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1.
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Bellowing 01:25
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Terraza I 00:53
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Bontempi 00:34
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Marta 03:51
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Terraza II 00:33
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about

TESC173

Music composed, improvised and recorded by The Ivonne Van Cleef Orquesta & Caleb R.K. Williams. Mastered by Woodbox.

With : Don H.B. Pinto, Pipi Sanchez, Winchester Martín, Ivonne Van Cleef, Caleb R.K. Williams

ivonnevancleef.bandcamp.com

credits

released July 5, 2024

In the whirlwind of our transcontinental odyssey, we embarked on a pilgrimage to the heart of Belgium, where the ancient cobblestone streets of Brussels whispered secrets of ages past. Laden with the weight of our instruments and aspirations, we traversed the city's labyrinth, a cacophony of clinking bottles and the rolling wheels of our big suitcases echoing our passage.
Amidst the towering spires and bustling markets, we paused to replenish our spirits—dozens of beers, each a spectrum of flavor unlocking hidden dimensions of taste.

At night, busking beneath the watchful gaze of cathedrals and clock towers, our melodies wove through the throngs of passersby -some indifferent, some raptured in contemplation-, each note a coin tossed into the fountain of collective consciousness.

And then, the moment of fateful convergence: faces known only through screens materialized into tangible beings, and we stood, five kindred souls now united amidst verdant fields and ancient oaks. Rehearsals ensued with fervor, becoming rituals of communion. Beer tasting continued, as the locals introduced us to the traditional recipes of reclusive monks.

Armed with a killer live set forged in the crucible of collaboration, we journeyed to Ghent. There, the illustrious Dunk festival, a bastion of auditory exploration, welcomed us into its fold, where our take on western lo-fi noise rock intertwined with the raw, unfiltered essence of rural psychedelia. The unsuspecting audience bore witness to a sonic display unlike any other.
In the following days, with the reverberations of our musical sorcery still ringing, amidst the bustling energy of the festival, we surrendered ourselves to the performers, listening intently, absorbing the raw emotions and unspoken stories woven into the fabric of their music. Gentle comradery flowed with the kind-hearted staff, receptive audience members and fellow artists alike, and the interesting conversations we had with them unveiled the true meaning of the collective experience we were all sharing. Before bidding farewell to Ghent, we embarked on a whimsical exploration of the city, mingling with the crowds, laughing endlessly with the recurrent apparition of El Mónico, and having a last taste of their world renowned brews at sundown.

And so, with hearts full, we traced our steps back across borders and oceans. The VIP areas of airports became fleeting sanctuaries of luxury, where time ebbed and flowed like a cosmic tide. As we crossed the liminal spaces of air travel, our spirits soared in tandem, buoyed by the thrill of shared adventure. Homecomings are not merely arrivals but awakenings—a return to the familiar tinged with the iridescent glow of newfound horizons.

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The Eagle Stone Collective Albi, France

The Eagle Stone Collective is a musical project/collective on the edge of Americana ambient, drone and other experimentation. Influenced by natural and desert areas in the wilderness of our world and far beyond. A minimalist and emotional vision of a sensory universe. ... more

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