Antonello Benati
Milano, Lombardia, Italia
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Consumer start up founder with a demonstrated history of working in the apparel and…
Attività
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American VC fund sharing their experience visiting Europe (Royale with cheese - Pulp Fiction). SOUND ON🔊: #entrepreneurship #venturecapital…
American VC fund sharing their experience visiting Europe (Royale with cheese - Pulp Fiction). SOUND ON🔊: #entrepreneurship #venturecapital…
Consigliato da Antonello Benati
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Spotted: L'Oréal's latest social media campaign showcasing the Elvive Glycolic Gloss Range The campaign showcases the results you can achieve after…
Spotted: L'Oréal's latest social media campaign showcasing the Elvive Glycolic Gloss Range The campaign showcases the results you can achieve after…
Consigliato da Antonello Benati
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Happy to announce that after an incredible 11-year tenure at Three Hills, I have decided to embark on a new entrepreneurial chapter(s) in my…
Happy to announce that after an incredible 11-year tenure at Three Hills, I have decided to embark on a new entrepreneurial chapter(s) in my…
Consigliato da Antonello Benati
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Altre attività di Antonello
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So excited to share my latest project on the new #brandidentity and #website redesign for Manebì! More to come...
So excited to share my latest project on the new #brandidentity and #website redesign for Manebì! More to come...
Consigliato da Antonello Benati
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Esplora altri post
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Tini Wu
This article present a compelling perspective on the limitations of celebrity-driven marketing within the luxury sector. We are indeed witnessing a notable shift toward “quiet luxury,” where exclusivity, privacy, and refined experiences are increasingly valued over the transient excitement generated by high-profile endorsements. The effectiveness of relying on celebrities has diminished, especially when considering their impact on conversion rates. While such endorsements may create initial buzz, they often do not translate into lasting sales. True luxury consumers, who have the means to invest in high-end products, prioritize authentic experiences and appreciate understated elegance rather than overt displays of wealth. Brands that emphasize their heritage and core values resonate more profoundly with discerning buyers. These consumers seek craftsmanship and personalization, fostering a deeper connection with the brand that transcends mere celebrity associations. As the luxury market continues to evolve, it is essential for brands to adapt their strategies to focus on quality, exclusivity, and tailored experiences. This thoughtful approach will cultivate stronger, more sustainable relationships with clients, steering away from the fleeting allure of celebrity culture.
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Roger Anglin
Preserving the Heart of “Made in Italy”: A Call for Balanced Support Over Rigid Regulations In response to @Bella Webb’s insightful piece, Regulations Are Weighing Down Made in Italy. Bella, thank you for spotlighting the challenges facing Italian fashion artisans. Your article brings to light an essential truth: escalating regulations are more than a compliance issue—they risk undermining the independence, creativity, and legacy that define “Made in Italy.” 1. The Risk to Artisan Independence and Creativity Many Italian fashion houses began as artisan-driven, family-run workshops, passed down through generations. Today, these workshops face growing regulatory pressures that push them towards mergers just to survive, threatening the creative independence that has made “Made in Italy” exceptional. Creativity thrives in flexibility, not in rigid, one-size-fits-all structures. 2. Building a Balanced Support Framework Rather than more legislation, we need a framework that respects Italy’s artisanal heritage and supports global competitiveness. Here’s what this could include: • Tiered compliance requirements that adapt to company size and region, allowing family-owned artisans room to comply at their scale. • Incentives for heritage preservation—from tax benefits to grants—to ensure Italian craftsmanship is valued and sustained. • Brand co-investment to share compliance costs, so artisans aren’t forced into partnerships due to financial pressure alone. 3. Fostering True “Made in Italy” Creativity Sustaining the “Made in Italy” legacy means nurturing each workshop’s unique identity rather than imposing uniformity. A framework emphasizing preservation over homogeneity will uphold the spirit of Italian creativity and heritage. Lastly, let’s remember that nearly 40% of production volume is handled by Chinese-Italian subcontractors, who may lack the financial flexibility to manage new regulations. Drawing from initiatives like the FSI (Future Supplier Initiative) by brands such as Bestseller, Gap, H&M, and Mango, we can consider collaborative frameworks that balance compliance with support. The future of “Made in Italy” depends on a regulatory approach that values heritage, fosters individuality, and encourages collaboration. #MadeInItaly #ArtisanHeritage #SustainableFashion #Craftsmanship #SupplyChainTransparency #CulturalPreservation #LuxuryFashion #EthicalProduction Mentions: @Bella Webb
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Roger Anglin
Rethinking “Made in Italy”: Beyond the Headlines - The Full Picture Inspired by @Bella Webb’s recent article and the often-overlooked realities of Italian fashion production. While recent headlines focus on labor rights scandals in luxury fashion, they miss crucial aspects of the “Made in Italy” story: Equal parts, Italian, French and Chinese, A symbiotic divide. • Chinese manufacturers have been integral to Italian fashion for 40 years. In 2018, 36% of Italy’s fashion factories were Chinese-owned, contributing ~40% by volume. In Florence, 6 out of 10 factories producing for big Italian luxury brands are Chinese-owned. • Many of these owners are 2nd/3rd generation immigrants, deeply rooted in Italy’s fashion ecosystem. They’ve played a key role in preserving and evolving “Made in Italy” craftsmanship. • Success stories like Fu Fanghui and Xu Yuejuan showcase how Chinese entrepreneurs have innovated within the luxury sector, blending traditional skills with modern efficiency. • The @Carpi Fashion System demonstrates successful integration of diverse manufacturers, driving innovation and quality. While supply chain transparency and workers’ rights remain critical issues, we must also recognize: 1. The vital contribution of Chinese-Italian manufacturers to the industry’s survival and growth 2. The need for inclusive dialogue that involves all stakeholders 3. The potential for cross-cultural collaboration in elevating “Made in Italy” This isn’t just an Italian issue – it’s a complex, global challenge that requires nuanced understanding and collaborative solutions. How can we create a more transparent, ethical, and inclusive “Made in Italy” ecosystem that recognizes all contributors? What can we learn from successful Chinese-Italian collaborations? #MadeInItaly #LuxuryFashion #EthicalProduction #SupplyChainTransparency #CulturalIntegration
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Roger Anglin
Interesting BOF article on Rimowa, interesting watching and observing their trajectory. "Functional Luxury’: How Rimowa Keeps Growing in a Downturn After quadrupling sales in five years following LVMH’s acquisition, the German luggage maker is seeing continued momentum during rocky times for high-end shopping, including in China. CEO Hugues Bonnet-Masimbert says the brand is focusing on functionality and innovation, including its first push into the handbag category." @simonesterncarbone #simonesterncarbone #BOF "Is @LVMH Playing the Long Game in Functional Luxury? @BoF article on @Rimowa's success got me thinking about LVMH's possible strategy in the functional luxury space. Could the investment in Rimowa and the stake in @Moncler be part of a larger play? Rimowa has been killing it lately: • Sales quadrupled in 5 years 📈 • Double-digit growth even as luxury slows 💼 • Expanding beyond travel into handbags 👜Meanwhile, Moncler continues to dominate in performance outerwear. My speculation: @LVMH might be positioning itself to own functional luxury in both 'vessels' (Rimowa) and 'action' (Moncler). It's not just about looking good anymore. Today's luxury consumer wants products that perform. Rimowa's focus on durability and innovation, and Moncler's technical expertise in outerwear, both tap into this trend.Of course, this is just my theory. But the strength of these brands is undeniable. Rimowa's CEO Hugues Bonnet-Masimbert emphasizes their 'functional luxury' appeal, and it's clearly resonating in the market. What do you think? Is functional luxury the next big thing in high-end retail? #FunctionalLuxury #LuxuryStrategy #LVMH #Rimowa #Moncler"
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Vinchy Chan
As our ambition is to build the infrastructure that scales made-to-order fashion, we’d really love to speak to brands, designers and makers who’s keen to opt into this model yet struggle to. Your insights are valuable to what we are building! Drop me a DM if you want to share your thoughts. Thanks TWENTYFAIRSEVEN for featuring us! Check out other brilliant articles about industry trends. #madetoorder #fashiontrend
222 commenti -
Roger Anglin
2024 in Review: Time Spent at the Crossroads and Inflection Points – The Year of Transitions and What Comes Next? Elena Kirioukhina’s reflections on 2024 trends inspired me to explore not just where we’ve been, but where we’re headed in 2025 and beyond. Fashion’s evolving relationship with consumers, shaped by inflation, exclusivity challenges, and shifting values, signals profound opportunities—and risks. At the same time, the boundaries between mass-market and luxury are being redefined. Here are my takeaways from 2024’s standout moments, and the questions they raise for the future: • ZARA’s transformation isn’t just a rebrand—it’s a redefinition of fast fashion’s role. From ZARA Home (curated by Vincent Van Duysen) to Zacaffe, ZARA blurs the lines between fast fashion and luxury. Uniqlo set the stage in 2016 with Christophe Lemaire and Clare Waight Keller’s recent appointment as Creative Director reinforces this shift. What if brands like ZARA and Uniqlo scaled capsule collections sustainably, making luxury design a universal standard for the mass market? • Kim Ye-ji is more than a rising star—she’s a case study in the power of influencers. Her authenticity resonates with Gen Z, but as The Myth of the Sustainable Consumer highlights, storytelling must go beyond individuals to the brands they represent. What if partnerships like Kim Ye-ji’s became models for aligning authenticity with sustainability goals? • Localized storytelling is fashion’s new global advantage. From Vogue Portugal’s social voice to Vogue China’s stunning photography, hyperlocal narratives bridge generational divides. The Reimagining Growth Landscape Analysis reminds us that such storytelling could influence global sustainability efforts. What if this approach expanded into cross-market sustainability education or policy discourse in 2025? • Gentle Monster’s experiential retail is ready for reinvention. Their Shenzhen HAUS NOWHERE store dazzles, but imagine if it also became a hub for repair, upcycling, or sustainability workshops. Could experiential retail evolve into experiential responsibility? Blurring the Lines Between Luxury and Accessibility Decades ago, Pierre Cardin and Charles and Ray Eames championed the idea that luxury should be accessible to all. Today, brands like ZARA and Uniqlo redefine this philosophy, partnering with high-end designers while maintaining affordability. But an important question remains: Can these brands achieve mass-market volumes while preserving sustainability, quality, and price? Looking Ahead As we move into 2025, this balance will define the next evolution of fashion. I’ Can brands innovate across fast fashion, luxury, and cultural narratives to build lasting relevance. What trends from 2024 do you think will define 2025 and beyond? Are there “What ifs” we haven’t explored yet? #Fashion2024 #LuxuryFashion #MassMarketFashion #Sustainability #CulturalRelevance #FastFashion #InnovationInFashion
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Fan Bi
Growing up in eCom in the 2010s, Net-a-Porter, Mr. Porter, and Yoox were the GOATs. Cartier owner, Richemont buys online retailers Net-a-Porter in 2010 for $350m, and Yoox in 2018 for $1.2B. The two fashion retailers are merged to form YNAP. Unfortunately for Richemont, although YNAP puts up $3B in revenue, it lost $1.3B last year. In a wild deal, Richemont is now selling YNAP, and sending with it $600m of cash on the balance sheet, to Mytheresa, another luxury fashion retailer, for 33% of Mytheresa, which had a market cap of $330m last month. This news has sent the Mytheresa market cap 2x to $660m.
496 commenti -
Simon Cheng
“Nearshoring has remained a top priority for executives since 2016, however the share of imports to Europe and the US from nearshoring countries such as Central America and Mexico has remained flat since 2018 due to ongoing challenges. McKinsey expects these challenges to be addressed in the coming years. For example, both local suppliers and Asian companies with a presence in Central America and Mexico have invested in improving their productivity and building local capacity for making yarns and fabrics.”
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Dinuca Sinniah
Quiet Luxury: The Future of Fashion? Luxury is changing, and it’s not about loud logos anymore—it’s about craftsmanship, quality, and confidence without shouting. In this CNBC interview, Ermenegildo Zegna breaks down how they’re leading the charge in the “quiet luxury” trend and adapting to the post-COVID shift in how we dress. Think: modern elegance that fits every part of life, from the office to everyday wear. If you’re fascinated by how brands are staying relevant in a world that values subtlety and authenticity, this is worth a watch. What’s your take—can “quiet luxury” reshape the fashion industry? Watch the video here. https://cnb.cx/46LXnHF
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Marco Ruffa
Is luxury pricing itself out of relevance? Prada ‘s CEO Andrea Guerra thinks so. But can the industry find a way back to its roots, or is this the beginning of the end for exclusivity as we know it? The luxury industry is at a critical crossroads. Recently, Andrea Guerra, CEO of Prada, admitted that the unchecked price hikes were a “giant mistake.” https://lnkd.in/d3p-itnX It’s a powerful statement, but numbers speak louder: a saffiano wallet that cost €250 in 2012 is now priced at €780. Nearly three times the price for the same product. Why this relentless chase for higher prices? Enter the “gerontology of luxury” — an aging industry that’s becoming increasingly insular, alienating not only the younger generations but also its loyal customers, who are feeling the strain of these rising costs. Exclusivity only makes sense until it starts to feel like self-sabotage. Looking at China, where luxury has historically found a thriving market, the situation becomes even more complex. Today’s Chinese consumers no longer just seek the logo; they want a meaningful experience, real value, and authentic quality. They’re weary of fashion brands raising prices without delivering anything new. Sales are dropping, and this may be a sign that luxury needs to stop chasing easy margins and rediscover its true essence. In a global context where even iconic brands like Saint Laurent are beginning to reduce prices, the strategy of “higher prices at all costs” appears not only unsustainable but almost like a nail in the coffin. Let’s not forget: the crisis in luxury is not just economic — it’s cultural. We’re witnessing a consumer that’s evolving, while some brands seem incapable of doing the same. The question, then, is: how long can luxury continue to ignore the signals? It’s time for a new model, a return to the values that made this industry great. Sustainable growth and a more authentic connection with the customer — perhaps this is the “luxury” we need to rediscover today. #LuxuryIndustry #PricingStrategy #AndreaGuerra #ChinaMarket #CulturalShift #SustainableGrowth #CustomerConnection #LuxuryCrisis #AuthenticLuxury #Luxury #fashion
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Bettina Bianca Lirsch
The Italian subsidiary of Dior is under judicial administration – the dark side of the “Made in Italy” luxury brands. Dior is not the first fashion company targeted by the Milan Court for employment issues. In April, judicial administration was ordered for Giorgio Armani Operations Spa, which designs and produces clothing and accessories for the fashion group, following an investigation concerning the alleged exploitation of labour through the use of contracts for the production of illegal factories and the use of illegal and clandestine Chinese labour. In January, the judicial administration measure was taken for Alviero Martini Spa, deemed "incapable of preventing and curbing phenomena of labour exploitation within the production cycle". This is the sad truth about the so-called “Made in Italy “production of a lot of luxury companies. That is why the EU's new directives measures to ensure that textiles are produced circularly, sustainably and socially justly are not made just for fast fashion brands but also for luxury brands that have increased their price since 2019 by up to 33%. I firmly believe that the excuse of the fashion industry's complex supply chain being difficult to control is unacceptable. If the same money allocated for advertising and brand building were used to improve working conditions and reduce the fashion industry's environmental impact, it would greatly benefit the industry. It's crucial to ensure that a fair share of earnings reaches the people at the beginning of the supply chain, allowing for sustainable growth and granting equal rights for both men and women to build their own and their children's futures. As a consultant, I have insight into the manufacturing operations of my clients. Being a woman, I am particularly sensitive to ensuring good working conditions for both genders and providing opportunities for personal growth and development for all individuals. https://lnkd.in/d8XDUvSE
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Teo Herzkovich
Studying abroad in Italy has given me new perspectives on fashion’s potential for positive change. During a recent visit to the OTB headquarters, we had an insightful conversation with Diesel’s Sustainability Ambassador, Andrea Rosso, on the brand’s approach to sustainable development. Here’s are my key takeaways: 👖 Rethinking Denim: Diesel is tackling denim’s environmental impact by cutting down water and chemical use in cotton processing, creating a more responsible model for one of fashion’s most resource-intensive materials. 🌍 100% Renewable Energy by 2025: Diesel has committed to fully renewable energy in direct operations by 2025. Already, their Italian HQ generates 40% of its energy from solar—a bold step toward reducing carbon emissions. ♻️ Zero Waste Goals: Diesel’s plan to eliminate virgin plastic in packaging by 2025 and reduce office waste shows serious commitment to waste reduction, backed by their participation in the Fashion Pact to reach net-zero supply chain emissions by 2050. We even previewed Diesel’s upcoming collection—a perfect blend of bold style and conscious design. Diesel’s approach shows that fashion can drive industry change while staying true to its identity. #fashion #education #sustainability
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Roger Anglin
Post 1/4: BOF-McKinsey: The State of Fashion 2025 - What If It’s Not Just Macroeconomics? Title: BOF-McKinsey: The State of Fashion 2025 - What If It’s Not Just Macroeconomics? Subtitle: Could a perception gap with consumers impact luxury brand performance? What if shifts in The State of Fashion 2025 aren’t driven purely by macroeconomics? Building on Ana Andjelic’s analysis in How Luxury Lost Its Soft Power, we suggest that the challenge facing luxury brands is less about economic trends and more about the perception gap—a disconnect between a brand’s competitive assumptions and the cultural values that matter most to consumers. I will attempt to illustrate this in a 4 posts series. #BOF #McKinsey #FashionIndustry If misalignment stems from this gap, brand success could be a mix of resilience and fortuitous alignment—whether through heritage (like Hermès’ craftsmanship legacy) or a creative director’s unique vision (e.g., Jonathan Anderson at Loewe)—rather than intentional, consumer-aligned strategy. ‘What If’ Scenarios to Consider: Here are a few scenarios where a focus on cultural strategy could help brands address the perception gap: 🔹 Consumer Confidence & Growth: Achim Berg highlights confidence as a challenge. What if consumer caution reflects disconnection between brand values and consumer priorities, like sustainability? 🔹 Trade & Supply Chain Reconfiguration: Global shifts may disrupt supply chains. What if these shifts open doors to rebuild local, transparent supply chains that resonate with conscious consumers? 🔹 Rise of the "Silver Spenders": The 50+ market is influential, but brands may miss loyalty by overlooking this group’s ethical priorities and values. Strategic Imperatives for Bridging Economic and Perception Gaps Inspired by Andjelic’s call for a cultural focus, a staged approach to reconnect with consumer values is especially valuable for legacy brands: 1. Consumer-Centric Innovation – Discover genuine consumer values using Design Thinking and analytics. 2. Virtual Testing – Use AR/VR to test concepts with consumer feedback before full launches. 3. Adaptive Models – Build resilient, data-driven frameworks to continuously integrate consumer feedback. In this shifting landscape, brands that ask “What If” and focus on cultural resonance may bridge both perception and economic gaps, aligning deeply with today’s empowered consumers. #PerceptionGap #Sustainability #ConsumerAlignment #Big10Strategies #DesignThinking #StateOfFashion #AnaAndjelic
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Roger Anglin
Post 2/4: Miu Miu, Loewe, and Hermès - How to Close the Perception Gap in China’s Luxury Market Title: Closing the Perception Gap in China’s Luxury Market: Lessons from Miu Miu, Loewe, and Hermès Subtitle: Could cultural resonance be the key to thriving in China? In China’s competitive market, Miu Miu, Loewe, and Hermès exemplify Ana Andjelic’s call for a cultural strategy over mere competition. Their success in China highlights how bridging the perception gap—the disconnect between brand identity and consumer values—can drive stronger connections. #LuxuryStrategy #ChinaMarket #CulturalRelevance While macroeconomic factors are often cited for downturns, brands that thrive are those reorienting their strategies to meet evolving values. Miu Miu, Loewe, and Hermès succeed by closing this gap, aligning with values and lifestyles that resonate beyond the product. How These Brands Are Reclaiming Cultural Relevance Miu Miu’s Adaptive Cultural Relevance: A Play on Identity Networks Miu Miu’s growth, including a 105% revenue spike in Q3 2024, reflects Adaptive Cultural Relevance—involving influencer partnerships, cohesive styling, and psychographic targeting. Miu Miu connects on a lifestyle level, showing Andjelic’s insight in action by going beyond competition to create genuine connections. Loewe’s Cultural Immersion: Crafting a Genuine Local Connection Loewe’s strategy in China focuses on cultural authenticity, integrating with local customs such as the Mid-Autumn Festival and scent preferences. This deep cultural immersion resonates with Andjelic’s emphasis on “soft power”—aligning with consumer values to rebuild luxury’s cultural relevance. Hermès: Subtle Luxury and Timeless Exclusivity Hermès captures China’s preference for sophistication with subtle luxury. This aligns with Andjelic’s view that luxury’s influence stems from creating culturally meaningful identities, not just visible branding. Key Takeaways for Brands Aiming to Succeed in China: 1. Target Lifestyle Values (Miu Miu): Miu Miu builds connections based on shared lifestyle aspirations, moving beyond demographics. 2. Celebrate Cultural Authenticity (Loewe): Loewe’s approach to cultural immersion—festivals, artisanal collections, and custom fragrances—shows how brands can close the perception gap with true cultural engagement. 3. Embrace Timeless Exclusivity (Hermès): Hermès demonstrates that quality and exclusivity resonate deeply with consumers focused on subtle luxury. Conclusion: Bridging the Perception Gap in China’s Luxury Market As Andjelic notes, luxury now demands cultural resonance. Miu Miu, Loewe, and Hermès demonstrate that bridging the perception gap is not just beneficial but essential for success in China’s evolving luxury market. #MiuMiu #Loewe #Hermes #LuxuryMarket #PerceptionGap #BrandStrategy #ChinaLuxury #AnaAndjelic #SoftPower
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Roger Anglin
Post 3/4: Preparing for 3H 2025 Reporting - Key Challenges and Success Insights for Luxury Brands in China Title: 3H 2025: A Reminder of Key Challenges for Luxury Brands in China As the 3H 2025 reporting season approaches, it’s time to reflect on why some luxury brands are struggling in China—and what successful brands are doing right. Drawing on Ana Andjelic’s insights, we suggest that brands struggling in China may be missing a critical element: bridging the perception gap—a misalignment between brand offerings and evolving consumer values. #ChinaLuxury #ConsumerTrends #BrandStrategy Reasons for the Downturn Among Luxury Brands in China: 1. Shifting Consumer Preferences: Gen Z and Millennials prioritize sustainability and authenticity over traditional status symbols. Brands missing these values often struggle to connect. 2. Digital and Social Media Misalignment: With high engagement on platforms like WeChat, Xiaohongshu, and Douyin, brands lacking agile, localized digital strategies lose visibility. 3. Inauthentic Cultural Adaptations: Andjelic’s perspective on luxury’s soft power emphasizes true cultural alignment. Token gestures won’t build lasting connections. 4. Market Saturation and Domestic Competition: Domestic brands often have an advantage due to their deeper cultural understanding. 5. Shift Toward Understated Luxury: Chinese consumers now prefer subtle quality over visible logos, challenging brands that rely on traditional displays of wealth. 6. Geopolitical and Regulatory Sensitivities: Brands misaligned with Chinese values or facing political controversies may experience backlash, underscoring the need for strategic cultural sensitivity. Looking Ahead: What Thriving Brands Are Doing Right In future posts, we’ll cover how Miu Miu, Loewe, and Hermès resonate deeply with Chinese consumers. Their culturally attuned and agile strategies show how brands can close the perception gap and thrive in today’s evolving luxury market. #LuxuryMarket #AgileStrategy #ChinaConsumerInsights #CulturalRelevance #LuxuryTrends #AnaAndjelic #SoftPower
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Roger Anglin
Post 4/4 : Fashion’s “Perfect Chaos Storm” - Rebuilding Alignment and Cultural Relevance in Uncertain Times Title: Fashion’s “Perfect Chaos Storm”: Rebuilding Alignment and Cultural Relevance in Uncertain Times #Inflectionpoint #cataclysmicUpheaval #BOF or part #PerceptionGap Luxury today faces a “perfect chaos storm” of economic unpredictability, shifting values, and rising demands for cultural connection. Inspired by Ana Andjelic’s argument for a new cultural strategy and Bain & Co.’s call for performance improvement, this post underscores that bridging the perception gap is essential for navigating these shifts and restoring relevance. #LuxuryMarket #PerceptionGap #ConsumerAlignment Strategies to Reclaim Cultural Influence in a Complex Market 1. Addressing the Perception Gap as a Strategic Imperative: Many brands believe they’re aligned with consumers but may overlook deeper values like sustainability, inclusivity, and authenticity. Bridging this gap isn’t just about meeting changing tastes; it’s about restoring luxury’s soft power, as Andjelic suggests. 2. From Product-Centric to Consumer-Centric Models Luxury brands must pivot to consumer-centric models, using Design Thinking and virtual tools to test and refine concepts with real-time consumer feedback. Andjelic advocates this focus on cultural relevance over competition. 3. Bridging Economic Gaps with Cultural Relevance Brands like Miu Miu and Hermès succeed by blending authenticity with scarcity, delivering culturally meaningful identities. This aligns with Andjelic’s insight that luxury’s new power lies in lifestyle and values, not mere products. 4. Localized and Transparent Supply Chains Regional supply chain transparency can demonstrate commitment to values like fair wages and sustainability, connecting with values-driven consumers. 5. Harnessing the “Silver Spend” and Ethical Consumer Segments The often-overlooked 50+ demographic represents a key growth segment. Brands that connect luxury’s heritage with sustainability can reach these values-driven consumers. Conclusion: From Chaos to Opportunity The industry’s “Perfect Chaos Storm” offers an opportunity to recalibrate. Brands that close the perception gap and reclaim cultural relevance will be positioned to thrive. Andjelic’s insights underscore that, in luxury, success depends on deep cultural alignment and consumer resonance. This series underscores that to transform from mere survivors of this storm to leaders, brands must rethink traditional assumptions, focusing on authentic connections and adaptive strategies. #LuxuryMarket #CulturalRelevance #FashionTrends #ChinaLuxury #AnaAndjelic #SoftPower
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Roger Anglin
In today’s ever-evolving e-commerce landscape, these are all excellent arguments and mindsets. But the critical question remains: "What’s next?" And then, "What if?" Is it time to start scenario planning and risk management? What If? What if the next big play doesn’t come from a native of e-commerce? What if the next major disruptor emerges from a completely different industry? Gaming, VR, IR? What if all this consolidation and uncertainty makes the sector ripe for a BIG gamer or tech giant looking to balance their portfolio or diversify their revenue streams? Is that so implausible? #Ecommerce #Innovation #Gaming #TechDisruption #Diversification #ScenarioPlanning #RiskManagement #VR #IR #Consolidation #FutureOfRetail #BOF #VogueBusiness
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John Thorbeck
Business of Fashion published this Op-Ed in 2015. Nearly 10 years and many essays and interviews later, it leads directly to "Under the Banyan Tree: Buyers and Suppliers in Fashion," launching 10/31. BoF coverage is primarily luxury, runway, merchants and designers. How do you draw interest to the less glamorous side of a complex business? Luxury is craft merchandising plagued by excess inventory, especially now. Process, data, productivity, finance and sustainability are dreadfully dull words, but they matter and BoF editors know readers need to hear them. Doug Stephens and I have tried to address fashion’s yin and yang -- the front and back of the house -- with insight that is more than opinion and concept. I appreciate the BoF gauntlet of review over several years, proof-tests by insiders to illuminate under-estimated, misunderstood value in the upstream supply chain. In 2024, an alternative approach to fashion is in case studies with participants who are creating market value and social impact ..."Under the Banyan Tree." Vikram Alexei Kansara Imran Amed Doug Stephens Brian Baskin Lauren Sherman Chantal Fernandez InternationalApparel Federation (IAF) International Trade Centre
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Brandon Snower
This weekend we tried a fun experiment outside in the streets of SoHo, New York. The results? People thought we worked for Ralph Lauren, Loro Piana, Eleventy, Burberry, Bruno Cucinelli & more... Our idea? We wanted to show the world that Le Alfré is among the best best in the world. That we're on the same level of design, quality & craftsmanship as iconic brands who have been making the world's finest for decades. But the issue is how do you do that without telling people that you're the best? When I started Le Alfré 2.5 years ago, I would tell everyone who I met (friends, editors, CEOs, random strangers that I met at networking events & parties) that Le Alfré can design & compete with anyone. I'd throw our names like Ralph Lauren, Loro Piana, Burberry. People in the fashion industry didn't like it. I was young, naive and at the time, didn't understand how to communicate the brand and vision properly (when there was nothing to see). Only I could see it. But I did, and still do get the feeling that just because I'm not an experienced designer or because I didn't go to fashion school (and worked in investment banking out of college) that someone could ever think that we could make incredible, innovative products. And because of that, we crafted an idea to show (not tell) how beautiful our products actually are, and why our brand and design can be among the best in the world. All with limited resources & connections as a 3 person team doing this from scratch. So... we ripped the neck label off our newest collection of "Cable Knit Rugbys" and asked people in New York what they thought of the products and who they thought made them? If they got it right, they'd get $100. No clues, no hints. The brands they were naming were some of the best & my favorite brands in the world. Brands that I definitely take inspo from. It was cool to even see some people already know of us. One person took a random guess that we made it - which at this stage is incredible that we would have a clear aesthetic for someone to even think Le Alfré designed it. I feel like when you're trying to tell people something in marketing, they can be more easily bothered by your "arrogance" (aka confidence & self-belief) or have a hard time trusting you (or at least us since we're still new & no one knows us yet). So this was a way thinking outside of the box to have strangers be the voice and have them tell others what they think. At no cost. Plus we had a few people even buy them on the spot (we had to run back to our store and grab a fresh one with the neck label in 20 minutes before they finished shopping around haha). If you see us on the streets of NYC on the weekends, please say hi!
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