Lost Themes IV: Noir, by John Carpenter

Lost Themes IV: Noir

by John Carpenter

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Brian Parker What can you say? He is the master. Proud that I own 1 and 2 on vinyl, have volume 3 on cd.

bandfan25 A wonderful album of atmospheric and driving tunes, indeed, like those of a lost, inscrutable film... Favorite track: The Demon's Shadow.

robgs ..because it's John Carpenter! Favorite track: Guillotine.

brian1977 Classic Carpenter. Like his classic movies you will continue to return to these tracks. Favorite track: Machine Fear.

sunnyman89 Идеальный саундтрек для чтения журнала "Следственная практика" о преступлениях, совершенных в советские годы. Favorite track: My Name Is Death.

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Full Digital Discography

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Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Lost Themes IV: Noir, Halloween II, Halloween, Anthology II: Movie Themes 1976-1988, Halloween Ends (Original Motion Picture Soundtrack), Halloween Kills OST, Turning the Bones (CHVRCHES remix), Lost Themes III: Alive After Death, and 10 more. , and , .

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Sacred Bones Exclusive Red on Clear Splatter vinyl w/ Screen Printed 7" and a Silver Foil Stamped Jacket
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***Sacred Bones Exclusive Color: Edition of 1000 copies, pressed on Red on Clear Splatter vinyl w/ Screen Printed 7" and a Silver Foil Stamped Jacket***

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Limited Signed Edition LP
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Black LP, with Gold Foil Stamped cover. Signed by John Carpenter and Daniel Davies. One per person.

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1.	My Name Is Death 05:40 video	buy track
2.	Machine Fear 04:29	buy track
3.	Last Rites 04:34	buy track
4.	The Burning Door 03:21	buy track
5.	He Walks By Night 04:08	buy track
6.	Beyond the Gallows 03:40	buy track
7.	Kiss the Blood Off My Fingers 04:42	buy track
8.	Guillotine 04:05	buy track
9.	The Demon's Shadow 03:31	buy track
10.	Shadows Have A Thousand Eyes 04:52	buy track

about

It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.”

The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.

“This is who we are, I think,” John summarizes. “Daniel’s the adventurer. He pushes for new sounds, new directions. He tries things that I haven’t thought of. He’s a lot more daring than I am, and he enriches the whole thing. Cody’s the musician. He’s a savant at music. He understands music. We depend on him to rescue us.”

And what about John’s contribution? With characteristic understatement, he concludes: “I’m the experience. I’ve done music for movies before.”

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released May 3, 2024

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John Carpenter Los Angeles, California

John Carpenter has been responsible for much of the horror genre’s most striking soundtrack work in the fifteen movies he’s both directed and scored. The themes that drive them can be stripped to a few coldly repeating notes, take on the electrifying thunder of a rock concert, or submerge themselves into exotic, unholy miasmas. It’s work that instantly floods his fans’ musical memory. ... more

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