The Cannes Film Festival has a long and distinguished track record of spotlighting landmark works in the history of cinema with its highest honor, the Palme d’or.
The festival first gave out its highest honor in 1939, but the award hasn’t always been called the Palme d’or, nor has it always been given to just one film.
Originally, the award was dubbed the “Grand Prix du Festival Internationale du Film,” a mouthful of a moniker with a little less luster than “Palme d’or.”
In the decades since the award’s inception, Cannes has bounced back and forth between the two designations. The top award was called the Palme d’or in 1955, when Delbert Mann’s Marty took the honor. Then, in 1964, it became the Grand Prix again before finally settling in as the Palme d’or, which has been its name for the past 45 years.
Scroll through the photos below for a chronological gallery of all the films that have received Cannes’ highest honor.
-
ANORA, 2024
Mikey Madison in Sean Baker’s ‘Anora’
-
ANATOMY OF A FALL, 2023
Sandra Hüller in Anatomy of a Fall
-
TRIANGLE OF SADNESS, 2022
Dir. Ruben Ostlund
-
TITANE, 2021
Dir. Julia Ducournau
-
PARASITE, 2019
Dir. Bong Joon-ho
-
SHOPLIFTERS, 2018
Dir. Hirokazu Kore-eda
-
THE SQUARE, 2017
Dir. Ruben Östlund
-
I, DANIEL BLAKE, 2016
Dir. Ken Loach
-
DHEEPAN, 2015
Dir. Jacques Audiard
-
WINTER SLEEP, 2014
Dir. Nuri Bilge Ceylan
-
BLUE IS THE WARMEST COLOR, 2013
Dir. Abdellatif Kechiche
-
LOVE, 2012
Dir. Michael Haneke
-
THE TREE OF LIFE, 2011
Dir. Terrence Malick
-
UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES, 2010
Dir. Apichatpong Weerasethakul
-
THE WHITE RIBBON, 2009
Dir. Michael Haneke
-
THE CLASS, 2008
Dir. Laurent Cantet
-
4 MONTHS, 3 WEEKS AND 2 DAYS, 2007
Dir. Cristian Mungiu
-
THE WIND THAT SHAKES THE BARLEY, 2006
Dir. Ken Loach
-
THE CHILD, 2005
Dirs. Jean-Pierre Dardenne and Luc Dardenne
-
FAHRENHEIT 9/11, 2004
Dir. Michael Moore
-
ELEPHANT, 2003
Dir. Gus Van Sant
-
THE PIANIST, 2002
Dir. Roman Polanski
-
THE SON’S ROOM, 2001
Dir. Nanni Moretti
-
DANCER IN THE DARK, 2000
Dir. Lars von Trier
-
ROSETTA, 1999
Dirs. Jean-Pierre and Luc Dardenne
-
ETERNITY AND A DAY, 1998
Dir. Theodoros Angelopoulos
-
THE EEL, 1997 (tie)
Dir. Shohei Imamura
-
TASTE OF CHERRY, 1997 (tie)
Dir. Abbas Kiarostami
-
SECRETS & LIES, 1996
Dir. Mike Leigh
-
UNDERGROUND, 1995
Dir. Emir Kusturica
-
PULP FICTION, 1994
Dir. Quentin Tarantino
-
THE PIANO, 1993 (tie)
Dir. Jane Campion
-
FAREWELL MY CONCUBINE, 1993 (tie)
Dir. Chen Kaige
-
THE BEST INTENTIONS, 1992
Dir. Bille August
-
BARTON FINK, 1991
Dirs. Joel and Ethan Coen
-
WILD AT HEART, 1990
Dir. David Lynch
-
SEX, LIES, AND VIDEOTAPE, 1989
Dir. Steven Soderbergh
-
PELLE THE CONQUEROR, 1988
Dir. Bille August
-
UNDER THE SUN OF SATAN, 1987
Dir. Maurice Pialat
-
THE MISSION, 1986
Dir. Roland Joffé
-
WHEN FATHER WAS AWAY ON BUSINESS, 1985
Dir. Emir Kusturica
-
PARIS, TEXAS, 1984
Dir. Wim Wenders
-
THE BALLAD OF NARAYAMA, 1983
Dir. Shohei Imamura
-
THE WAY, 1982 (tie)
Dirs. Yılmaz Güney and Şerif Gören
-
MISSING, 1982 (tie)
Dir. Costa-Gravras
-
MAN OF IRON, 1981
Dir. Andrzej Wajda
-
KAGEMUSHA, 1980 (tie)
Dir. Akira Kurosawa
-
ALL THAT JAZZ, 1980 (tie)
Dir. Bob Fosse
-
THE TIN DRUM, 1979 (tie)
Dir. Volker Schlöndorff
-
APOCALYPSE NOW, 1979 (tie)
Dir. Francis Ford Coppola
-
TREE OF WOODEN CLOGS, 1978
Dir. Ermanno Olmi
-
PADRE PADRONE, 1977
Dirs. Paolo and Vittorio Taviani
-
TAXI DRIVER, 1976
Dir. Martin Scorsese
-
CHRONICLE OF THE YEARS OF FIRE, 1975
Dir. Mohammed Lakhdar-Hamina
-
THE CONVERSATION, 1974
Dir. Francis Ford Coppola
-
SCARECROW, 1973 (tie)
Dir. Jerry Schatzberg
-
THE HIRELING, 1973 (tie)
Dir. Alan Bridges
-
THE WORKING CLASS GOES TO HEAVEN, 1972 (tie)
Dir. Elio Petri
-
THE MATTEI AFFAIR, 1972 (tie)
Dir. Francesco Rosi
-
THE GO-BETWEEN, 1971
Dir. Joseph Losey
-
MASH, 1970
Dir. Robert Altman
-
IF…, 1969
Dir. Lindsay Anderson
-
BLOWUP, 1967
Dir. Michelangelo Antonioni
-
THE BIRDS, THE BEES AND THE ITALIANS, 1966 (tie)
Dir. Pietro Germi
-
A MAN AND A WOMAN, 1966 (tie)
Dir. Claude Lelouch
-
THE KNACK…AND HOW TO GET IT, 1965
Dir. Richard Lester
-
THE UMBRELLAS OF CHERBOURG, 1964
Dir. Jacques Demy
-
THE LEOPARD, 1963
Dir. Luchino Visconti
-
KEEPER OF PROMISES, 1962
Dir. Anselmo Duarte
-
VIRIDIANA, 1961 (tie)
Dir. Luis Buñuel
-
THE LONG ABSENCE, 1961 (tie)
Dir. Henri Colpi
-
LA DOLCE VITA, 1960
Dir. Federico Fellini
-
BLACK ORPHEUS, 1959
Dir. Marcel Camus
-
THE CRANES ARE FLYING, 1957
Dir. Mikhail Kalatozov
-
FRIENDLY PERSUASION, 1956
Dir. William Wyler
-
THE SILENT WORLD, 1956
Dirs. Jacques Cousteau and Louis Malle
-
MARTY, 1955
Dir. Delbert Mann
-
GATE OF HELL, 1954
Dir. Teinosuke Kinugasa
-
THE WAGES OF FEAR, 1953
Dir. Henri-Georges Clouzot
-
TWO CENTS WORTH OF HOPE, 1952 (tie)
Dir. Renato Castellani
-
THE TRAGEDY OF OTHELLO: THE MOOR OF VENICE, 1952 (tie)
Dir. Orson Welles
-
MIRACLE IN MILAN, 1951 (tie)
Dir. Vittorio De Sica
-
MISS JULIE, 1951 (tie)
Dir. Alf Sjöberg
-
THE THIRD MAN, 1949
Dir. Carol Reed
-
THE DAMNED, 1947 (Best Adventure and Crime Film)
Dir. René Clément
-
CROSSFIRE, 1947 (Best Social Film)
Dir. Edward Dmytryk
-
DUMBO, 1947 (Best Animation Design)
Dir. Ben Sharpsteen
-
ANTOINE AND ANTOINETTE, 1947 (Best Psychological and Love Film)
Dir. Jacques Becker
-
ZIEGFELD FOLLIES, 1947 (Best Musical Comedy)
Dir. Vincente Minnelli
-
THE LOST WEEKEND, 1946 (one of 11 honorees)
Dir. Billy Wilder
-
LOWLY CITY, 1946 (one of 11 honorees)
Dir. Chetan Anand
-
PORTRAIT OF MARIA, 1946 (one of 11 honorees)
Dir. Emilio Fernández
-
PASTORAL SYMPHONY, 1946 (one of 11 honorees)
Dir. Jean Delannoy
-
MEN WITHOUT WINGS, 1946 (one of 11 honorees)
Dir. František Čáp
-
BRIEF ENCOUNTER, 1946 (one of 11 honorees)
Dir. David Lean
-
ROME, OPEN CITY, 1946 (one of 11 honorees)
Dir. Roberto Rossellini
-
THE RED MEADOWS, 1946 (one of 11 honorees)
Dir. Bodil Ipsen and Lau Lauritzen Jr.
-
TORMENT, 1946 (one of 11 honorees)
Dir. Alf Sjöberg
-
THE TURNING POINT, 1946 (one of 11 honorees)
Dir. Fridrikh Ermler
-
THE LAST CHANCE, 1946 (one of 11 honorees)
Dir. Leopold Lindtberg
-
UNION PACIFIC, 1939
Dir. Cecil B. DeMille