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‘Lessons in Chemistry’ Composer Carlos Rafael Rivera On Why Elizabeth’s Melody Goes To “Unexpected Places” – Production Value
When composer Carlos Rafael Rivera joined Lessons in Chemistry, the tone of the score was not fully realized yet. "When I came on, the idea that was proposed was to take something very against the time and the tone of the story," he says. "It wasn't really working, but the experience itself was good…
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By Ryan Fleming
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‘Avatar: The Last Airbender’ Composer Takeshi Furukawa On Researching Pan-Asian Instruments For The Orchestral Score: “The Mechanics Are Very Different” – Production Value
"I was a bad student of classical piano because I would start changing stuff, so I think in that sense I was always kind of 'composing' when I was a horrible student," jokes composer Takeshi Furukawa. "For classical music, you have to be faithful to the composer's intent… and I was not that."
Based…
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By Ryan Fleming
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‘The Super Mario Bros. Movie’ Composer Brian Tyler On Creating Original New Themes With A Nostalgic Flavor
"There's something really special about Mario games," says composer Brian Tyler. As a lifelong fan of the Mario series, Tyler was excited to bring the music from all of those worlds into a new animated universe for The Super Mario Bros. Movie. "I realized by hearing the music outside of the game, it…
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By Ryan Fleming
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‘Migration’ Composer John Powell On Creating An Evolving Theme For A Hero’s Journey
For Migration, composer John Powell was tasked with creating a theme for a reluctant hero that evolves throughout his journey. Written and directed by Benjamin Renner, Migration follows a family of ducks on a new journey. Mack (Kumail Nanjiani) is a mallard who is content with never leaving the safety of…
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By Ryan Fleming
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‘Elemental’ Composer Thomas Newman On Scoring From A Passive Perspective: “The Scene Presents Itself In A Certain Way, And I Respond Musically”
For Pixar’s Elemental, composer Thomas Newman was given the challenge of scoring for ‘elemental’ cultures that don’t exist in the real world, while instilling a sense of familiarity for the viewer. He says the real difficulty was to “point towards different cultures and never land on one.”
Directed…
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By Ryan Fleming
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‘Nyad’ Composer Alexandre Desplat Scores The Journey Of A Fearless Woman Achieving Her Dream – Listen To Exclusive First Track “Florida”
EXCLUSIVE: Netflix debuts the first track of Nyad score ahead of the film’s theatrical release. The film is scored by two-time Oscar-winning composer Alexandre Desplat (The Grand Budapest Hotel, The Shape of Water).
Nyad tells the incredible true story of world class athlete Diana Nyad, played by…
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By Ryan Fleming
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‘The Last Of Us’ Composer Gustavo Santaolalla On Revisiting The Story Of Joel & Ellie: “I Never Felt This Was A Remake” – Production Value
Editor’s note: We are experiencing an issue with the video for this post and will update once it is fixed.
“I see The Last of Us as a big story, like a Shakespearean play,” says composer Gustavo Santaolalla. “I think The Last of Us is a fantastic story.”
Based on the 2013 video game of the same…
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By Ryan Fleming
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Composer Alexandre Desplat Breaks Down The Score Of ‘Pinocchio’ & Finding “Moments Of Joy And Happiness” Amidst Grief
It’s impossible to talk about Guillermo del Toro’s Pinocchio without considering the music. Del Toro’s Netflix adaptation of the Carlo Collodi story takes place in 1930s Italy, during the Fascist reign of Benito Mussolini. In this story, woodcarver Geppetto (David Bradley) loses his son Carlo in an aerial…
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By Ryan Fleming
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‘All Quiet On The Western Front’ Composer Volker Bertelmann On Creating “Destructive” Sounds For A Unique Score
For All Quiet on the Western Front, director Edward Berger wanted the film to be created from a German perspective. He tasked composer Volker Bertelmann with the job of creating a score he’s never done before, giving him few insights into what he wanted for the final cut. Based on the 1928 novel of the…
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By Ryan Fleming
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‘Pinocchio’ Composer Alexandre Desplat On The “Joyful Melancholy” Of The Story And Score – Production Value
“Cinema was always a passion for me,” says composer Alexandre Desplat. “I was very lucky to have a friend who had directed a short movie and he asked me if I could write the score… and it became my demo tape and opened to me many, many doors.” Having worked with director Guillermo del Toro before on many…
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By Ryan Fleming
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‘Only Murders In The Building’ Composer Siddhartha Khosla On Scoring The “Dramatic Beats” Of The Mystery And The Silent Episode “The Boy From 6B”
For Only Murders in the Building, composer Siddhartha Khosla focused on underscoring the dramatic beats of the murder mystery rather than the comedy. The series follows a trio of true crime fans in NYC who start a podcast when they find themselves embroiled in their own mystery. In an effort to give it a more "NYC"…
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By Ryan Fleming
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‘Severance’ Composer Theodore Shapiro On How The “Starkness Of The Solo Piano” Changed His Approach To The Series – Production Value
“Writing for narrative was just always the thing that I knew I wanted to do,” says composer Theodore Shapiro. “I was never really interested in writing for the concert hall.” Shapiro started his work in television as the composer for MTV’s The State after being introduced by a friend in the sketch group. “Of course, I…
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By Ryan Fleming
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