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Sober

by Marmalade

supported by
KiwiMusic
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KiwiMusic Very promising power pop EP debut ! Awkward is my favorite track so far Favorite track: Awkward.
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I haven't had a drop of drink after listening to this EP

(I've had more than that)
/
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1.
Bright 02:46
I’ve been sitting here in my bed socks Wondering if I'll ever become a rockstar How will I make it to the top When every road sign screams to stop But I’ve got no time In my mind Will I ever make it Or will I have to fake it Until I’m bright Will I have to break it Will I end up hating it When I’m bright Maybe I should buy a paddling pool Do you think my friends would think I was cool Or should I break some rules Maybe I'd be less of a fool But I’ve got no time In my mind Will I ever make it Or will I have to fake it Until I’m bright Will I have to break it Will I end up hating it When I’m bright Will I ever make it Or will I have to fake it Will I have to break it Will I end up hating it Will I ever make it Or will I have to fake it Until I’m bright Will I have to break it Will I end up hating it When I’m bright When I’m bright When I’m bright
2.
Awkward 02:44
I woke up on Tuesday feeling cold inside my brain I sent you a message asking if you felt the same I don't know if I'm hungover Or just over it all Am I kind of awkward or do you just hate my smile? Does that mean you’ll only be here for a little while? I don’t know if I was sober When I asked you over I can’t help But wish I was sitting by myself The things I felt Were just my extroverted self How do I tell you without telling you directly? That you’re not what I was expecting “Honey, who's that boy who came around the other night? I thought he was handsome and awfully polite Maybe you should have him round again, How come I don't meet your friends?” I can’t help, But wish I was sitting by myself The things I felt Were just my extroverted self How do I tell you without telling you directly? That you’re not what I was expecting I can’t help, But wish I was sitting by myself The things I felt Were just my extroverted self (I can’t help! But wish I was sitting by myself) How do I tell you without telling you directly? (The things I felt! Were just my extroverted self) That you’re not what I was expecting That you’re not what I was expecting
3.
Houston 02:41
I've been searching for myself in the mirror Thought that Adderall might help me see just a little bit clearer But my head’s foggy, I can't feel my body I’m sitting alone in a hotel lobby Waiting for someone to save me Somebody help me out I'm sick of myself Would someone tell Houston I'm signing over and out Do you think you would listen if it made a difference To anyone else but you ‘Cause your head’s foggy, You think you’re somebody You left me alone in a hotel lobby Waiting for someone to save me Somebody help me out I'm sick of myself Would someone tell Houston I'm signing over and out Somebody help me out I'm sick of myself Would someone tell Houston I'm signing over and out Do you notice me sitting alone Oh so lonely, down to my bones And I’m four weeks, kind of sort of clean But nobody sees me Do you notice me sitting alone Oh so lonely, down to my bones And I’m four weeks, kind of sort of clean But nobody hears me scream Somebody help me out I'm sick of myself Would someone tell Houston I'm signing over and out Somebody help me out I'm sick of myself Would someone tell Houston I'm signing over and out Somebody help me out
4.
Bring me over your coffee cup Tell me how you fucked up everything you wanted life to be Tell me over a flat white How you can’t seem to sleep at night ‘cause you cheated on your wife I give you therapy You give me $4.50 I listen carefully For a minute Give me some of your time ‘Cause I gave you mine Have I wasted all of my precious mind On your caffeine high Tell me about your child Twenty two and a half weeks Wow thats wild “Oh let me show you a photo of my daughter” Damn she’s a lawyer And she’s the same age as me I give you therapy You give me $4.50 I listen carefully For a minute Give me some of your time ‘Cause I gave you mine Have I wasted all of my precious mind On your caffeine high Give me some of your time ‘Cause I gave you mine Have I wasted all of my precious mind On your caffeine high
5.
Put on your green jacket Forget your cigarette habit You’re going sober You’re getting older Steal me a sugar packet Follow the white rabbit I'm going sober I'm getting older Smother me in salt and wildfire Tell me to go and I'll be fine (fine) Sing me to sleep and I'll be quiet Tell me to go and I'll be fine (fine) You will follow Alice To the golden palace You’re going nowhere And you don't know Sip from the queen’s chalice Don't want to lose your balance You’re going nowhere And you don't know Smother me in salt and wildfire Tell me to go and I'll be fine (fine) Sing me to sleep and I'll be quiet Tell me to go and I'll be fine (fine) Sing me to sleep, sing me to sleep Sing me to sleep and i'll be fine (fine) Tell me to go, tell me to go Tell me to go and I'll be fine (fine) Sing me to sleep, sing me to sleep Sing me to sleep and i'll be fine (fine) Tell me to go, tell me to go Tell me to go and I'll be fine (fine)

about

A timestamp of the band's first chapter, this EP encapsulates the journey from the birth of Marmalade to the band's teenagehood.

‘Sober’ captures a state of mind. It’s a slap-in-the-face realization, a kindhearted reminder from a close friend, a sharp look in the mirror, a groggy morning after, a first sip of coffee.

Each song explores this feeling in a different way—some more abstract, some more literal. “This EP was written in our 20s, a time of self-reflection, uncertainty, bravery, and questioning.”


Track by track - read while you listen:

Bright reflects on the struggle to pursue your dreams and the inner conflict over whether you need to change who you are to achieve them.

At its core, Bright is about feeling inadequate. It begins with a focus on wanting to reach a specific goal, like becoming a rockstar, while feeling as if everything is stacked against you. The song then broadens to explore deeper insecurities, as the character starts questioning whether they are truly liked by their peers and wonders if changing themselves would make them more accepted.

The chorus highlights this internal struggle, with the character asking what they might need to do to achieve their dreams and become “bright”. These questions remain unanswered, reflecting the reality of life as I see it: a continuous journey of self-acceptance. I wonder whether anyone ever feels entirely "good enough" or truly like they've "made it".

Awkward explores the morning-after realisation and the emotional battle that comes with caring about others' perceptions of you.

The song was inspired by an uncomfortable one-night stand experience, where you think someone is cool, go home with them, and then realise they're not what you expected and you don’t connect like you thought you would. It captures the thought process of someone who’s caught in this realisation, wishing they could escape without hurting the other person.

With a playful and ironic tone, Awkward presents a universal experience. It’s not just about a romantic one-night stand; it's about the broader feeling of meeting someone who initially seems cool, but as you get to know them, you realise you don’t really get along—even when the people around you, like the character's parent in this case, think they’re wonderful.

Houston is a cry for help, delving into a deep insecurity and a desperate yearning to disappear.

The song explores a dark place where the character feels trapped and unable to reach out for the help they need, despite desperately wanting to. It carries a somber tone, reflecting frustration with people who only offer help when it benefits them, and a sense of isolation, as if no one truly cares. The hook line, “somebody help me out,” represents the character's final plea for support.

While the song has deep, emotional themes, we perform it in a way that invites audience participation. We encourage listeners to join in and scream “SOMEBODY HELP ME OUT!” because, let’s face it, everyone feels overwhelmed sometimes. By engaging the audience with this song, we hope to make people feel less alone and connected through this shared experience.

Caffeine High captures the experience of working as a barista, highlighting caffeine addiction and the search for one's place in the world.

Reflecting on the experience of working at a small, local coffee shop where customers frequently share their problems while placing their orders, Caffeine High offers an ironic twist on being paid minimum wage to listen to the details of other people's lives. The characters in the song unload their most dramatic issues, adding a humorous touch to the idea of a barista being an unofficial therapist. It's a lighthearted take on the everyday absurdities of working in hospitality. However, Caffeine High is about more than just being a barista, it's about what it means to be a listener and observer, and the emotional weight of giving more than you take from people.

Cigarette Habit explores the theme of substance abuse through the story of two friends entangled in addiction, trying but failing to support each other, and ultimately sinking together.

Unlike some of our other songs, Cigarette Habit didn’t start with a clear narrative. It evolved over time into a depiction of addiction and the struggle to overcome it. The song portrays two characters, each battling their own addiction and yearning to escape their circumstances, but lacking the support and willpower to help themselves or each other. The song shifts perspectives between the two characters, reflecting their mutual desperation and helplessness. With a melancholic tone, it conveys a sense of sorrow and a cry for help, while the chorus captures the feeling of disorientation and confusion that often accompanies addiction.

credits

released November 8, 2024

Jemilah Ross-Hayes - Vocals, lyrics
Koen Aldershof - Vocals, lyrics, guitars, keys, production, whistling (tui)
Liam Nuttall - Lead guitar, lyrics
Dean Rodrigues - Drums, additional songwriting
Chelsea Naepi - Bass, additional songwriting

Drums engineered by Tom Broome
Produced by Koen Aldershof
Mixed by Scott Seabright (Bright), Luan Meaker (Awkward), Finn McClellan (Houston), Emily Wheatcroft-Snape (Caffeine High), and Koen Aldershof (Cigarette Habit)
Mastered by Chris Chetland (Kog Studios)

Cover art design by Flora Driessen

Distributed through Digital Rights Managers NZ

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about

Marmalade Auckland, New Zealand

Tāmaki Makaurau-based five-piece Marmalade are a group of friends that write music in their living room. Swinging somewhere between clean-pop and indie-rock, Marmalade’s soaring female vocals and honest lyricism float above a steady musical backbone to create a juicy jar full of sounds. ... more

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