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After a brief festival reprieve, the Monday Memo is back! This week awards season is shifting into high gear, while the festival circuit is buzzing with IDFA happenings, Hot Docs announced its new Artistic Director, and FILM FEST KNOX celebrated its inaugural edition. And of course, DOC NYC continues through the end of this week—Sunday, November 26th. Hopefully, you have the opportunity to take in a few films over the coming days. I know that's my plan.
– Jordan M. Smith

HEADLINES
 
The Nominees for the 17th Annual Cinema Eye Honors
Nominees announced via press release and reported on by Beatrice Verhoeven at The Hollywood Reporter: “Cinema Eye Honors, an organization that recognizes nonfiction and documentary films and series, on Thursday announced its nominees for the 17th annual awards show, which will take place on Jan. 12 in East Harlem, New York. Kokomo City, D. Smith’s debut feature, led the nominations with six nods, while 20 Days in Mariupol, 32 Sounds and The Eternal Memory each received five nominations. Netflix led all distributors with 11 nominations, followed by Magnolia Pictures with 10 and National Geographic with eight, while HBO and Hulu both scored seven.”
A Sponsored Post
IDA Enterprise Documentary Fund Provides $435,000 in Grants to 11 Documentaries
Addie Morfoot reports for Variety: "Eleven documentary projects from 11 countries have been selected for the Intl. Documentary Assn.’s annual Enterprise Documentary Fund Production Grant. Selected from 371 applicants, the 15 directors behind the 11 docus will receive a total of $435,000 in production grants. Established in 2017, the IDA Enterprise Documentary Fund supports in-depth explorations of original, contemporary stories that integrate journalistic practice into the filmmaking process. The fund is financially supported by John D. and Catherine T. MacArthur Foundation, with additional support from the Jonathan Logan Family Foundation. In its seven-year history, the fund has given over $5 million in grant money to nonfiction filmmakers.”

Catapult Awards $500,000 in Development Funding to Twenty Documentary Films
Announced via press release: “Today, Catapult Film Fund officially announces our 2023 Development Grant recipients. Through our flagship program, we will distribute twenty grants totaling $500,000 in early-stage funding to independent documentary artists. This year’s slate features stories from around the world, including Brazil, India, Iran, Mexico, Morocco, Romania, and the United States, with more than half of the projects by women filmmakers…Selected from a competitive pool of nearly 1,400 applications, each film team will receive $25,000 in direct funding as well as mentorship to support the creation of pitch materials to unlock additional funding for their projects. Catapult increased its grant awards by 25% compared to previous years in response to filmmaker needs and the rising costs of production.”

The Better Angels Society Announces 2023 Next Generation Angels Award Winners
Announced via press release: “The Better Angels Society, the pre-eminent national organization supporting excellence in American history documentaries to advance education and civic engagement, is pleased to announce the 2023 Next Generation Angels Award winners. The annual awards – a program of The Better Angels Society in coordination with National History Day® (NHD) – are presented to six middle and high school documentary filmmakers, recognizing excellence in well-researched history filmmaking in the model of renowned documentarian Ken Burns. This year, the winning films, which focused on the theme of frontiers in history, will be shown at the 5th Annual Student History Film Festival – in partnership with the Philadelphia Film Society – on Thursday, November 30, at the Philadelphia Film Center. Schools all over the Philadelphia area will be invited. Now in its fifth year, The Next Generation Angels Awards celebrates the six student winners with a series of events designed to enhance their knowledge and skills, including a mentorship session with Ken Burns and the 2023 Library of Congress Lavine/Ken Burns Prize for Film finalists. Additionally, all winning student films receive a copyright and will exist in perpetuity in the Library of Congress. The Next Generation Angels Awards aim to continue Ken’s legacy by engaging and empowering the next generation of documentary filmmakers.”

Roco Films and Gathr Launch Documentary Speakers Bureau
Addie Morfoot reports at Variety: “Distribution platform Gathr and documentary distribution agency Roco Films have teamed to create Roco Voices, a new speakers bureau. Roco Voices, launching Nov. 14, will offer live speaking engagements with filmmakers and subject matter experts from Roco Film’s docu film catalog. The initial cohort of filmmakers to debut with Roco Voices include Academy Award winners and nominees Oliver Stone (Nuclear Now), Ross Kauffman (Born Into Brothels), Justine Shapiro (Promises), Sam Green (The Weather Underground), David France (How to Survive a Plague), Geralyn Dreyfous (The Square), and Roger Weisberg (Sound and Fury). (All Roco clients have the opportunity to opt-in.) Powering Roco Voices is Gathr’s talent booking technology. (The company started beta-testing earlier this year.) The collaboration is a one-stop shop for Roco Films’ customers to search, discover, negotiate, and book filmmakers, doc talent and subject matter experts while also licensing impact-driven and educational film screenings.”

DOC NYC

DOC NYC Announces Award Winners

DOC NYC, America’s largest documentary festival, revealed the 2023 award winners for its juried U.S. Competition, International Competition, Metropolis, Kaleidoscope, Shorts, Short List: Features, and Short List: Shorts sections, as well as the #MyJustice Film Award. The festival’s Audience Award winner was Claire Jeffreys' Garland Jeffreys: The Kind of In Between.

The awards announcement comes on the eve of the closing night of the festival’s hybrid 14th edition. DOC NYC’s online screenings run through November 26, with some 90 features available to stream across the United States, including eight of the festival’s award-winners and more than 100 of the festival’s short films, including all six shorts award-winners. Many of the award winners also have in-person screenings in the final two days of the festival. For a full schedule of available films, see www.docnyc.net. Ticket and pass information is below.

For DOC NYC’s competitive sections, five juries selected films from the festival's U.S. Competition, International Competition, and Kaleidoscope sections, as well as its long-running Metropolis and Shorts lineups, to recognize for their outstanding achievements in form and content. The Short List: Features program—a selection of nonfiction films that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards—vied for awards in five categories: Directing, Producing, Cinematography, Editing, and Score, with a Directing prize also awarded in the Short List: Shorts section. The Short List awards were voted on by two juries of filmmaker peers. New for 2023, the DOC NYC U film student screenings were restyled as a competition. 


ON THE FESTIVAL CIRCUIT
 
At Least 18 Filmmakers Withdraw from IDFA 2023
Vadim Rizov reports at Filmmaker: “In the opening days of this year’s edition of IDFA, the documentary festival issued two statements on the bombing of Gaza. Following protests at the opening night ceremony where protesters carried banners including the slogan 'From the river to the sea, Palestine will be free,' the festival issued a first statement that condemned 'the hurtful slogan written on a banner by the protestors, for voicing their concerns, expressing the hurt they felt,' before going on to state that 'we believe that this slogan should not be used in any way and by anybody anymore.' The Palestine Film Institute condemned that response as one that 'unjustly criminalizes Palestinian voices and narratives.' The PFI’s statement also called for filmmaker to remove their work from the festival. IDFA’s second statement, issued in quick succession, began by specifying that 'we respect the pain and the huge loss on both the Palestinian and Israeli sides of the on-going conflict' and ended by calling for an immediate ceasefire.”

Documentary Filmmakers Discuss Viability of Industry Amidst Livelihood Crisis
Rafa Sales Ross reports for Variety: "The International Documentary Film Festival Amsterdam is putting the livelihood of documentary filmmakers at the heart of their industry program this year. On Monday, a panel of experts gathered to discuss the issues filmmakers face in making a living in the industry, from pay disparity, devaluation, lack of information and the consequences of the COVID-19 pandemic. Ushering in the conversation was specialist Rebecca Day from Film in Mind, an organization advocating for better mental health in the film industry. Day spoke about livelihood from the point of view of mental health and how rare it still is to have major events promoting such discussions. ‘Festivals prioritizing talks about mental health in filmmaking feels really new still and it’s essential,’ said the specialist.”

Chinese Film Director Barred From Attending Singapore World Premiere of Doc
Patrick Frater reports for Variety: "Chinese authorities have banned artist and film director Guo Zhenming from traveling to Singapore for the world premiere of his documentary film Tedious Days and Nights. The film is scheduled to play at the Singapore International Film Festival on Dec. 4 in the festival’s Standpoint strand. It was advertised as including a Q&A session with the director. Organizers of the SGIFF told Variety that they are still planning to press ahead with the screening, but they will do so in the absence of the filmmaker. ‘GIFF will stand by our selection and will continue to present the world premiere of Tedious Days and Nights,’ a spokesman told Variety.”

Hot Docs Names Hussain Currimbhoy as Artistic Director
Kelly Townsend reports for Realscreen: "The Hot Docs Canadian International Documentary Festival has hired Toronto-born producer and festival programmer Hussain Currimbhoy as its new artistic director. The Toronto-based festival announced Currimbhoy’s appointment on Monday (November 13), noting that he will oversee programming for the annual festival — whose next edition will run from April 25 to May 5, 2024 — as well the Hot Docs Ted Rogers Cinema and its national education program, Docs for Schools. He succeeds former artistic director Shane Smith, who stepped down from the role in June after eight years of leading the festival’s programming. Currimbhoy has worked as a festival programmer at several organizations, including the Sundance Film Festival, Sheffield DocFest and the Melbourne International Film Festival. He also launched the Gåsebäck Film Festival in Sweden this year."

FILM FEST KNOX 2023: A Fest is Born
Vadim Rizov reports at Filmmaker: "Founded by Keith McDaniel, the Knoxville Film Festival operated from 2004 until 2022. FILM FEST KNOX is its successor, co-founded by Visit Knoxville, filmmaker Paul Harrill and Darren Hughes, a friend and contributor who asked early in its development if I wanted to come check it out; because I am always up for a free trip out of town, I was happy to. Beyond the novelty of visiting a new city, I’ve never been around for year one of a festival. During FILM FEST KNOX’s smoothly executed first edition, 25 features or shorts programs screened on two nice screens over four days at the Regal Riviera, with 15 out-of-town guests attending (two press, the rest jury members and filmmakers). Local filmmakers were highlighted in the Made in Tennessee section as well as two Elev8tor programs of eight-minute proof-of-concept shorts. One prong of emphasis was Knoxville’s desire to attract film production, with Visit Knoxville representatives Kim Bumpas and Curt Willis proactively meeting visiting filmmakers to stress their availability and desire to help them connect with resources."

Slamdance 2024 to Open with Documentary One Bullet at The Yarrow
Announced via press release: “Slamdance, a year-round organization by filmmakers for filmmakers, announced today the opening night film for the 30th edition of their annual festival. Oscar winning filmmaker Carol Dysinger’s (Learning to Skateboard in a Warzone (If You’re a Girl)) documentary, One Bullet, will screen on Friday, January 19, kicking off the festival. One Bullet tells the story of the mother of an Afghan teenager who was shot in front of his house, dying of his wounds two years later - and the scars left on their family by the experience -- through the lens of a friendship. A labor of love and understanding, One Bullet is a film eighteen years in the making and is an essential film about Afghanistan, America, and the reality of war. Slamdance also announced today that it will return to The Doubletree Park City - The Yarrow for the festival this year, which will run January 19-25, 2024. The location marks a return home for the organization, which had screenings at several locations in its inaugural year, including The Yarrow and the University of Utah, which will also be hosting screenings this year.”

MISCELLANEOUS
 
Every Star Wants a Documentary Now. But Is It Just PR?
Calum Marsh writes in The New York Times: “Documentarians have an inherently fraught relationship with their subjects, because what makes a compelling biographical film — a candid, penetrating portrait of a human being in all his complexity — nearly always runs counter to the subject’s best interests. But in the wake of The Last Dance (2020), the hit 10-part Netflix docuseries about Michael Jordan that Jordan’s company Jump 23 co-produced with Netflix, other athletes, musicians and movie stars have expressed a desire to see their own legacy depicted onscreen. It raises an obvious dilemma: If a celebrity has commissioned and even produced a documentary about themselves, can it ever hope to be balanced and objective?”
FUND THIS PROJECT
 
Crowdfunding has become an integral means of raising capital for documentary filmmakers around the globe. Each week we feature a promising new project that needs your help to cross that critical crowdfunding finish line.


This week's project:

Power Of The Current
By Alexia J Barrett

Goal: $12,456
The articles linked to in Monday Memo do not necessarily reflect the opinions of DOC NYC.
They are provided as a round up of current discussions in the documentary field.
As always, if you have any tips or recommendations for next week's Memo, please contact me via email here or on Twitter at @Rectangular_Eye.
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