Getaway, by Kolonel Djafaar

Getaway

by Kolonel Djafaar

supported by

Alex Ruder / Hush Hush Records thumbnail

more...

	/

Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

Download available in 24-bit/44.1kHz.

£7 GBP or more
Record/Vinyl + Digital Album
Includes unlimited streaming of Getaway via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/44.1kHz.

ships out within 7 days

edition of 800 21 remaining

Purchasable with gift card

£20 GBP or more
Limited Test Press in Brown Cardboard Sleeve (Black Hand-Stamp)
Record/Vinyl + Digital Album
**Shipping immediately**

Includes unlimited streaming of Getaway via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 24-bit/44.1kHz.

Sold Out

1.	Urban Dweller 03:35		buy track
2.	Ponyard 03:43		buy track
3.	I Call Her Winnie 04:31		buy track
4.	Convoi Exceptionnel 04:13		buy track
5.	Kelmendi 03:31		buy track
6.	Sirens’ Glitch 04:16	info	buy track
7.	Phil’s First Tear 03:36	info	buy track
8.	Sparkling Clover 03:59		buy track
9.	Apologies in Advance 05:07		buy track
10.	Whatever Happened to the Common? 04:30		buy track

about

The simplest and most common description of Kolonel Djafaar's sound is as a meeting of Ethio-jazz and Afrobeat. And that's true: the Ethiopian side is clear in those distinctive pentatonic scales, the Nigerian in the use of the small but meaty horn section (baritone and tenor saxophones, trumpet, occasional trombone), and the rhythms are a tight mix of Yoruba and Afro-Latin styles beloved of Fela and Mulatu, respectively. There's a lot more to Getaway than that, though. There's also a potent strain of Anatolian-Levantine psycho-surf, fluttering in through guitar and synth lines, and delving deeper, there are nods to reggae, Cuban jazz, Baobab-esque West African dance band, and even an unsettling fairground waltz.
★★★★ Songlines

Popular brass-led ensemble, Kolonel Djafaar, unveiled its second album, ‘Getaway’, their first for Batov Records, seamlessly blending Afrobeat, Ethio jazz, and psych rock, whilst showcasing the band's evolution over the past couple of years.

Having built a loyal local Antwerp following off of the success of their 2019 debut self released album, ‘Forgotten Kingdom’, and growing reputation for electrifying stage performances, Kolonel Djafaar achieved worldwide recognition in 2021 for the ‘Cold Heat’ EP on Batov Records, attracting praise from Music Is My Sanctuary (“triumphant), and support from Gideon Coe on BBC 6 Radio Music, and DJs across Worldwide FM, Soho Radio, Le Mellotron, and KEXP.

The group overcame busy schedules and frequent quarantine periods to hit the studio in February 2022 to lay down four tracks. However, the creative itch persisted, leading to an intense writing session in August, deep in the heart of a tranquil forest. From noon until midnight, the band immersed themselves in the creative process, embracing the freedom to make noise without restraint.

Fueled by hearty breakfasts, unwavering focus, and the ambient clucking of chickens roaming the studio, Kolonel Djafaar crafted the majority of ‘Getaway’. This period marked a pivotal shift as a number of new band members joined just in time for the August sessions.

Membership changes, including Emiel Lauryssen joining on trumpet, alongside guitarist Philip Matthhijnssens, the band's palette has broadened and new sounds are able to break through. From psychedelic rock and soul influence of the Daptone Records’ affiliated Budos Band, surf rock (“Urban Dweller”), Morricone Spaghetti Western guitar, and Afro Cuban (“Kelmendi”), alongside the brassy Afrobeat and Ethio jazz vibes the group have been known for.

The broader dynamics of ‘Getaway’, and the band’s more cinematic and experimental approach, is particularly apparent on "Siren’s Glitch" and "Phil’s First Tear". The latter, first conceived by drummer Anton Van Hove, features the lead guitar doubling up with the bass guitar for added impact. Whilst the origins of "Convoi Exceptionnel", a brass & synths stomper of a march, trace back to a jam session during the band's Hungarian tour, another vital period of prolonged time together, capturing the organic essence of their experiences on the road.

Each track on ‘Getaway’ holds a unique connection to at least one band member, and all benefit from a collaborative approach to songwriting. "Sparking Clover'', an Ethio-inspired psych & soul groover penned by tenor saxophonist Doyin Smith, carries a poignant undertone inspired by personal loss, while psych rock leaning tracks like "Apologies in Advance" showcase the band's evolution and increasing professionalism in crafting a distinct sonic experience.

The curious cover art depicts a lone individual heading down an empty city street towards a large mysterious glowing object, evoking the common emptiness and struggle of urban life, and the search for meaning or just something better. The band envision the object to represent this album, offering a beacon to like-minded listeners.
Kolonel Djafaar invite music enthusiasts on an immersive journey, to ‘Getaway’ from the daily grind of life, on an album reflecting diverse influences and marking a new chapter in their musical exploration.

credits

released April 5, 2024

Tenor Sax: Doyin Smith
Baritone Sax: Lodewijk Lefevre
Trumpet: Emiel Lauryssen
Keys: Tom Speelman
Guitar: Philip Mathijnssens
Bass: Jan De Groote
Percussion: Marcos Della Rocha
Drums: Anton Van Hove

For Convoi Exceptionnel, I call her Winnie, Sirens' Glitch,
Trumpet: Dylan Meersman (except for Sirens' Glitch)
Trombone: Willem de Mol
Guitar: Joris Wendelen

All songs were written by Kolonel Djafaar
Recorded and produced by Roel Poriau in Studio Porino
Mastered by Dimi Conidas
Graphic design by Paul Phillips, True Split Milk Designs

℗ © Batov Records 2024 | BTR089
www.batovrecords.com
Distributed by !K7 Music

license

subtotal
taxes calculated at checkout

about

Kolonel Djafaar Antwerp, Belgium

discography

Getaway

Apr 2024
Movin'

Oct 2021
Cold Heat

May 2021

contact / help

Contact Kolonel Djafaar

Streaming and
Download help

Redeem code

Report this album or account

If you like Kolonel Djafaar, you may also like:

Şatellites
by Şatellites

supported by 32 fans who also own “Getaway”

Every track is Anatolian fire. If you’ve arrived here by chance, it’s not by chance. You were destined to discover the ecstatic psychedelic joy of this record and to snap it up before the last 11 are sold Gareth Fitzpatrick
go to album
Wusul وصول
by Shay Hazan

supported by 23 fans who also own “Getaway”

Three strong strings in the center. Lots of influences attached to them. A facinating fabric of acoustics and electronics from different cultures. It simply works. freejazzy
go to album
Sababa 5
by Sababa 5

supported by 23 fans who also own “Getaway”

"Sababa 5 are a band that have found their own peculiar lane. Their previous releases hinted at what they wanted to be but their debut album spotlights what they are… a serious contender in the world of instrumental funk." Full review here: http://www.truthandliesmusic.com/magazine/sababa-5-sababa-5-batov-records-a-review Ex-Friendly
go to album
Tension
by Mulatu Astatke & Hoodna Orchestra

Even as he approaches his 81st birthday, the Ethio-jazz legend is still blazing trails. Bandcamp Album of the Day Nov 11, 2024
go to album
Brothers & Sisters
by Lakuta

featured on Bandcamp Radio Aug 2, 2016
go to album
'Bata Boy'
by Lakuta

featured on Bandcamp Radio Aug 2, 2016
go to album
Where Did You Go?
by Sandman Project

supported by 21 fans who also own “Getaway”

Heavily psychedelic statements of common feelings presented in a foreign language. freejazzy
go to album