
8.	Fat old sun 04:39

about

Nachthorn, for midi-controlled organ

Nachthorn takes its name from one of the 78 stops that make up the main organ in St. Antonius Church in Düsseldorf. This instrument, equipped with a system developed by the German company Sinua, offers the possibility of controlling all of its keyboards and timbres via a computer. The organ thus becomes a powerful synthesiser. This set-up allowed me to fulfil an old dream of mine : to create an entirely acoustic dance music piece with the organ as sole actor. Oscillating between dub techno, harmonic locked grooves or after-hours pop, Nachhorn proposes a hypnotic music piece whose lines sketch the outline of an imaginary warehouse.

credits

released October 21, 2022

Composed and programmed for midi-controlled organ by Maxime Denuc.
Recorded on 5 and 6 May 2021 at St. Antonius Kirche, Düsseldorf-Oberkassel, by Harry Charlier.
Mixed by Raphaël Hénard at La Savonnerie, Brussels.
Mastered and cut by Frédéric Alstadt at Mont Analogue, Bever.
Artwork by Jonathan Martin.
Produced by Thomas Van de Velde for Vlek Records, supported by the Fédération Wallonie-Bruxelles.

Thanks to Markus Hinz, Benedikt Aufterbeck & Thomas Stöckl from Sinua, Daniel Bleikolm, Cindy Castillo, Marc Jacobs, Celine Sourbié, Fred Aerden, Fanny Calès, Haleh Zahedi and Josquin Denuc.

Vlek 36 © ℗ 2022

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Maxime Denuc Brussels, Belgium

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