Series review: Cry Wolf
by Jan Lumholdt
- Director Jesper Ganslandt and scriptwriter Oskar Söderlund are behind this elaborate piece of Arctic Circle noir based on a Hans Rosenfeldt crime novel
Cry Wolf, an elaborate Swedish miniseries based on Hans Rosenfeldt’s crime novel Vargasommar (lit. “Wolf Summer”), has world-premiered at the 35th Stockholm International Film Festival. Presented in the festival’s freshly launched series section, this and four other entries are being given some big-screen exposure before moving on to the streaming services. Such initiatives are welcome, at least when the result looks as striking as it does here, thanks chiefly to the geographical setting, way up north in Haparanda, literally by the Swedish-Finnish border. This is Arctic Circle Nordic noir under the midnight sun, with a touch of almost gothic ambience thrown in for good measure.
The adaptation involves an illustrious variety of northern talent on both sides of the camera, notwithstanding originator Rosenfeldt himself, the celebrated creator of The Bridge and Marcella. Leading the cast is Eva Melander (Border [+see also:
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interview: Beata Gårdeler
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interview: Gizem Erdogan
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interview: Ruben Östlund
film profile]), whose daughter Elin disappeared 19 years ago at the age of four, without a trace to this day. In no uncertain terms, these people have their work cut out for them for some time to come. Should they stay alive, that is.
Director Jesper Ganslandt (Falkenberg Farewell [+see also:
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Cry Wolf is a Swedish production staged by TV4 Drama and Nordic Drama Queens, and co-produced by ZDF, Filmpool Nord and Fifth Season (which also handles the international sales).
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