Apple Original Films
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PANELIST
Hans Zimmer
Composer
MODERATOR: Anthony D’Alessandro
“My mother was a refugee in England during the Second World War, and Steve McQueen gave me one direction. He said, ‘After you watch this film, you will understand your mother better.’ … He was absolutely correct.”
Netflix
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PANELISTS
Clément Ducol
Composer/ Songwriter
Camille
Composer/ Songwriter
MODERATOR: Anthony D’Alessandro
“We went from protest bluesy song, then we went to a funky song, then hip hop, then we ended up with one that suits Zoe very well. It’s very rhythmical with a live band behind it.”
Paramount Pictures
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PANELIST
Harry Gregson-Williams
Composer
MODERATOR: Anthony D’Alessandro
“I called [Hans Zimmer] and said, ‘Look, I don’t see any negative reason to not use your theme in a couple spots.’ … So that was the plan, and I hope when you see the film in a couple of spots it’ll give you a warm and fuzzy feeling.”
Territory Pictures Entertainment
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PANELIST
John Debney
Composer
MODERATOR: Peter White
“I said, ‘Kevin, I think what you want is something like How the West Was Won, which had these rich Alfred Newman themes.’ And so that’s really what he wanted. … And he happened to say, ‘Oh, that’s my favorite Western!’ I lucked out.”
Bleecker Street
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PANELISTS
Toto Miranda
The Octopus Project/Composer
Yvonne Lambert
The Octopus Project/Composer
Josh Lambert
The Octopus Project/Composer
MODERATOR: Peter White
“There was one part when we were working on [Sasquatch Sunset] where David said, ‘I challenge you to make this weirder.’ That’s just like a dream come true. That’s what I wanted to hear.”
Amazon MGM Studios
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PANELIST
Savan Kotecha
Songwriter
MODERATOR: Anthony D’Alessandro
“In the movie, you would have to believe that this band is real. In creating the songs, I didn’t want to write movie songs. I wanted these songs to be competitive.”
Roadside Attractions
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PANELISTs
Andrew Wyatt
Composer/ Songwriter/ Producer
Lykke Li
Songwriter
MODERATOR: Peter White
“It’s not so much aging I find, also the melancholy, the time passing. I wanted to find the symbol for female beauty in a way. That’s when we came to the rose. A rose is very vital, romantic, but it also withers.”
Netflix
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PANELISTs
Diane Warren
Songwriter
Aaron Zigman
Composer
MODERATOR: Anthony D’Alessandro
“I don’t know if I’ve heard a performance like that. When you see it in a movie too, I saw cynical record company people there at the screenings starting to sob.”
DreamWorks Animation
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PANELIST
Kris Bowers
Composer
MODERATOR: Peter White
“Deciding to play piano from that angry headache, 30 minutes later I was like I’m actually not that angry anymore. It’s really a coping mechanism honestly. That’s why I feel like I can express myself in films like this.”
Netflix
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PANELIST
Sean Douglas
Songwriter
MODERATOR: Anthony D’Alessandro
“All songwriting, at least in my world of different co-writes of combinations of people all the time, is very like, ‘Yes, and…’ ”