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‘All God’s Children’ Review: Ondi Timoner Captures A Turbulent But Inspiring Story Of Interfaith Harmony In Gentrified Brooklyn – DOC NYC
In the 20 years since her breakout film Dig!, about the uber-cool post-rock cold war between rival bands The Dandy Warhols and The Brian Jonestown Massacre, Ondi Timoner has positioned herself as a great explorer of the times we live in, usually while that history is still unfolding. In the case of 2009's…
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By Damon Wise
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2 Comments Comment on ‘All God’s Children’ Review: Ondi Timoner Captures A Turbulent But Inspiring Story Of Interfaith Harmony In Gentrified Brooklyn – DOC NYC
‘Tammy Faye’ Broadway Review: Unanswered Prayers
If you remember Tammy Faye Bakker at all from the peak of her ’80s televangelical fame, you’ll most likely remember the scandals, the mascara, the tarantula-leg eyelashes, the big, big hair, the prescription drugs and maybe the groundbreaking on-air interview she did with AIDS patient Steven Pieters, all…
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By Greg Evans
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‘Maybe Happy Ending’ Broadway Review: Darren Criss And Helen J Shen Delight As Lovestruck Androids Dreaming Of Electric Cheek
It takes a special type of theatrical talent, one loaded with heart and wit and insight, to imbue something that looks like an Apple MagSafe iPhone Charger with more romantic appeal than a decade’s worth of Valentines Day chocolates, but that’s just what the creators and performers of the delightful…
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By Greg Evans
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‘A Wonderful World’ Broadway Review: James Monroe Iglehart Brings Louis Armstrong Back To Swingin’ Live
Well, hello, Louis! Add another talent to the already prodigious roster of Louis Armstrong: Jazz giant, trumpeter par excellence, great American vocal stylist and, now, the rare musical historical figure powerful and charismatic enough to drape a jukebox musical around and come out a victor.
A Wonderf…
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By Greg Evans
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‘Gladiator II’ Review: Paul Mescal & Denzel Washington Power Ridley Scott’s Long Awaited Sequel To His Only Best Picture Oscar Winner
Sir Ridley Scott didn’t make his first feature film (1977’s The Duellists) until he was 40 years old. The director, turning 87 at the end of this month, has not wasted any time making up for that late start with a remarkable array of landmark films including Blade Runner, Alien, Thelma and Louise, The Mart…
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By Pete Hammond
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‘Red One’ Review: Dwayne Johnson & Chris Evans’ Slightly Absurd Christmas Action Comedy Commits To The Bit
The latest in an ongoing trend of action-packed Christmas movies, J.K. Simmons takes on the white beard from Kurt Russell, Mel Gibson and David Harbour in Red One, a $200 million Amazon MGM Studios streaming-turned-theatrical production that blends genres for some family-friendly holiday fun with a…
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By Glenn Garner
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‘The Best Christmas Pageant Ever’ Review: A Faith Based Family Holiday Comedy That Knows The True Meaning Of A Christmas Movie
There is a reason certain Christmas movies stand the test of time and return year after year, and also a reason the Hallmark-style factory-made product is easily forgotten. It’s a Wonderful Life, White Christmas, A Charlie Brown Christmas and A Christmas Story are pure examples of the former. They are…
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By Pete Hammond
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‘Paddington In Peru’ Review: Olivia Colman & Antonio Banderas Join Threequel As Continued Story Of The Little Bear Welcomed By Strangers Remains Magical
Olivia Colman plays a singing nun. I'm almost prepared to say that's all you need to know about Paddington in Peru: that Olivia Colman, living English treasure, gets her Julie Andrews on and leads a song-and-dance sequence on an alpine meadow that tells us that the hills are still very much alive. It's…
‘Cesium Fallout’ Review: Andy Lau & Karen Mok Lead Bombastic Hong Kong Disaster Flick That Teases At A Satirical Hunger Beneath Its Brash Exterior
Touted as Hong Kong's first radiation-disaster blockbuster, Anthony Pun's Cesium Fallout chronicles the political and frontline responses to a national catastrophe as it unfolds on the outskirts of the city. Emulating the blockbusters of Irwin Allen and Roland Emmerich, the rampant urban destruction is…
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By James Marsh
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‘Martha’ Review: Martha Stewart Unplugged In Candid And Surprising Tell-All Netflix Documentary
When I set out to see R.J. Cutler’s new documentary, Martha, quite frankly I wasn’t focusing on it other than just another screening I had, and that it would be all about Martha Stewart. So I expected it would be mostly gardening, cooking and setting the perfect dinner-party table.
Boy was I ever…
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By Pete Hammond
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‘Absolution’ Review: Liam Neeson Is An Aging Gangster With Unfinished Business
Although Liam Neeson knows how to demand a screen, no matter what’s on the page, his latest film Absolution feels like a retread of the same old deadbeat-dad-tries-to-redeem-himself-before-it’s-too-late plot, as the title might suggest.
In the Tony Gayton-written, Hans Petter Moland-directed crime…
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By Glenn Garner
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‘Juror #2’ Review: If This Riveting Courtroom Drama Becomes Clint Eastwood’s Final Film Then He Is Finishing On Top – AFI Fest
Clint Eastwood’s 42nd and possibly last film as director (hope not), Juror #2, also happens to be his best since American Sniper. At 94, this remarkable filmmaker not only still has it, he actually has it in spades over some half his age.
Delivering a…
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By Pete Hammond
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