Following in the footsteps of his vinyl-only debut EP, “Floaty Things”, electronics transcender and modular warlock Colin Benders clocks in on Hiss & Hertz with “Rigmarole”, a five-track odyssey ushering us amidst mazes of intricately woven improvisations, hectic rhythmic landslides and mood-enslaved machine talk.
Recorded during lockdown, like its predecessor, the album pledges to showcase the darker side of Benders’ live streams turned archival recordings, whilst shedding a broader light on his breadth of scope as a spur-of-the-moment conductor of highly demanding, circuit-bending symphonies of sorts.
A shape-shifting flow of unpredictable essence, flush with climactic flights, untamed divagations and further mind-expanding excursions into chaotic sound expanses, “Rigmarole” is the fruit of a philosophy and particular relationship with his steadily growing online audience, with whom he’s come to go full circle; from sharing his knowledge and approach towards modular expression in open-ended, non-formulaic fashion, onto stamping the result of his jamming sessions on black wax thanks to the continued support of his community. Comprised of five live-recorded joints spanning the widest array of styles, tempi and moods, “Rigmarole” is a magnetic field where Benders’ sound blooms in all its alchemical potency and spontaneous finesse.
Via extended windows into his ever-resourceful headspace, Benders threads his way across brooding ambient scapes, sci-fi-indebted spaciousness and metronomic minimalism (“This Is Fine”), hi-octane, tribal-laced industrialism on a droney tip (“Wait”), stadium-sized arpeggiated techno (“What’s That Noise”), gritty basement thunder down your spine (“I Can’t Feel My Legs”) and wide-screen, cosmic-friendly exploratory wares (“Carry Me”) - somehow shaping a cohesive ensemble of music out of his all-embracing investigations in the realm of modular potentialities and live-told inspiration. Keeping you on the edge throughout, “Rigmarole” will be written down as a defining moment for Benders, an unpigeonholeable artist in constant search for the next thrill.
Tracklist vinyl:
Disc 1:
Side A. Track 1: This is fine
Side B. Track 1: Wait
Disc 2:
Side A. Track 1: What's that noise
Side B. Track 1: I can’t feel my legs
Disc 3:
Side A. Track 1: Carry me
Side B. laserprint by Chris Kore
Manufactured by: Record Industry, Haarlem The Netherlands.
Cover design by Daan Rietbergen
Inserted Artwork:
Inserted is a triptych by Chris Kore.
She also made the design of the laserprint on disc 3 – side B.
Includes unlimited streaming of Rigmarole
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Colin Benders - Rigmarole
Digital & physical release
Out on HIss & Hertz Records
Release date: Dec 17 2021
Following in the footsteps of his vinyl-only debut EP, “Floaty Things”, electronics transcender and modular warlock Colin Benders clocks in on Hiss & Hertz with “Rigmarole”, a five-track odyssey ushering us amidst mazes of intricately woven improvisations, hectic rhythmic landslides and mood-enslaved machine talk.
Recorded during lockdown, like its predecessor, the album pledges to showcase the darker side of Benders’ live streams turned archival recordings, whilst shedding a broader light on his breadth of scope as a spur-of-the-moment conductor of highly demanding, circuit-bending symphonies of sorts.
A shape-shifting flow of unpredictable essence, flush with climactic flights, untamed divagations and further mind-expanding excursions into chaotic sound expanses, “Rigmarole” is the fruit of a philosophy and particular relationship with his steadily growing online audience, with whom he’s come to go full circle; from sharing his knowledge and approach towards modular expression in open-ended, non-formulaic fashion, onto stamping the result of his jamming sessions on black wax thanks to the continued support of his community. Comprised of five live-recorded joints spanning the widest array of styles, tempi and moods, “Rigmarole” is a magnetic field where Benders’ sound blooms in all its alchemical potency and spontaneous finesse.
Via extended windows into his ever-resourceful headspace, Benders threads his way across brooding ambient scapes, sci-fi-indebted spaciousness and metronomic minimalism (“This Is Fine”), hi-octane, tribal-laced industrialism on a droney tip (“Wait”), stadium-sized arpeggiated techno (“What’s That Noise”), gritty basement thunder down your spine (“I Can’t Feel My Legs”) and wide-screen, cosmic-friendly exploratory wares (“Carry Me”) - somehow shaping a cohesive ensemble of music out of his all-embracing investigations in the realm of modular potentialities and live-told inspiration. Keeping you on the edge throughout, “Rigmarole” will be written down as a defining moment for Benders, an unpigeonholeable artist in constant search for the next thrill.
credits
released December 17, 2021
Produced by Colin Benders
Mixed by Pieter Vonk
Mastered by Zino Mikorey
Cover design: Daan Rietbergen.
Inner artwork: Chris Kore.
Published by: Colin Benders Music Publishing
(P)&(C) (2021) (Hiss & Hertz Records) (Colin Benders | Colin Benders Music Publishing)
Having garnered a more than solid experience of the first-hand musician-to-listener experience, Benders keeps on cutting new
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The plethora of drift-space soundscapes on this album make me appreciate it even more than the previous Modular Works release. They just keep getting better. 69dragynz
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